Catch Ferrari

A young woman with a long rap sheet who steals cars for a living is befriended by a public defender who tries to steer her straight. But her goal is to steal and subsequently sell enough cars (sometimes the same car more than once) to buy a new Ferrari.

Just like everyone else, I had never heard of this film until it was shown on Turner Classic Movies. And I can understand why it faded away. There is little that stands out about it, and the two stars are not anywhere near A-list (with all due respect). So it makes sense that this would be buried.

But it is not a bad movie by any means, and a fun film. Since it was apparently made by MGM, I would suspect the rights to distribute it are fairly cheap right now (2017) and it might be the kind of title that a specialty Blu-ray label would pick up.

Having known specialists in 'midnight auto' Ms. Channings portrayal of an obsessed car thief rings very true-to-life. To anyone else watching this movie the mechanics of the trade must have been an eye-opener. Of course, every car nut worth his (or her) salt has probably lusted after a Ferrari 246 Dino; but not to the degree that's reflected in Ms. Channings single-minded pursuit of that modern classic automobile.

At the time "All American Girl" was released I was living in Sea-Tac WA, the primary film setting. No effort made in trying to create a fictional locale. There was plenty of local press coverage and the movie may have even premiered there (?) Just about every frame contains shots of both the beauty and grittiness of the place and the characters inhabiting the world of grand-theft-auto (a perfect tonic BTW, for that Roger Corman/Ron Howard film on the same topic).

Not that I found the movie a 'downer'. Far from it. There's plenty of humor supplied by Ms. Channing, presaging later roles on film and TV. Her character's various changes in disguise as she alternately sells and steals a Porsche 356 in order to get up the scratch for the ultimate score are just too funny.

Making a film like "Sweet Revenge" could probably not come close to happening these days. The age of the Anti-Hero is long gone. One should be glad that it was released when it was. There's nothing else around quite like it.

Also recommended, "Gone in 60 Seconds" (the original).

Stockard Channing is a young woman who decides to steal the same car again and again, so she can get her dream ride. Sam Waterston is her court-appointed lawyer -- of course -- who finds her low-rent free spirit irresistibly challenging.

This is the 1970s, and in the aftermath of the 1960s, the free spirit, bursting from the bonds of conventionality, is no longer seen as a personal choice, of how an individual kook's defiance of convention can make her happier and give those near to her a new and valid view of the world. We don't get Katherine Hepburn gushing about Cary Grant: "You've got no faith in Johnny, have you, Julia? His little dream may fall flat, you think. Well, so it may, what if it should? There'll be another. Oh, I've got all the faith in the world in Johnny. Whatever he does is all right with me. If he wants to dream for a while, he can dream for a while, and if he wants to come back and sell peanuts, oh, how I'll believe in those peanuts!"

The downside is no longer just the people making bad choices; we get to see the elderly couple talking about how much they love their son, and imagine how they feel when they find out what has actually. Choices have consequences for other people.

Looking for a copy of the movie to see if my wife was actually in the movie or a second. Sweet Revenge was filmed at our houseboat and I was a little irate because I couldn't get home from work. Stockard Channing used our bathroom to freshen up and signed her name in lipstick on the mirror; which I thought was a little presumptuous. My wife was watching the production with her hair in curlers which the director liked and wanted to keep her in the film, but since we were going out that night she skipped the last couple of takes. We always wondered if she was in the print or not. We couldn't really tell from the showing. I would sure like to see it one more time. I thought the funniest scene was transposition of the police siren with the ice cream loudspeaker. Otherwise, I agree the plot was a little thin.

In this made-for-television flick, Stockard Channing plays a no-good, selfish, pathological liar with a rap sheet longer than her arm. Her current fixation is stealing cars, so that she can sell them and hopefully get enough money to actually buy a Ferrari. Beyond that, she has absolutely no life plan. She's not thinking of getting a legitimate job, an apartment or house, a quality boyfriend, or even a bath. What a great heroine to root for.

For some reason that never becomes clear, her young, trusting public defender—played by Sam Waterston, who else?—tells the judge to be lenient because she's a good kid and just needs a little guidance. He continually sticks up for her and tries to help her, even though she proves time and again she has neither the interest nor the tools to fully accept his help. She's incredibly unlikable, and it's very frustrating to watch her drag Sam down with her, especially for fans who know him on Law & Order. Unless you really love Stockard Channing—I don't; she's just too angry-looking all the time—you'll probably want to load up on your Jack McCoy fix the way nature intended, with a Law & Order marathon.