Männer ohne Nerven (Stunts)

A stuntman dies falling from a helicopter during filming. The man's brother Glen Wilson (Robert Forster) is joining the crew. On the way, he picks up reporter B.J. Parswell who is writing about the dangers of stunt work. There are more accidents on set or it could be deliberate.

This is most notable for being New Line Cinema's first production after being a distribution company. It starts with a very nice stunt and at least, the stunt work is all very nice. There are a lot of car stunts. It's a good behind-the-scenes representation. Even a simple helicopter hovering looks more dangerous when it is so close. The story isn't much. There are a couple of great actor but in general, the acting isn't that good. Just watch this for the stunt work.

With All Due Respect to the Stuntman Profession and the Death Defying Daring-Do, this Movie is a Bland, but sometimes Realistic Tribute.

The Subject is usually better in a Documentary Format and it is a Noble Try to make it into an Action-Drama, but at least in this one, it comes off as Cheesy and Surprisingly Ineffective and the Drama here is just Awful.

Awful Writing, Awful Music, Awful Mystery. What saves the Movie from being Worthless is the On Screen setting up of the various Stunts with attention to Details about the Methods and Machines used to Pull Off the Magic.

These Scenes are well Photographed and Clearly Presented and the Mechanics behind the Stunts is Informative and Invites Viewer Curiosity. But other than that the Movie Strains to be a Movie and is as Intriguing as an Average TV Episode of an Average TV Show.

Robert Forster, Joanne Cassidy, and some Real Stunt Men make every Effort to Entertain but are Betrayed by a Boring Script and a General Feeling of just Going Through the Motions.

It's Baffling Lack of Energy and Suspense has to be Laid at the Feet of the Writer and the Director who Produce a Movie Homage about Movie Stuntmen and if the Movie Itself was a Stunt, Everyone would call for a Do Over.

I have seen this one many times, every time I enjoy it, simple good story, good acting, stunts in stunts, beautiful women, Fiona Lewis, Joanna Cassidy and Candice Rialson. And, a very special presence, the unique face of Richard Lynch, great personality, even in a secondary role. Nice music, and great end..."just like in the movies" Well done!

STUNTS opens with a pair of black-gloved, up-to-no-good hands, as they tamper with a helicopter's safety line. Not long after, a stuntman tumbles from the same craft.

Splat!

Enter Glen Wilson (Robert Forster), who also happens to be a stuntman. Attempting to uncover the truth about his brother's demise, Wilson finds out what we already know.

Soon, Wilson's stuntman friends start having tragic "accidents" of their own.

While not overly thrilling, this movie does hold its own as a murder mystery. Forster is as good as ever, and he's joined by Fiona Lewis as stranded reporter, BJ Parswell.

Co-stars the wonderful Joanna Cassidy and Richard Lynch...

It may perhaps be a very morbid statement, but it's also an undeniable truth that action movies are far more likely to gain a cult reputation when a stuntman actually dies on set. This is somewhat the hidden premise of "Stunts", an extremely low-budgeted but nevertheless compelling and entertaining late 70s popcorn flick directed by Mark L. Lester ("Class of 1984", "Commando"). The premise is processed into a "whodunit" scenario and a film-within-film narrative structure, complete with intrigues between the different cast and crew members and various red herrings regarding the possible identity of the saboteur/stuntman killer. Robert Forster tries hard to come across as the stoic and experienced stuntman, Glen Wilson, who joins the production of a low-keyed action vehicle to investigate the circumstances of the helicopter accident in which his younger brother (also a reckless stuntman) died. Glen is convinced that his brother's gear got sabotaged and that his death wasn't accidental, and he's obviously right, since more bizarre accidents occur on the set. Much more than Brian Trenchard-Smith's contemporary "Stunt Rock", Lester's "Stunts" gives us a handful of interesting insights in the world of movie stunt work and special effects. The film also wants us to believe that stuntmen form a sort of sacred community that performs specific funeral rituals and make pacts to "pull the plug" when one of them ends up living as a vegetable when a stunt goes wrong. I don't know if there's any truth in all this, but admittedly it ensures a couple of memorable scenes. Robert Forster's acting is rather wooden, but I enjoyed the roles of familiar faces in the supportive cast, such as Ricard Lynch as the arrogant special effects wizard and Bruce Glover as stuntman Chuck who makes a really nasty fall from a six-stores tower.