IMDb-BEWERTUNG
7,2/10
43.501
IHRE BEWERTUNG
Ein erfolgloses Eishockey-Team arbeitet sich durch ständiges Gerangel und den Einsatz von Gewalt während des Spiels wieder nach oben.Ein erfolgloses Eishockey-Team arbeitet sich durch ständiges Gerangel und den Einsatz von Gewalt während des Spiels wieder nach oben.Ein erfolgloses Eishockey-Team arbeitet sich durch ständiges Gerangel und den Einsatz von Gewalt während des Spiels wieder nach oben.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Allan F. Nicholls
- Upton
- (as Allan Nicholls)
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Despite a dismissive response from critics on release, "Slap Shot" has become THE hockey film everyone knows and loves, and it's easy to see why. It's also easy to understand its initial reception. The film is perhaps excessively profane, it doesn't really seem so today but taken in the context of the time one could easily see it as straining for shock value. Paul Newman's least classy role for sure, and George Roy Hill had made some big movies before this one.
Of course there are still plenty of people who accuse this of being vulgar, crass, cartoony trash. The comedy is, sure. But it's also good at being what it is in that regard. Kevin Smith is making a hockey movie about the goon era of hockey based on the Warren Zevon song "Hit Somebody!". If that isn't a rehash of "Slap Shot" I'll eat my hat. The humor is pretty much exactly Smith's style. I expect far more sentimentality from him than "Slap Shot" offers, though. Still, it's GOOD lowbrow humor, with the occasional clever bit that keeps it afloat. Incredibly sharp, memorable dialogue as well.
But what really sets "Slap Shot" apart from most sports flicks to me isn't the comedy, it's the drama. The characters are convincingly-drawn, even the ones which exist purely for comic relief. Nancy Dowd was a good writer and George Roy Hill was a great director. Together they found a perfect balance. Sure, you can watch this movie and laugh and get wasted with your buddies after a hockey game one night, but there's so much more to it. I find it works remarkably well as an examination of the society and community which the sport creates, and which lives around it. The portrayal of marital strife and a town in the midst of economic meltdown is tremendously affecting, the character's relationships and Reggie's story being the film's greatest achievement.
It's also a great examination of hockey, a sophisticated debate over what hockey is or should be. A recent survey found 99.5% of NHL players were in favor of keeping fighting in the game, but that's to the extent that it exists today. How many would want the goon era back? There are still people who 'watch hockey for the fights', "Slap Shot" seems to acknowledge that the goon era reduced hockey to nothing more than a freakshow. The WWE on ice. Don't get me wrong, I'll jump out of my seat with the rest of the crowd if a fight breaks out, but never have cared for hockey as played during the 70's in the US, with violence as the main attraction. The movie does away with the verbal arguments about the nobility of the sport for a comic finale, but even that makes its point quite clear. The very last scene of the film, the ambiguous ending, is even greater.
Great director, great cast, great writing. That's the recipe for a great movie. "Slap Shot" most certainly is one. Gene Siskel's biggest regret as a film critic was giving this a mediocre review on release, as he came to absolutely adore the film on repeat viewings. I think it's easy to mistake this for just another sports comedy, but there's so much more to it, and if you can't see that... well, I feel sorry for you, but to each their own.
Of course there are still plenty of people who accuse this of being vulgar, crass, cartoony trash. The comedy is, sure. But it's also good at being what it is in that regard. Kevin Smith is making a hockey movie about the goon era of hockey based on the Warren Zevon song "Hit Somebody!". If that isn't a rehash of "Slap Shot" I'll eat my hat. The humor is pretty much exactly Smith's style. I expect far more sentimentality from him than "Slap Shot" offers, though. Still, it's GOOD lowbrow humor, with the occasional clever bit that keeps it afloat. Incredibly sharp, memorable dialogue as well.
But what really sets "Slap Shot" apart from most sports flicks to me isn't the comedy, it's the drama. The characters are convincingly-drawn, even the ones which exist purely for comic relief. Nancy Dowd was a good writer and George Roy Hill was a great director. Together they found a perfect balance. Sure, you can watch this movie and laugh and get wasted with your buddies after a hockey game one night, but there's so much more to it. I find it works remarkably well as an examination of the society and community which the sport creates, and which lives around it. The portrayal of marital strife and a town in the midst of economic meltdown is tremendously affecting, the character's relationships and Reggie's story being the film's greatest achievement.
It's also a great examination of hockey, a sophisticated debate over what hockey is or should be. A recent survey found 99.5% of NHL players were in favor of keeping fighting in the game, but that's to the extent that it exists today. How many would want the goon era back? There are still people who 'watch hockey for the fights', "Slap Shot" seems to acknowledge that the goon era reduced hockey to nothing more than a freakshow. The WWE on ice. Don't get me wrong, I'll jump out of my seat with the rest of the crowd if a fight breaks out, but never have cared for hockey as played during the 70's in the US, with violence as the main attraction. The movie does away with the verbal arguments about the nobility of the sport for a comic finale, but even that makes its point quite clear. The very last scene of the film, the ambiguous ending, is even greater.
Great director, great cast, great writing. That's the recipe for a great movie. "Slap Shot" most certainly is one. Gene Siskel's biggest regret as a film critic was giving this a mediocre review on release, as he came to absolutely adore the film on repeat viewings. I think it's easy to mistake this for just another sports comedy, but there's so much more to it, and if you can't see that... well, I feel sorry for you, but to each their own.
I love how they got Paul Newman for this part, and how great he looks out on the ice. The film parodies the violence in hockey, and it had some potentially interesting bits in the class aspects of a blue collar town facing a plant closing, as well as a mostly faceless owner who disdains the sport and simply looks forward to a tax write-off, but unfortunately these don't come to much. Worse is the cringe-inducing homophobia. The best part of the film are the hilarious Hanson brothers, and the film could have used a lot more of them.
I liked this movie when I first saw it over twenty years ago, and its still great! The swinging 70's get perfectly captured, by the music, hair styles and especially the awful clothes. All the actors do their own skating, so you aren't distracted looking for body doubles the entire movie. The screenplay is priceless and if anyone thinks its sexist - a woman wrote this movie! This is the only hockey movie worth anything - hopefully "Mystery, Alaska" can join it.
To be completely honest, "Slap Shot" would've charmed me simply for being a hockey movie. We could do with more of those, without Emilio Estevez. But it earns its place among the better (best?) sports movies not for having underdog skill, a committed dream or thirst for winning, but for dabbling in the gutters of blue humor and distilling the sport down to its most low-brow of beer-guzzling violent fun. The closest thing I can think of to compare this to is "Major League", which is a compliment unto itself.
Even if you don't like the sport, the movie is absolutely worth your time for an unusually profane (and always likable) Paul Newman and for the psychotic Hanson brothers.
Thoroughly entertaining.
8/10
Even if you don't like the sport, the movie is absolutely worth your time for an unusually profane (and always likable) Paul Newman and for the psychotic Hanson brothers.
Thoroughly entertaining.
8/10
One of the knocks that has always been given to Paul Newman was that he was not right for comedy. When you're talking about stuff like A New Kind of Love or Rally Round the Flag Boys that's probably true. But Slapshot shows that what Paul Newman needed to be good for comedy was something not quite so sophisticated.
Slapshot ain't Oscar Wilde, but it's not quite to the level of the Police Academy movies. It's just right for Paul Newman as the veteran player/coach with a team of misfits from one of hockey's minor leagues who's forever looking for a break from the majors.
The Charlestown Chiefs who seem to be the hockey equivalent of the New York Mets are having a perennial losing season. The town itself is one flush away from despondency with a mill that was the main employer in the town shutting down. That means the paltry attendance the Chiefs already have will diminish more. It's an uncertain future.
So with nothing to lose, Newman's boys turn the sport into a hockey facsimile of the World Wrestling Federation. In no other sport are fights among the players so accepted. But Newman ratchets it up to an exponential level.
And his team actually starts to win and the Charlestown Chiefs become a gate attraction.
There's a lot more to the resolution of the team's problems, but that championship game is unforgettable.
All Hail the Brothers Hanson.
Slapshot ain't Oscar Wilde, but it's not quite to the level of the Police Academy movies. It's just right for Paul Newman as the veteran player/coach with a team of misfits from one of hockey's minor leagues who's forever looking for a break from the majors.
The Charlestown Chiefs who seem to be the hockey equivalent of the New York Mets are having a perennial losing season. The town itself is one flush away from despondency with a mill that was the main employer in the town shutting down. That means the paltry attendance the Chiefs already have will diminish more. It's an uncertain future.
So with nothing to lose, Newman's boys turn the sport into a hockey facsimile of the World Wrestling Federation. In no other sport are fights among the players so accepted. But Newman ratchets it up to an exponential level.
And his team actually starts to win and the Charlestown Chiefs become a gate attraction.
There's a lot more to the resolution of the team's problems, but that championship game is unforgettable.
All Hail the Brothers Hanson.
Wusstest du schon
- WissenswertesPaul Newman had stated on many occasions that he had more fun making this film than on any other film he has starred in, and that it remained his favorite.
- PatzerJust after the wives discuss the "Great Ideas of the World" set, Jean-Guy Drouin chases a player behind the net and when they come out the other side, a director in skates and a couple members of his crew can be seen on the ice in the corner of the rink.
- Zitate
[referee skates over to Steve Carlson during the playing of the National Anthem]
Peterboro Referee: I got my eye on the three of you, guys. You pull one thing, you're out of this game! I run a clean game here. I have any trouble here, I'll suspend you!
Steve Hanson: I'm listening to the fucking song!
- Crazy CreditsSpecial thanks to John Mitchell and his Johnstown Jets.
- Alternative VersionenThe VHS and laserdisc version replaced Maxine Nightingale's recording of "Right Back Where We Started From" on the soundtrack. The DVD and TV versions retain the song.
- VerbindungenEdited into Yoostar 2: In the Movies (2011)
- SoundtracksRight Back Where We Started From
Written by Pierre Tubbs and J. Vincent Edwards (uncredited)
Performed by Maxine Nightingale
United Artists Records
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- Erscheinungsdatum
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Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 28.000.000 $
- Weltweiter Bruttoertrag
- 28.000.000 $
- Laufzeit2 Stunden 3 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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