Füge eine Handlung in deiner Sprache hinzuA hospital nurse is possessed by an evil spirit, and proceeds to kill off the hospital's patients.A hospital nurse is possessed by an evil spirit, and proceeds to kill off the hospital's patients.A hospital nurse is possessed by an evil spirit, and proceeds to kill off the hospital's patients.
Katherine Pass
- Nurse Beth Dillon
- (as Mary Kay Pass)
Clay Foster
- Dr. Nelson
- (as Clayton Foster)
John F. Goff
- Psychiatrist Dr. Andrews
- (as Jack Barnes)
Bob Dietz
- Stabbed Doctor in Hospital
- (Nicht genannt)
Steven Jacobson
- Doctor with glasses in the background
- (Nicht genannt)
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Shock-A-Rama offers this DVD edition which features two different versions of the movie, commentary track on one feature by producer Sam Sherman, and the usual assortment of trailers that come with the majority of DVDs released under the Seduction Cinema umbrella.
Essentially, there are two different movies presented: Possession of Nurse Sherri, a remastered release of the horror cut with optional track with Sherman, and Nurse Sherri, the original drive-in release of the sexploitation version. Sherman provides juicy details on the canny presentation of the "horror" version, detailing what was edited/added to the initial release. At a glance, 70% of both movies are the same, but with noticeable differences: the horror cut has at least three additional scenes with character actor JC Wells being pursued by the disembodied spirit of a dead spiritualist, while three edited scenes of sex/nudity are provided by the sexploitation cut. These last three scenes are certainly eye-openers: a scene of hospital seduction between a buxom nurse and blind patient, another that has the chief surgeon receiving oral gratification at his podium while giving a lecture in front of a college classroom (!), and an extended scene between the surgeon and our Nurse Sherri with ardent lovemaking culminating in Sherri's flashback of her sole lesbian encounter. These last two segments show how Sherri fills that nurse's uniform with more than ample results!
Previous reviews at IMDB have decried the lack of horror elements and nudity, one even saying that if released today the movie would probably get a PG rating! I can assure anyone that neither of these versions are remotely PG.
Al Adamson--along with Jerry Warren and Jess Franco--had the notoriety of "film doctor", constantly re-editing and re-marketing product that had already saturated a film niche. This wonderful DVD shows how Sam Sherman and Adamson worked in that process.
A highly recommended DVD (regardless of the quality of the movies) which begs one question; whatever happened to star Jill Jacobson, and where is the inevitable Celebrity Sleuth layout?
Essentially, there are two different movies presented: Possession of Nurse Sherri, a remastered release of the horror cut with optional track with Sherman, and Nurse Sherri, the original drive-in release of the sexploitation version. Sherman provides juicy details on the canny presentation of the "horror" version, detailing what was edited/added to the initial release. At a glance, 70% of both movies are the same, but with noticeable differences: the horror cut has at least three additional scenes with character actor JC Wells being pursued by the disembodied spirit of a dead spiritualist, while three edited scenes of sex/nudity are provided by the sexploitation cut. These last three scenes are certainly eye-openers: a scene of hospital seduction between a buxom nurse and blind patient, another that has the chief surgeon receiving oral gratification at his podium while giving a lecture in front of a college classroom (!), and an extended scene between the surgeon and our Nurse Sherri with ardent lovemaking culminating in Sherri's flashback of her sole lesbian encounter. These last two segments show how Sherri fills that nurse's uniform with more than ample results!
Previous reviews at IMDB have decried the lack of horror elements and nudity, one even saying that if released today the movie would probably get a PG rating! I can assure anyone that neither of these versions are remotely PG.
Al Adamson--along with Jerry Warren and Jess Franco--had the notoriety of "film doctor", constantly re-editing and re-marketing product that had already saturated a film niche. This wonderful DVD shows how Sam Sherman and Adamson worked in that process.
A highly recommended DVD (regardless of the quality of the movies) which begs one question; whatever happened to star Jill Jacobson, and where is the inevitable Celebrity Sleuth layout?
I first saw this movie at the local drive-in as part of a double bill with "Eyeball" - What a complete laugh-fest! The "acting" and production values are definitely par for the course for Al Adamson (In one scene alone is it daytime or night - or just blue filter over the camera lens? Who cares? Apparently not Mr. Adamson) I had to buy this one as soon as I found a copy and now that it's on DVD, I highly recommend this to any fans of the genre...I think it's Al Adamson's...uhhh...masterpiece (?!) One that truly has to be seen to be believed...
Oh yeah! Jill Jacobson's breasts should have had their own credit in the movie (if you know what I mean) Whatever happened to Jill Jacobson??
Oh yeah! Jill Jacobson's breasts should have had their own credit in the movie (if you know what I mean) Whatever happened to Jill Jacobson??
"Nurse Sherri" is proof positive that even a hack genre filmmaker like Al Adamson can still have it in them to produce something interesting and worthwhile. Compared to much of his output, this is actually pretty good. The acting (some of it, anyway) and the script (by Michael Bockman and Greg Tittinger, who also edited the picture) are above average. Dare I say it...Adamson crafts some striking and memorable horror here, especially the scene in the foundry.
The film is still rather crude if you put it up against slicker, more mainstream horror, and the animation effect is primitive, but this viewer still has a good time with this one.
Jill Jacobson plays the title role, who was present for an operation performed on a cult leader / necromancer named Reanhauer (Bill Roy). The trouble is, this was an operation that the patient did NOT authorize himself, so when he dies, his angry, vengeful spirit comes to rest inside Sherri, and compels her to murder the doctors who were involved. Sherri's lover (Geoffrey Land) and two of her co-workers (Marilyn Joi, Katherine Pass) all try to do something to reverse this possession.
There is some stiff and awkward acting, but the actors and their characters are engaging nevertheless, especially lovely exploitation veteran Joi, whose nurse lusts after star football player Marcus Washington (Prentiss Moulden), who was blinded in a car accident. Although quite serious overall, there is time for levity as Pass demonstrates a very sexy bedside manner to a male patient. Jacobson isn't really given enough to work with to make her character all that sympathetic, however. It's the devilishly good Roy who manages to steal the show, although J.C. Wells gives him some competition as a follower who is terrorized by the dead mans' spirit. John F. Goff, another prolific actor in exploitation features of the time, does a fine job as a psychiatrist.
It appears that the music used is stock music, but it's wonderfully theatrical schlock horror movie music that suits the material. And Adamsons' filmmaking may not be that slick, but it's clear that after a decade or so in the business, he'd honed his craft to some degree.
Good fun, for undemanding genre fans.
Also available in an 85 minute alternate version which puts the accent on sex rather than horror.
Seven out of 10.
The film is still rather crude if you put it up against slicker, more mainstream horror, and the animation effect is primitive, but this viewer still has a good time with this one.
Jill Jacobson plays the title role, who was present for an operation performed on a cult leader / necromancer named Reanhauer (Bill Roy). The trouble is, this was an operation that the patient did NOT authorize himself, so when he dies, his angry, vengeful spirit comes to rest inside Sherri, and compels her to murder the doctors who were involved. Sherri's lover (Geoffrey Land) and two of her co-workers (Marilyn Joi, Katherine Pass) all try to do something to reverse this possession.
There is some stiff and awkward acting, but the actors and their characters are engaging nevertheless, especially lovely exploitation veteran Joi, whose nurse lusts after star football player Marcus Washington (Prentiss Moulden), who was blinded in a car accident. Although quite serious overall, there is time for levity as Pass demonstrates a very sexy bedside manner to a male patient. Jacobson isn't really given enough to work with to make her character all that sympathetic, however. It's the devilishly good Roy who manages to steal the show, although J.C. Wells gives him some competition as a follower who is terrorized by the dead mans' spirit. John F. Goff, another prolific actor in exploitation features of the time, does a fine job as a psychiatrist.
It appears that the music used is stock music, but it's wonderfully theatrical schlock horror movie music that suits the material. And Adamsons' filmmaking may not be that slick, but it's clear that after a decade or so in the business, he'd honed his craft to some degree.
Good fun, for undemanding genre fans.
Also available in an 85 minute alternate version which puts the accent on sex rather than horror.
Seven out of 10.
The introductory prologue to Nurse Sherri has a small devil-worshipping cult in the desert trying to bring a man back to life. In the midst of conjuring up the forces of evil, the head necromancer Reanhauer has a heart attack and is rushed to hospital. Whilst in hospital he is attended to by Nurse Sherri and he speaks to her in long monologues regarding the supernatural. Reanhauer's condition rapidly worsens and he ends up on the operating table under the scalpel of Peter, Sherri's surgeon boyfriend (with the assistance of Sherri) where he eventually expires. Later on when Sherri is at home masturbating on her bed, a strange animated green ethereal fog floats into her room and rapes her(although she doesn't really put up much of a fight). This is definitely one of the "trippiest" rapes I've ever witnessed on celluloid, and probably the highlight of the film.
It turns out that the green fog was the blasphemous cult leader's spirit and now Nurse Sherri is possessed! You can tell cos she speaks in a man's voice and bugs her eyes outta her head. She then goes a killing spree, massacring a few doctors - one is dispatched via pitchfork impalement, another is stabbed in the chest. A blind ex-footballer hospital patient whose grandmother is a Haitian Voodoo priestess says the only way to exorcise Nurse Sherri's evil possessor is to dig up and burn the corpse of Reanhauer, so a couple of Sherri's nurse friends cruise to the cemetery for some good ol' grave desecratin'.
I actually dug this cheapie from Al Adamson quite a bit more than I'd expected to. I mean yeah, there are a lot of slow parts, the ultra low budget sets and amateurish acting are blatant and the films theme song is stolen directly from The Godfather, but that just goes to show this flick for what it essentially is - a typical slice of 70's exploitation fare, designed to draw in the crowds who are eager to see some gratuitous nudity and a bit of blood.
And there's enough exploitable elements here to make for some entertaining (if slightly tame) sleaze, mainly of the sexed-up female nurse variety. Whether it be pointless flashbacks to "the craziest sexual experience'' Sherri and her boyfriend have ever had (a lesbian encounter and a naughty blowjob), patient "relief" that goes far beyond the call of duty, some semi-bloody kills, and a grand finale that has a bugged out Nurse Sherri covered in blood with a meat cleaver in each hand preparing to slaughter her boyfriend Peter. All in all one of the more enjoyable pieces of trash I've seen from schlock-maestro Adamson.
It turns out that the green fog was the blasphemous cult leader's spirit and now Nurse Sherri is possessed! You can tell cos she speaks in a man's voice and bugs her eyes outta her head. She then goes a killing spree, massacring a few doctors - one is dispatched via pitchfork impalement, another is stabbed in the chest. A blind ex-footballer hospital patient whose grandmother is a Haitian Voodoo priestess says the only way to exorcise Nurse Sherri's evil possessor is to dig up and burn the corpse of Reanhauer, so a couple of Sherri's nurse friends cruise to the cemetery for some good ol' grave desecratin'.
I actually dug this cheapie from Al Adamson quite a bit more than I'd expected to. I mean yeah, there are a lot of slow parts, the ultra low budget sets and amateurish acting are blatant and the films theme song is stolen directly from The Godfather, but that just goes to show this flick for what it essentially is - a typical slice of 70's exploitation fare, designed to draw in the crowds who are eager to see some gratuitous nudity and a bit of blood.
And there's enough exploitable elements here to make for some entertaining (if slightly tame) sleaze, mainly of the sexed-up female nurse variety. Whether it be pointless flashbacks to "the craziest sexual experience'' Sherri and her boyfriend have ever had (a lesbian encounter and a naughty blowjob), patient "relief" that goes far beyond the call of duty, some semi-bloody kills, and a grand finale that has a bugged out Nurse Sherri covered in blood with a meat cleaver in each hand preparing to slaughter her boyfriend Peter. All in all one of the more enjoyable pieces of trash I've seen from schlock-maestro Adamson.
I love just about everything the late Al Adamson directed in his long and varied career, but "The Possession of Nurse Sherri" stands head and shoulders above fun yet admittedly grade-Z schlockfests like "Horror of the Blood Monsters" and "Blood of Ghastly Horror". This film is actually scary! Am I saying that you're going to jump out of your seat when you watch "Nurse Sherri"? No, of course not. But this pastiche of elements from "The Exorcist", "Ruby", and "Carrie" is one of those nice, eerie little horror movies common to the '70s. You can't put your finger on what's so spooky about it, but the film drips with atmosphere. (And what an ending! Don't worry, I won't spoil it for you.) Adamson and producer Sam Sherman really nailed it with this one, and it doesn't matter whether "Nurse Sherri" was a calculated success or a happy accident. Jill Jacobson is likable but not outstanding as the hapless nurse who becomes possessed by the spirit of a recently deceased cult leader (Bill Roy, who shines in his brief role). Geoffrey Land is okay as her surly doctor boyfriend. There are some blaxploitative elements here (profit was the bottom line with these cheap drive-in flicks, after all) but they actually contribute to the plot rather than just being window dressing. "Nurse Sherri" was a Poverty Row production, and it shows at times (sets, special effects, etc.). Still, the film has heart, mostly decent acting and direction, and some genuine chills. Sam Sherman also saw fit to use Harry Lubin's theme music for the late '50s/early '60s television series "One Step Beyond" in this film, which certainly adds to the creepy atmosphere. The DVD contains two significantly different cuts of the movie (the early version features a lot of T&A that wound up on the cutting room floor to make way for more horrific stuff) as well as the theatrical trailer, the TV spot, and a great commentary by Sherman. Does anybody know whatever happened to Bill Roy, by the way? Next to John Carradine, he's the best actor I've ever seen in an Al Adamson film, and he plays the cult leader like he means it.
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- WissenswertesThe music in the film appears to borrow heavily from Dominic Frontiere's score for the 1963-1965 TV series "The Outer Limits".
- PatzerIn one scene in the film, a hospital patient has the wrong end of an oral thermometer in his mouth.
- Alternative VersionenThis film was released in two versions. THE POSSESSION OF NURSE SHERRI version runs 88 minutes and features a subplot of a cult follower also trying to find the cult leader's buried body. The NURSE SHERRI version runs 84 minutes and removes all of these subplot scenes; instead, it replaces them with four nude scenes not featured in the POSSESSION version. Both versions are offered on the Shock-o-rama DVD release of the film.
- VerbindungenFeatured in Drive-In Madness! (1987)
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Details
- Laufzeit1 Stunde 28 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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