IMDb-BEWERTUNG
8,7/10
17.375
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIt's April 5, 1941, somewhere in Serbia. A group of people go on a bus to Belgrade, on a journey that will change their lives forever.It's April 5, 1941, somewhere in Serbia. A group of people go on a bus to Belgrade, on a journey that will change their lives forever.It's April 5, 1941, somewhere in Serbia. A group of people go on a bus to Belgrade, on a journey that will change their lives forever.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 2 Nominierungen insgesamt
Pavle Vuisic
- Kondukter
- (as Pavle Vujisic)
Danilo 'Bata' Stojkovic
- Brka
- (as Danilo Stojkovic)
Milivoje 'Mica' Tomic
- Aleksa Simic
- (as Milivoje Tomic)
Boro Stjepanovic
- Celavi
- (as Borislav Stjepanovic)
Djenadija Rogic
- Baba u crnom
- (Nicht genannt)
Milovan Tasic
- Oracev sin koji busi gumu
- (Nicht genannt)
Empfohlene Bewertungen
10PerryW
Actually I'm surprised there were so many comments about this movie. I saw it as part of a Slavic film festival at a major American University. But nobody in USA has heard of it, which is a real shame! The dynamics between the people are what makes it both funny and sad. They are stuck together on a long bus trip--someplace most of us have been!! But I never had one like this!!
My favorite scene is the one where they stop for the funeral. Then the man & woman sneak off for some Lovemaking in the forest but everybody follows them to watch without them knowing! Just as she raises her skirt and he enters her all the way--the consumptive starts hacking & they realize everybody is watching!! Talk about premature withdrawall!! But...you really have to feel for them even if it is hilariously funny! When you see the ending it is sort of ironic that they enjoyed themselves while they did! Serb humor at it's best!
My favorite scene is the one where they stop for the funeral. Then the man & woman sneak off for some Lovemaking in the forest but everybody follows them to watch without them knowing! Just as she raises her skirt and he enters her all the way--the consumptive starts hacking & they realize everybody is watching!! Talk about premature withdrawall!! But...you really have to feel for them even if it is hilariously funny! When you see the ending it is sort of ironic that they enjoyed themselves while they did! Serb humor at it's best!
10guy-42
I saw this film (it's English title is "Who's Singing Over There?") at the 1980 Montreal International Film Festival. It won raves then... and disappeared. A terrible shame. It is brilliant. Sublime, ridiculous, sad, and extremely funny. The script is a work of art. It's been 19 years and I've seen only a handful of comedies (or any other genre, for that matter) that can match its originality.
This brilliant flick about several people traveling to Belgrade just before start of the WW2 in Yugoslavia is probably worth an Oscar or two. It is very profound, intelligent and, above all, funny. Jokes are typically Balkanesque, which makes it even more original in global circuits.
This "tragicomedy" written by famous Serbian theatre/film writer Dusan Kovacevic is probably one of the best movies ever made in the comedy category. And yet, its appearance of a theatre play transformed into a feature film takes nothing of its value. A masterpiece one should not miss to see (preferably with subtitles, and not dubbed).
In an aged bus en route to capital Belgrade, a looming war decides the passengers' behaviour. Two Gypsy musicians sing of their miserable life but also foresee a tragedy to come; their singing both divides and connects stages in this extraordinary road movie (real life Kostic brothers are amateur actors, but together with Stanojlo Milinkovic as farmer who's plowed the road give a real-life performance).
The spectrum of characters gives a brilliant image of a society facing a war, an insight into nation's collective person: everyone is aware that war is just about to begin but they try to live their own lives the best they can, hoping that ignorance might avert the tragedy. Using a simple movie language, director Slobodan Sijan paints a picture of society torn by previous war (World War I), but also highlights personal portraits with success: provincialism of a singer, inexperience of the newlyweds, seriousness of the Great War veteran who is on way to visit his recently conscripted son, and gloomy predictions from a man who seems to be a German spy.
Brilliant in its narration, with memorable soundtrack (especialy the Gispsy songs) and adjusted atmosphere, well photographed and edited, this feature (Sijan's feature debut) was only an introduction into a series of the directors bitter-sweet comedies that will define Serbian cinematography of the 1980s: "Maratonci trce pocasni krug", "Kako sam sistematski unisten od idiota", and my other director's favourite "Davitelj protiv davitelja").
In an aged bus en route to capital Belgrade, a looming war decides the passengers' behaviour. Two Gypsy musicians sing of their miserable life but also foresee a tragedy to come; their singing both divides and connects stages in this extraordinary road movie (real life Kostic brothers are amateur actors, but together with Stanojlo Milinkovic as farmer who's plowed the road give a real-life performance).
The spectrum of characters gives a brilliant image of a society facing a war, an insight into nation's collective person: everyone is aware that war is just about to begin but they try to live their own lives the best they can, hoping that ignorance might avert the tragedy. Using a simple movie language, director Slobodan Sijan paints a picture of society torn by previous war (World War I), but also highlights personal portraits with success: provincialism of a singer, inexperience of the newlyweds, seriousness of the Great War veteran who is on way to visit his recently conscripted son, and gloomy predictions from a man who seems to be a German spy.
Brilliant in its narration, with memorable soundtrack (especialy the Gispsy songs) and adjusted atmosphere, well photographed and edited, this feature (Sijan's feature debut) was only an introduction into a series of the directors bitter-sweet comedies that will define Serbian cinematography of the 1980s: "Maratonci trce pocasni krug", "Kako sam sistematski unisten od idiota", and my other director's favourite "Davitelj protiv davitelja").
10niko.
This movie is one of the funniest, saddest and most accurate portrayals of the mentality that seems to have pervaded the Balkans yet again, 45 years after the time depicted. All the usual characters and conflicts are presented with such anger, sadness and love combined that it is impossible to decide whether crying or laughing would be the more appropriate response. The accuracy of portrayal and the timelessness of the types, however, make it for a great film to watch if one wants to understand a little bit of what drove ex-Yugoslavia to its madness. In fact, no diplomat dealing with the region should attempt anything until they saw this movie, and its twin, *Maratonci trce pocasni krug.* Did I mention it is one of the funniest movies I've ever seen?
Wusstest du schon
- WissenswertesIn some scenes of the film, an old woman, clad entirely in black, is seen sitting at the back seat. No one ever talks to her, she plays no part in the film's plot, and she isn't listed in the end credits. Director Slobodan Sijan has allegedly said that she represents death, as well as the tragedy of the upcoming war. However, the film's screenwriter Dusan Kovacevic has said that: ''The old woman in black represents a part of Serbia which is completely isolated. She is an analogy of the old people who were left in some backwater villages by their families. There they live, day-by-day, accepting their fate, with little concern about the events in the world, and have created their own paradox of memory, habits and melancholy.''
- PatzerThe bus that makes the center point of the film is a Mercedes-Benz O3500, which did not enter the production until 1949, eight years after the events in film take place.
- VerbindungenFeatured in Horrible Reviews: Best Movies I've Seen In 2023 (2024)
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