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Der Ankläger

Originaltitel: L'imprécateur
  • 1977
  • 1 Std. 42 Min.
IMDb-BEWERTUNG
6,3/10
118
IHRE BEWERTUNG
Der Ankläger (1977)
ComedyDrama

Füge eine Handlung in deiner Sprache hinzuThe management orders an investigation about the inflammatory leaflets that are spread, because they assume that an internal opposition is at work.The management orders an investigation about the inflammatory leaflets that are spread, because they assume that an internal opposition is at work.The management orders an investigation about the inflammatory leaflets that are spread, because they assume that an internal opposition is at work.

  • Regie
    • Jean-Louis Bertuccelli
  • Drehbuch
    • Stephen Becker
    • Jean-Louis Bertuccelli
    • René-Victor Pilhes
  • Hauptbesetzung
    • Jean Yanne
    • Michel Piccoli
    • Jean-Pierre Marielle
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    118
    IHRE BEWERTUNG
    • Regie
      • Jean-Louis Bertuccelli
    • Drehbuch
      • Stephen Becker
      • Jean-Louis Bertuccelli
      • René-Victor Pilhes
    • Hauptbesetzung
      • Jean Yanne
      • Michel Piccoli
      • Jean-Pierre Marielle
    • 3Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung41

    Ändern
    Jean Yanne
    Jean Yanne
    • Directeur des relations humaines
    Michel Piccoli
    Michel Piccoli
    • Saint-Ramé
    Jean-Pierre Marielle
    Jean-Pierre Marielle
    • Roustev
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Le Rantec
    Michael Lonsdale
    Michael Lonsdale
    • Abéraud
    • (as Michel Lonsdale)
    Marlène Jobert
    Marlène Jobert
    • Madame Arangrude
    Robert Webber
    Robert Webber
    • Le cadre américain
    Charles Cioffi
    Charles Cioffi
    • Mac Ganter
    Noëlle Adam
    Noëlle Adam
    • Madame Saint-Ramé
    Anton Diffring
    Anton Diffring
    • Ronson
    Christine Pascal
    Christine Pascal
    • Betty Saint-Ramé
    Virginie Billetdoux
    • Simone, la secrétaire
    Philippe Brigaud
    Philippe Brigaud
    • Selis
    Gérard Caillaud
    • Chavegnac
    Pierre Haudebourg
    • Samueru
    Gérard Hérold
    • Térenne
    Jean-Claude Montalban
    • Yritieri
    Jean-Paul Muel
    Jean-Paul Muel
    • Fournier
    • Regie
      • Jean-Louis Bertuccelli
    • Drehbuch
      • Stephen Becker
      • Jean-Louis Bertuccelli
      • René-Victor Pilhes
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen3

    6,3118
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    Empfohlene Bewertungen

    searchanddestroy-1

    Typical seventies French film.

    As was LA GRANDE BOUFFE, several years earlier and also a social satyre of the modern consumierism society and its search for a meaning in life and excess of all kinds, this movie explores the lethal side effects of capitalism and the greedy, ruthless and inhuman multinationals for the modern world. This story is totally deplaced, offbeat, weird but facsinating. It uses the metaphor tool which works so much. It is so efficient, especially starring the likes of Michel Piccoli, Jean-Pierre Marielle and Jean Yanne; all great specialists for this kind of f...up French films of this crazy period, today totally lost, forgotten. But this movie remains disturbing, a real gem for me. However not for all audiences.
    10pvsp

    an underestimated black comedy about executives

    That's a french film hardly known even in France but it's an astounding "avant-garde" dark satire about worldwide company executives.

    It's also gathers a great cast : The late Jean Yanne (of one the best french actor of the past thirty years) and Michel Piccoli as the deranged, though respected, big boss of "Rosery and Mitchell's".

    On my knowledge, the film was broadcast a few times on french television since his theatrical release. I saw it once in 83 and, recently on the cable. The film was released on VHS in the early eighties. Try to get a copy !

    For the record, The film, shot in 1977, opens on a view of the World trade center in NYC and ends the falling down of a big corporation building in Paris.

    David
    2vostf

    Massive lack of focus: dark satire or conspiracy thriller ? Jean Yanne or Piccoli, Marielle... ?

    There are lost masterpieces or hidden gems, but there is no such thing as a forgotten excellent movie. Hidden gems may have been overlooked in their time but they are rediscovered and regularly pop up on the enthusiast's radar, especially in the age of internet with algorithms that automates suggestions. Aside from this people can have a sweet spot for flawed movies, they connect with the project of the movie, be it innovative endeavour, narrative strength, pure nostalgia, silly slapstick etc. But they acknowledge it is something more personal because the movie is flawed at heart.

    There is nothing of the sort here. Sure you want a movie with such a stellar cast to be good, and although I was dubious this movie would be able to stun me - especially after the dumb opening credits, very lame helicopter shots of Manhattan's WTC twin towers; seriously, if you can't find a simple creative idea to set the tone, just put the credits over a prologue - I also wanted to enjoy great scenes with those fantastic actors: Yanne, Piccoli, Marielle, Brially, Lonsdale. But try as I might I cannot remember one good bit. Simply because these great actors are only barely staying afoot in this quagmire of a movie.

    It is painful because every time you hope the narration will show some depth, build a suspense, or just show off with dialogue fireworks, it fizzles. L'Imprécateur is way below mediocre because it simply does not know what story it is telling. Why not focus on a conspiracy thriller? There were so many good examples to emulate at the time. I guess they felt too clever and wanted to add a heavy satirical layer, which precisely fissures the whole contraption.

    In the end this is a very sad example of poor moviemaking skills. Dehumanized, contrived... ironically this is exactly what the movie wants to criticize inside global corporations. And its fatal mistake is to want to illustrate some kind of fight between French common sense/savoir-vivre and American runaway greed. So full of it. Jean Yanne seems to be the main character as the HR director but who knows, the script is actually crowded with too many prominent cooks so his part ends up so diluted that we hardly know where the director wants us to go.

    Eventually the ending is so much worse that it is almost unbelievable! But by that time your brain has long stopped expecting anything good and rightfully starts to erase the whole experience.

    Mehr wie diese

    Zum Freiwild erklärt
    6,7
    Zum Freiwild erklärt
    Drei auf der Flucht
    5,8
    Drei auf der Flucht
    Wir werden nicht zusammen alt
    7,2
    Wir werden nicht zusammen alt

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The real star of this film, the imposing and untypical french building where is settled the "Rosery & Mitchell" company is not a model. It's the actual Maine Montparnasse tower of which construction was achieved only 3 years before the shooting of this film.
    • Crazy Credits
      The movie opens with the following dedication: "To Andréas Winding." He was the film cinematographer and died before the film release.

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 7. September 1977 (Frankreich)
    • Herkunftsländer
      • Frankreich
      • Schweiz
    • Sprache
      • Französisch
    • Auch bekannt als
      • The Accuser
    • Produktionsfirmen
      • Action Films
      • Citel Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 42 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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    Der Ankläger (1977)
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    By what name was Der Ankläger (1977) officially released in Canada in English?
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