Höhenkoller

Though often overlooked in favor of Blazing Saddles or Young Frankenstein, I believe this to be the pick of Brooks' parodies. Whether you share this opinion would depend on your familiarity with all things Hitchcockian.

It is not only Vertigo, as the title suggests, that gets the Brooks treatment here, but The Birds, Spellbound and Psycho are all parodied to various degrees of subtlety. Many of these films key scenes are simply re-enacted with comic touches, whilst the Hitchcock formalae is very much in evidence. The style is particularly amusing in its parody. Highlights include a probing camera becoming all too literally intrusive when it crashes through a pane of glass in the window, and a dramatic sound composition turning out to be merely the didactic passing bus load of a touring philamonic orchestra.

Resisting the out and out farce of his earlier effort, Blazing Saddles, and managing not to evolve into simply being a one joke movie such as the tendency of his recent efforts, High Anxiety is Brooks at his most clever. The cast, mainly consisting of Brooks regulars, all display splendidly entertaining and aptly silly impersonations of recognisible Hitchcock stereotypes. It is Brooks' finest hour however, with not only directing, writing, and acting to his credit but singing as well!!!

Mel Brooks arrives at the "Institute" to find suspicious goings on, and tries to find out what's going on and who is behind it. Cloris Leachman and Harvy Korman are fellow doctors at the asylum, and watch over the institute when Mel must attend a conference. Watch for Barry Levinson (writer, director, producer) as he plays the bellboy. Ron Carey from Barny Miller plays the chauffeur who tries to help Mel when he runs into trouble with the always funny Madeline Kahn. The references to all of Hitchcocks films are many and great, and Mel even sings a song in the movie. His speech given for fellow doctors at the conference goes on a little long, but can be forgiven as it is offset by the quick action for most of the movie. Cloris Leachman is hilarious as Nurse Diesel, and her manner is a funny as her costume. Half the jokes in this movie are things as simple as camera angles, facial expressions, and what people are wearing.

HIGH ANXIETY suffers only by comparison to Mel's YOUNG FRANKENSTEIN, but it stands by itself as a frisky, very funny screwball spoof of the works of Alfred Hitchcock.

I do agree with others who complain that Mel should have given the Dr. Thorndyke role to someone like Gene Wilder since Brooks does lack the charisma needed to carry this sort of thing. But the other pros in the cast more than made up for this handicap--especially HARVEY KORMAN, CLORIS LEACHMAN, MADELINE KAHN and HOWARD MORRIS.

Cloris Leachman is hilarious as Nurse Diesel (practically repeating her formidable character in YOUNG FRANKENSTEIN) and Madeline Kahn is equally funny as the blonde femme fatale who finds herself in one ditzy situation after another as she tries to reach her father inside the asylum--here called "Psychoneurotic Institute for the Very, Very Nervous." Nothing subtle here. The gags are touch and go, some funny, some painfully unfunny--so it's strictly a mixed bag.

But if you know MEL BROOKS and his kind of satire, this has enough gags to keep you satisfied. Just don't expect anything on the level of YOUNG FRANKENSTEIN.

Dr Richard Thorndyke is a psychiatrist who, despite himself having a fear of heights, is on his way to become the new chief administrator for the Psychoneurotic Institute for the Very Very Nervous. Despite what his driver thinks, Thorndyke's predecessor died of a sudden heart attack – leaving the position to be filled. On arrival, Thorndyke immediately notices that in some ways his staff are not totally different from his patients but it is not long before he cannot help but noticed a myriad of suspicious and unusual occurrences around him and his new workplace.

In theory this should be a hilarious spoof of Hitchcock but disappointingly, it is only an amusing one with very few belly laughs in it. The plot is a reasonably good attempt at aping Hitchcock but does hang together in a narrative that you will care about. Instead what Mel Brooks does is continually look to where the next spoof scene is coming from, whether it totally fits in with the flow or story or not. Of course this should really matter if the audience is laughing hard throughout but, like I said, I wasn't. Problem mainly is that it just isn't a very clever spoof at all, with the material signposted and obvious. This is still not to say that it is worthless, because it is funny but to be honest you will probably find it funniest if you have quite a childish sense of humour.

As director, Brooks does OK in setting his scenes up but I was disappointed by his performance – he isn't good enough as a comic actor in this case and too many scenes end with him just standing there. I assume he was letting the laughs come at his blank reaction to things but you need a really good presence to make that work, and he doesn't manage it. Conversely I loved Korman simply because he is funny just by standing there. Leachman has a simple character but she also does it well. Kahn is not that good because the material handed her is weak.

Overall, an amusing spoof but certainly not a good one. The jokes and such are quite obvious so, although it will raise a chuckle, don't expect it to be anything inventive or inspired.

This movie was better the first time I saw it but that said, it is worth watching for several good comedy bits and the lovely performance of Madeline Kahn.

Kahn rescues the film when she enters halfway through.

Brooks also comes up with a brilliant twist towards the end which I think on its own turns this from an average to disappointing movie to a good to very good one.

I was torn between giving this a 6 or a 7 but went with a 6 since there is a lot of subpar points in the film you need to get through.

That said, Brooks is great, Cloris Leachman is amazing and nearly steals the show.

Harvey Korman is splendid.

Sad that Kahn died so young, she was a treasure as you see here.