Ein irrer Typ

'L'animal', made in 1977, is a film shrouded in stardust. The director is Claude Zidi, one of the most famous French authors of popular comedies, who is also the co-author of the screenplay whose dialogues are written by the legendary Michel Audiard. The music is composed by Vladimir Cosma and the cast includes famous actors and a director in cameo roles. The main attraction, however, was the presence in the main roles of Jean-Paul Belmondo and Raquel Welch. This was then, and is still today, the main reason why it is worth watching or re-watching 'L'animal'.

We are dealing with a film about people who make films, proof that not only in Hollywood are filmmakers in love and fascinated by their own profession. Mike and Jane are a pair of stunt doubles for Johnny Hallyday and Jane Birkin in a film by Claude Chabrol. They are scheduled to be married at noon, which leaves them enough time for a car stunt at 10AM. The car's brakes fail and the day ends in the hospital, with the two in casts and bandages. Jane, furious, says NO to the mayor brought to the hospital to officiate the marriage. A few months later, Jane has found a wealthy aristocrat who would like to marry her while Mike has not given up on persuading Jane to marry him, but in the absence of work he is forced to defraud welfare by claiming that has seven children (or maybe nine) and to dress up as a gorilla for supermarket adverts. The two's chance comes when their services are requested for a film starring Bruno Ferrari, a star who claims to perform his own stunts. In reality, not only does he suffer from vertigo, but he's also gay. The troubles only start here.

Belmondo's admirers cannot miss the opportunity to see their idol again in a sparkling double role, with a fearful and gay actor as one of the appearances. Raquel Welch is brilliantly sexy and very likable. The two carry the film, which otherwise has a rather banal plot, in which the biggest surprise is that there are no surprises. However, there is one more important aspect that cannot be omitted. Unlike the film's hero, Belmondo actually was performing most of his stunts himself, and he did so in 'L'animal', in which he fulfilled one of his childhood dreams - making a scene where he stands on the wings of an airplane in flight. No insurance company agreed to insure him for this scene. He did it at his own peril, and we have it captured as it happened on film. Another reason not to bypass it.

Watchable little slapstick comedy about a stuntman (Belmondo), his stuntwoman girlfriend (Welch), how the film industry treats them, how they get by when out of a job, etc. Belmondo plays a double role, as a gay movie star and his look-a-like stunt double. He apparently has enormous fun playing both of them completely over the top (as the character of the film demands). For my taste though, his stunt character demands a bit too much love and attention from the audience; we are supposed to route for him getting the girl etc. and I found this somewhat patronising.

The film is at its best in moments of fast and furious comedy, for example a memorable scene has Belmondo creating havoc while wearing a Gorilla suit. However, these moments leave Raquel Welch (who looks fantastic in a wet blouse) a bit on the sidelines: slapstick is not quite her metier.

the movie is a favourite of my childhood, after watch and watch and watch again, it's become quite cheesy for me , not bored , just a feeling of "cheese".

the most amazing thing about the movie is the score composed by vladimir cosma , the score got a nomination by the french film academy--Cesar's highbrows (note: Cesar like any other academic "elite" groups , never have given a commercial movie a chance , but this time. they made an exception. however it unluckily but inevitably lost to Miklós Rózsa's Providence in which I swear I didn't hear any music except some noise from some factories) , I guess the score must be the easiest listening music of all time, hands down! (best enjoy it at summer)

the second most wonderful thing(close to the first) is naturally belmondo, mike is drop dead hot. he is shining and spreading everywhere,his smile, his gesture, his walk, he is really a lovely man as for Bruno, belmondo showed his another side----his traditional acting talent....

the third thing is the french supporting cast Charles Gérard,Mario David, Julien Guiomar,Dany Saval,Raymond Gérôme,Aldo Maccione,and of course Claude Chabrol who resembles a panda as himself, well, no one tries to steal the show, though everyone has the ability to do..

I care least for Raquel Welch, who although has done her best is replaceable, but I admit they have good chemistry. and as an American actress she has something different..

this is also director Zidi's best film, his other films(including"The Wing and the Thigh", "Ripoux") failed completely, i recommend his 4 films with charlots bros and 2 films with auteuil, they are not magnificent, but at least very amusing

Michel Audiard ,the respectable dialog writer also should be given some credit for his collaboration

film buffs! give yourself a break , watch this picture like ordinary people do

Raquel Welch never was a great actress, and here she does a serviceable job. This was back in the day when you could call gay people derogatory terms, so it's a bit dated, the acting a bit stilted at times, and some of the scenes are not put together that well. But after awhile, the antics and the extreme pranks Welch and Belmondo characters play on each other was enjoyable. They'd be great candidates for a YouTube prank couple. Enjoyable and fun pic

One of the greatest films about moviemaking ever. Hundreds of extras running and fighting, a stuntman is jumping and falling down a 30 meter staircase again and again, getting hurt more and more, while the director is only worried about entertaining his leading role superstar bruno ferrari (what a name!), who's performance is getting worse and worse. And after take 15 the 1st AD whispers 'Dont you think take 1 was great, and if you want, you can mix it with take 3', and the director yells 'Okay, let's have lunch!