IMDb-BEWERTUNG
6,5/10
4040
IHRE BEWERTUNG
Ein inkompetenter Radio-DJ versucht, ein Interview mit der schwedischen Popgruppe während ihrer berühmten einwöchigen Tournee 1977 durch Australien zu bekommen.Ein inkompetenter Radio-DJ versucht, ein Interview mit der schwedischen Popgruppe während ihrer berühmten einwöchigen Tournee 1977 durch Australien zu bekommen.Ein inkompetenter Radio-DJ versucht, ein Interview mit der schwedischen Popgruppe während ihrer berühmten einwöchigen Tournee 1977 durch Australien zu bekommen.
- Regie
- Drehbuch
- Hauptbesetzung
Anni-Frid Lyngstad
- Anni-Frid Lyngstad
- (as ABBA)
Benny Andersson
- Self
- (as ABBA)
Björn Ulvaeus
- Björn Ulvaeus
- (as ABBA)
Agnetha Fältskog
- Agnetha Fältskog
- (as ABBA)
Michael Mansson
- Hotel Receptionist
- (as Michael Manson)
Sandy Mansson
- Girl in Box Office
- (as Sandy Manson)
Empfohlene Bewertungen
As far as I know this movie started as a filmed document of the 1977 Abba Australia tour and has been decided to be made into a movie to be released theatrically as they went along. Of course it has lots of errors in continuity and we can spot that many a song has footage from different performances from different days, but that is no problem at all since it is still a wonderful document of a pop group who made it which wasn't based on "attitude" or "manifestation against politicians" - it was simply extremely well crafted music. Of course this was during the very short period when pop/rock music matured and subsequently needed a more aggressive replacement for younger generations. It already was around the corner and would come in the form of British punk.
There is hardly any "acting" in this movie, and the "backstage/behind the scenes sequences" of the Abba members are only O.K. because none of them tries to "act".
It's great and ironical at the same time to see some of the split screens and wide angle closeups (even some of the interviews) that reflect the movie "Woodstock" (1970), a documentary film of the 1969 rock music event with an entirely different philosophy. The only thing both music styles might have in common is the peacefulness. But rich and "clean" rock stars (=Abba) certainly aren't politically left wing anymore.
As a regular movie, this work suffers tremendously from the poor "plot" around the goofy radio reporter trying to get his Abba interview. Some of the dialog (if not all) is simply bad. But the excellent on stage footage (and even the two "video clips" using studio tracks: "The Name of the Game" and "Eagle") more than makes up for it all. The sound is excellent as well and I just have a vhs in mono sound which I taped from tv some years ago.
BTW: I still have serious doubt whether Bjorn ever really played the guitar on stage in the sense of a serious audible instrumental track. There are two (excellent)guitarists in the backing band and when Bjorn suddenly rises his hands or ceases playing, there is no guitar missing. Benny definitely plays the Yamaha CP 70 piano though. I can tell, it's my profession.
There is hardly any "acting" in this movie, and the "backstage/behind the scenes sequences" of the Abba members are only O.K. because none of them tries to "act".
It's great and ironical at the same time to see some of the split screens and wide angle closeups (even some of the interviews) that reflect the movie "Woodstock" (1970), a documentary film of the 1969 rock music event with an entirely different philosophy. The only thing both music styles might have in common is the peacefulness. But rich and "clean" rock stars (=Abba) certainly aren't politically left wing anymore.
As a regular movie, this work suffers tremendously from the poor "plot" around the goofy radio reporter trying to get his Abba interview. Some of the dialog (if not all) is simply bad. But the excellent on stage footage (and even the two "video clips" using studio tracks: "The Name of the Game" and "Eagle") more than makes up for it all. The sound is excellent as well and I just have a vhs in mono sound which I taped from tv some years ago.
BTW: I still have serious doubt whether Bjorn ever really played the guitar on stage in the sense of a serious audible instrumental track. There are two (excellent)guitarists in the backing band and when Bjorn suddenly rises his hands or ceases playing, there is no guitar missing. Benny definitely plays the Yamaha CP 70 piano though. I can tell, it's my profession.
ABBA are my favourite group and I rented the movie from the library. It is mainly showing their 1977 tour in Australia. They perform most of their popular hits such as Waterloo and Fernando. You will find it quite interesting as it just shows how popular ABBA were in the 1970's. The film is made into a story. Be entertained by this great documentary. I didn't know that you could still get it anyway, but I was really happy to ind it. I had always wanted to see it and I was very amazed when I saw it. If people like ABBA, they will enjoy the movie. Scenes include the press conference, concerts, the Radio DJ searching for them and also his dream.
I saw this movie on Oprah Winfrey's Oxygen Network (thanks Oprah!). I had heard of it. I'm an ABBA fan. I love their music. I think Agnetha and Frida are two of the best singers I've ever heard. They're also very beautiful. Watching this movie is like being in a time machine. It brings back all of the memories of that time, you know, when music was still worth listening to. I wish someone would put this movie on DVD. The disc jockey stuff isn't bad. As a matter of fact it's kind of cool. He has a dream sequence that's interesting with Agnetha and Frida. Well anyway, I never got to see ABBA in concert so I'll really enjoyed this movie! I give it the highest rating possible. But then again, I'm a music nut!
Welcome to the movies. Elvis had done it, The Beatles had done it and now the nineteen-seventies super group ABBA have done it. Welcome to ABBA: The Movie. This semi-documentary movie footage of the pop sensation that stormed the world with its simple melodies, gentle harmonies and infectious lyrics is taken while on tour of the Southern Hemisphere during 1977.
It's a basic concept and the formula is unsurprisingly straightforward; ABBA are on tour of Australia and the group are being filmed as they progress to each new city, to each new concert hall and to each new horde of screaming and admiring fans that this access-all-areas pass via this fly-on-the-wall perspective shows us. We have the group interviews, we see them perform their multimillion best sellers such as "Dancing Queen", "The Name Of The Game", "Tiger", "Ring Ring", "Eagle", "Mamma Mia", and many others that include "Money, Money, Money" and "I'm a Marionette". They allow us to see their prepping-up toward the nights shows' and we are more than privileged to have this insight into this bandwagon on the road to fame and fortune amongst the real hustle and bustle of the press and TV crews that beg their attention.
ABBA: The Movie is a gloried extension of the pop video that has them on stage rather than in a studio setting. In-between this hectic life style is the misadventures of a local D.J. Ashley Wallace, played by actor Robert Hughes who having no idea of what lies ahead and whose soul mission is to get that all so important interview. This is a man on a mission, this is a man without a clue and an even smaller chance, will his luck, wit and desperation withhold the barriers of the Rock 'n Roll giant that stand between him and his goal.
While on the hunt for his four-piece dialogue, we see him up and down and across the country talking and interviewing the real fans that have come to see this band proper. On reflection, this is now a tiny snippet of the ABBA mania that took over the world in the same vain as Elvis in the 1950's and The Beatles during the 1960's and Madonna of the last twenty years, has there ever been another to have reached international mega stardom since?
Directed by the Swedish Lasse Hallström, who directed some of ABBA's pop videos while at their peak, he has Johnny Depp and a very young Leonardo DiCaprio in his repertoire in his movie What's Eating Gilbert Grape (1993), Chocolat (2000) and along with The Shipping News (2001) and An Unfinished Life (2005).
ABBA: The Movie is a gentle reminder of this phenomenon of way back then, and that over the years even today has its admiration and respect of the easy beat and more than charming lyrics. This four-piece band had tapped into the imaginations of lovers of music and its players alike. The movie Muriel's Wedding (1994) and the stage play Mamma Mia can be seen as fitting tributes to this influential group, its cultural significance is beyond comprehension. The writing talents of Benny Andersson and Björn Ulvaeus are truly on a similar par as Lennon and McCartney, drug free of course, a writing duo who for a short while conquered the world and who set the standard, as did too Lennon and McCartney, for the pop world for decades to come.
ABBA: The Movie is a fan's movie without a doubt, but to an outsiders viewpoint it is an insight into a different avenue of the Rock 'n Roll machine that is so fickle and delicate. ABBA have stood their ground and in the halls of fame and stardom their music have become an integral part of modern pop culture and society, and that is why talent like this has to be tapped, exploited, far reaching and timeless: Welcome to the movies? Welcome to ABBA.
It's a basic concept and the formula is unsurprisingly straightforward; ABBA are on tour of Australia and the group are being filmed as they progress to each new city, to each new concert hall and to each new horde of screaming and admiring fans that this access-all-areas pass via this fly-on-the-wall perspective shows us. We have the group interviews, we see them perform their multimillion best sellers such as "Dancing Queen", "The Name Of The Game", "Tiger", "Ring Ring", "Eagle", "Mamma Mia", and many others that include "Money, Money, Money" and "I'm a Marionette". They allow us to see their prepping-up toward the nights shows' and we are more than privileged to have this insight into this bandwagon on the road to fame and fortune amongst the real hustle and bustle of the press and TV crews that beg their attention.
ABBA: The Movie is a gloried extension of the pop video that has them on stage rather than in a studio setting. In-between this hectic life style is the misadventures of a local D.J. Ashley Wallace, played by actor Robert Hughes who having no idea of what lies ahead and whose soul mission is to get that all so important interview. This is a man on a mission, this is a man without a clue and an even smaller chance, will his luck, wit and desperation withhold the barriers of the Rock 'n Roll giant that stand between him and his goal.
While on the hunt for his four-piece dialogue, we see him up and down and across the country talking and interviewing the real fans that have come to see this band proper. On reflection, this is now a tiny snippet of the ABBA mania that took over the world in the same vain as Elvis in the 1950's and The Beatles during the 1960's and Madonna of the last twenty years, has there ever been another to have reached international mega stardom since?
Directed by the Swedish Lasse Hallström, who directed some of ABBA's pop videos while at their peak, he has Johnny Depp and a very young Leonardo DiCaprio in his repertoire in his movie What's Eating Gilbert Grape (1993), Chocolat (2000) and along with The Shipping News (2001) and An Unfinished Life (2005).
ABBA: The Movie is a gentle reminder of this phenomenon of way back then, and that over the years even today has its admiration and respect of the easy beat and more than charming lyrics. This four-piece band had tapped into the imaginations of lovers of music and its players alike. The movie Muriel's Wedding (1994) and the stage play Mamma Mia can be seen as fitting tributes to this influential group, its cultural significance is beyond comprehension. The writing talents of Benny Andersson and Björn Ulvaeus are truly on a similar par as Lennon and McCartney, drug free of course, a writing duo who for a short while conquered the world and who set the standard, as did too Lennon and McCartney, for the pop world for decades to come.
ABBA: The Movie is a fan's movie without a doubt, but to an outsiders viewpoint it is an insight into a different avenue of the Rock 'n Roll machine that is so fickle and delicate. ABBA have stood their ground and in the halls of fame and stardom their music have become an integral part of modern pop culture and society, and that is why talent like this has to be tapped, exploited, far reaching and timeless: Welcome to the movies? Welcome to ABBA.
ABBA - The Movie... a movie that gives a snapshot of ABBA (one of, if not THE most influential group of 1970s pop), and more importantly, a snapshot of Australia in March 1977.
The movie opens with dialogue setting up the premise that a country music DJ is given the next to impossible assignment of interviewing ABBA during their March 1977 tour of Australia. Next, a shot of a Qantas 747 flying above the Sydney Harbour Bridge and on to their arrival and tour.
Throughout the rest of the movie, the thin plotline shows the DJ Ashley's (Robert Hughes) attempts to get an interview with the group, generously interspersed with footage of the group on stage in the major Australian capitals, back stage, at their hotel and so on.
Fledgeling director (at the time) Lasse Hallstrom puts it all together and makes it all come across as charming.
The lesser known delights - interviews with members of the Australian public, an absolute charming segment with Australian children in a ballet school, and footage from their first Australian press conference. The movie is virtually a documentary of the tour, with the story line woven in for effect.
A lot of fun, well put together, and certainly worth a watch - definitely transports you right into Australia, March 1977, accompanied by some of the most timeless music ever made.
The movie opens with dialogue setting up the premise that a country music DJ is given the next to impossible assignment of interviewing ABBA during their March 1977 tour of Australia. Next, a shot of a Qantas 747 flying above the Sydney Harbour Bridge and on to their arrival and tour.
Throughout the rest of the movie, the thin plotline shows the DJ Ashley's (Robert Hughes) attempts to get an interview with the group, generously interspersed with footage of the group on stage in the major Australian capitals, back stage, at their hotel and so on.
Fledgeling director (at the time) Lasse Hallstrom puts it all together and makes it all come across as charming.
The lesser known delights - interviews with members of the Australian public, an absolute charming segment with Australian children in a ballet school, and footage from their first Australian press conference. The movie is virtually a documentary of the tour, with the story line woven in for effect.
A lot of fun, well put together, and certainly worth a watch - definitely transports you right into Australia, March 1977, accompanied by some of the most timeless music ever made.
Wusstest du schon
- WissenswertesAgnetha Fältskog frequently was filmed above the neck in closeups to disguise the fact that she was pregnant.
- PatzerThroughout the film, Ashley pursues ABBA through the cities of Sydney, Perth, Adelaide and Melbourne in that order. The actual tour went in the order of Sydney, Melbourne, Adelaide and Perth.
- Alternative VersionenAvailable in three different final soundmixes. One mono, and two different in stereo, one with only three frontchannels, and one with a fourth surround channel.
- VerbindungenEdited into ABBA: Our Last Video Ever (2004)
- SoundtracksDancing Queen
Written by Benny Andersson, Stig Anderson, Björn Ulvaeus
Performed by ABBA
Published by Union Songs AB
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- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- ABBA: The Movie
- Drehorte
- Adelaide Airport, Adelaide, South Australia, Australien(ABBA's arrival scene)
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 144.398 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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By what name was ABBA - Der Film (1977) officially released in India in English?
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