Die Ausgeflippten

When this show first started in 1977 it was touted as "controversial". It was a comedic parody of the day time soap operas based on the families of two sisters, Jessica Tate (Katherine Helmond) and Mary Campbell (Cathryn Damon). Jessica's husband, Chester, makes a personal hobby out of infidelity in spite of the fact that he says he loves Jessica. Mary is in her second marriage, married to Burt (Richard Mulligan) who actually killed Mary's first husband - but nobody knows, including Mary.

Mary's grown children include Danny (who is working for the mafia), and Jody who is gay (this is not a secret). Chuck is Burt's grown son, and his problem is that he channels his personality through a ventriloquist's dummy who says all kinds of hateful prejudiced things, taking no responsibility himself because "the dummy said it". Probably the most enduring character in the show is Benson who is the African American butler in the Tate household. He takes no guff and has funny passive aggressive ways of dealing with those who cross him. But he finds Jessica endearing if not very bright and is kind to her.

Jessica has three children with their own problems. So the story lines include the mafia, a forced marriage that turns to love and then turns tragic, the issue of child custody when one party is gay, UFOs and aliens, South American rebels patterned after the Sandanistas, an adult woman having an affair with a teenage boy, religious cults like the Moonies, oh, and there is the old trope of the murder whodunnit.

This all works well for about two years. During that time the country was becoming more socially liberal, and what once shocked was becoming standard TV fare. That is probably what did in the show - normalcy caught up with it and the characters and their storylines were played out.

This show is on DVD and is worth watching mainly to see where we have been as a society in just a few short decades, and plus there is a human element of the show that is still quite compelling and timeless.

I began watching this show when I was rather young - elementary-school aged, really, & because of its episodic nature (for I read comic books voraciously, & loved "to be continued" storylines) - well, probably because I liked the guy with the puppet - I was hooked. I watched it weekly & remember praying to God that it wouldn't be cancelled. The magic of the show was that it taught me so much. I knew little or nothing about homosexuality, infidelity, racism, hell, even the Mafia or Central American revolutions, until I watched this show. It was genuinely funny - Bert thinking he could turn invisible, Benson's "I ain't getting that," everyone talking to Bob when they knew damn well Chuck was throwing his voice - I laughed & laughed.

As I watch TV now, I really miss the topicality of this show - the fact that, with a simple parody of soap operas, they managed to bring important issues of the day to the forefront. No one was safe - even alien abductions were lampooned, years before there was an X-Files that could stand a bit of ribbing.

Yeah, it's dated, & when I saw a few episodes in repeats a while back, I was more moved by my old feelings - these were friends I hadn't seen in ages! - than by the story & the jokes. But the point was, it was brave - like "All In The Family," like "Good Times" - though not a Norman Lear creation - braver than anything on right now. Someone else suggested you watch from day one - that's not all that important, because you'll catch on soon enough (it's a soap opera, after all), but I do believe you'll come to care for the characters & their ridiculous predicaments soon enough. & you'll be amazed at how utterly clever it is.

Be warned, though - like "Twin Peaks" it doesn't really end, & if you're coming at it for the first time, you'll be sad when you get to season four's end & there's nothing following. I was.

Soap was and is great. It has to be one of the best comedies ever on t.v. The lampooning and parodying of daytime t.v. was one of the best ever. It dealt with topics ranging from homosexuality to possession. The humor and one liners were classic. Some of the funniest bits and scene stealing was done by Benson, the butler. It was outrageous, funny, comical,haughty, biting satire at it's very best. There has been nothing like since, that even measure up to it. It's a classic from the seventies, that still has a bite!Daytime t.v. should look so well!

"Soap" is one of the funniest of America's exports to the U.K. It may have been considered risque back in the late seventies but all the hullaballu about the show's contents seems silly twenty-odd years on.

The programme has been shown in it's entirity a few times in the U.K. most recently on our Paramount comedy channel. It had the most outrageous storylines and the characters were played brilliantly by all concerned - especially Katherine Helmond, Richard Mulligan and Cathryn Damon - who really were the essence of the show! Chuck & Bob, Benson and The Major were always good for a laugh whenever they were on screen.

Susan Harris wrote the entire series which has made me a great admirer of her work ever since. Of course she scored big again in the eighties with the equally brilliant Golden Girls. Some might not be aware that Susan actually appeared in two episodes of Soap as a hooker, believe it or not! My favourite storylines included the murder of Peter and the subsequent trial of Jessica, the abduction of Burt by aliens, Corinne's possessed baby and Burt trying to get into the Guinness Book of World Records when he thought he was dying!

The "unique" comedy series still holds up well by todays standards and is truly worthy of the label "cult classic".

This is the greatest sitcom ever made, a tremendous parody of the trashy soap operas that were all the rage when it was in production. There was topicality -homosexuality, racism, revolution, crime, and other things- and there was plenty of comedy, physical and otherwise. In particular, I think that the thing which hooked me on this program was the psychotic young ventriloquist and his dummy, which seemed at times to be more alive than some of the people! At least it was real to him! I particularly remember the scene where there is a discussion concerning a murder and the Black dummy, Bob, looks over at Benson and remarks, "I think the Black guy did it." Benson then coolly crosses the room, yanks the dummy out of Chuck's hands and throws it out a window, which sends Chuck into furious hysterics!

This is one of the very few shows from the 1970s that I can honestly say I miss. Good job, all!