Ein Gangster entführt ein schwer krankes Mädchen, um Lösegeld zu erpressen. Der ermittelnde Kommissar schließt sich notgedrungen mit einem Kleinkriminellen zusammen, um sie zu retten, denn d... Alles lesenEin Gangster entführt ein schwer krankes Mädchen, um Lösegeld zu erpressen. Der ermittelnde Kommissar schließt sich notgedrungen mit einem Kleinkriminellen zusammen, um sie zu retten, denn die Uhr tickt.Ein Gangster entführt ein schwer krankes Mädchen, um Lösegeld zu erpressen. Der ermittelnde Kommissar schließt sich notgedrungen mit einem Kleinkriminellen zusammen, um sie zu retten, denn die Uhr tickt.
There's plenty of great action scenes, walk-on cameos by a large number of the Italian "regulars" like Luciano Rossi, Tom Felleghy, Giovanni Cianfriglia, and Riccardo Petrazzi... the same bunch who show up regularly in EVERY crime movie. What's best about this one is that while it has a good share of random crimes and killings (Italy had to be the least-safe place to live in the 70's), they all actually blend together into the greater story. The ending is one of the best in the genre and certainly surprising. What really gets me coming back to watch this one again and again is the abundance of really great, quotable, almost Tarantino-eque dialog. The best such quotes come from an understandably annoyed Silva as he tries to run a fairly incompetent kidnap syndicate, containing their fair share of expletives. Tomas Milian also has quite a few good lines as essentially the comic relief, but in the end he ends up being a pretty likable character even as he steals the good guy's wallet and jumps on a train.
Topping that, this film has unusually bright and nicely-framed photography from Argento veteran cinematographer Luigi Kuveiller, as well as some very hummable music by the relatively unknown Bruno Canfora. The casting decisions are uniformally excellent; Cassinelli is wooden but convincing as the hard-nose cop, Biagio Pelligra, Roberto Undari, and Giuseppe Castellano are great as the trio of thugs unknowingly aiding the good guys, and Tomas Milian shines as "Garbage Can" Monezza.
Unfortunately, this is one of the hardest of Lenzi's crime films to find, especially here in the states. Luckily it was released in Holland in English, though not in the full 'scope. Let's pray that DVD companies start picking these crime films up, and moreover... that this is one of them.
Handlung
WUSSTEST DU SCHON:
- WissenswertesEven though the real "Monnezza" only appeared in two films as such, the very similar cop character Nico Giraldi, also played by Tomas Milian in many other films, was to be continually identified as "Monnezza" by the public.
- PatzerSomehow the would-be train robbers manage to lose a helicopter in pursuit, though they never pass through enough trees or plant growth along the way to hide them in their flight.
- Zitate
Sergio Marazzi 'Monnezza': I'm just trying to do an honest day's work. Man are you ungrateful! No appreciation.
Comm. Antonio Sarti: I'm just a cop.
Sergio Marazzi 'Monnezza': Yeah, and I'm a bum. That makes us the odd couple.
- VerbindungenFollowed by Die Gangster-Akademie (1977)
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Details
- Laufzeit1 Stunde 32 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1