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Taxi Driver

  • 1976
  • 18
  • 1 Std. 54 Min.
IMDb-BEWERTUNG
8,2/10
984.862
IHRE BEWERTUNG
BELIEBTHEIT
348
158
Robert De Niro and Jodie Foster in Taxi Driver (1976)
Official Trailer ansehen
trailer wiedergeben3:07
9 Videos
99+ Fotos
Psychological DramaCrimeDrama

Ein psychisch labiler Vietnamveteran arbeitet nachts als Taxifahrer in New York. Die wahrgenommene Dekadenz und Anstößigkeit fördern seinen Drang zur Gewalttätigkeit, während er versucht, ei... Alles lesenEin psychisch labiler Vietnamveteran arbeitet nachts als Taxifahrer in New York. Die wahrgenommene Dekadenz und Anstößigkeit fördern seinen Drang zur Gewalttätigkeit, während er versucht, eine vorpubertäre Prostituierte zu retten.Ein psychisch labiler Vietnamveteran arbeitet nachts als Taxifahrer in New York. Die wahrgenommene Dekadenz und Anstößigkeit fördern seinen Drang zur Gewalttätigkeit, während er versucht, eine vorpubertäre Prostituierte zu retten.

  • Regie
    • Martin Scorsese
  • Drehbuch
    • Paul Schrader
  • Hauptbesetzung
    • Robert De Niro
    • Jodie Foster
    • Cybill Shepherd
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,2/10
    984.862
    IHRE BEWERTUNG
    BELIEBTHEIT
    348
    158
    • Regie
      • Martin Scorsese
    • Drehbuch
      • Paul Schrader
    • Hauptbesetzung
      • Robert De Niro
      • Jodie Foster
      • Cybill Shepherd
    • 1.6KBenutzerrezensionen
    • 198Kritische Rezensionen
    • 94Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #130
    • Für 4 Oscars nominiert
      • 22 Gewinne & 21 Nominierungen insgesamt

    Videos9

    Official Trailer
    Trailer 3:07
    Official Trailer
    Taxi Driver
    Trailer 3:13
    Taxi Driver
    Taxi Driver
    Trailer 3:13
    Taxi Driver
    Taxi Driver
    Trailer 2:06
    Taxi Driver
    5 Unforgettable Jodie Foster Performances to Watch
    Clip 1:01
    5 Unforgettable Jodie Foster Performances to Watch
    5 Top-Rated Martin Scorsese Movies to Stream
    Clip 0:59
    5 Top-Rated Martin Scorsese Movies to Stream
    Does 'Joker' Exist in a Scorsese-Verse of Films?
    Clip 2:53
    Does 'Joker' Exist in a Scorsese-Verse of Films?

    Fotos651

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 644
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    Topbesetzung56

    Ändern
    Robert De Niro
    Robert De Niro
    • Travis Bickle
    Jodie Foster
    Jodie Foster
    • Iris
    Cybill Shepherd
    Cybill Shepherd
    • Betsy
    Albert Brooks
    Albert Brooks
    • Tom
    Diahnne Abbott
    Diahnne Abbott
    • Concession Girl
    • (as Diahnne Abbot)
    Frank Adu
    • Angry Black Man
    Victor Argo
    Victor Argo
    • Melio
    • (as Vic Argo)
    Gino Ardito
    • Policeman at Rally
    Garth Avery
    • Iris' Friend
    Peter Boyle
    Peter Boyle
    • Wizard
    Harry Cohn
    • Cabbie in Bellmore
    Copper Cunningham
    • Hooker in Cab
    Brenda Dickson
    • Soap Opera Woman
    Harry Fischler
    • Dispatcher
    Nat Grant
    Nat Grant
    • Stick-Up Man
    Leonard Harris
    Leonard Harris
    • Charles Palantine
    Richard Higgs
    • Tall Secret Service Man
    Beau Kayser
    • Soap Opera Man
    • Regie
      • Martin Scorsese
    • Drehbuch
      • Paul Schrader
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1.6K

    8,2984.8K
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    Empfohlene Bewertungen

    bob the moo

    A wonderfully engaging and convincing slide into a modern madness from a director and actor showing some of their best form

    Travis Bickle is a Vietnam veteran who cannot sleep at night and just ends up travelling around. To try and use the time effectively he becomes a taxi driver. Things start to look up for him as he works nights and slowly starts to live a little bit. He meets a girl, Betsy, and arranges to see her a few times despite the fact that he is a little bit out of the ordinary – a quality that seems to interest her. His connection to the night allows him to see young prostitute Iris being bullied by her pimp Matthew and he begins to see his role to perhaps save her – him playing his part in cleaning up the sewer that he feels New York has become. However when his view of normal life puts Betsy off him he starts to retreat more and more into the night, looking for meaning in his life and growing more and more outraged by the world he is part of.

    Hardly the most uplifting of films it is engaging and impressive and truly deserves the reputation it has. Martin Scorsese and Paul Schrader have produced a film that convincingly portrays a man cut out of society who has the slightest connection to normality before finding it eroded away. The script is brilliant because the detail is engaging but it is this descent into a very modern type of madness that drives the film forward. Travis has just enough about him that is recognisable that it makes it so easy to go along with the rest of his madness. A major part of this is getting the feeling right about living in a cesspit; a city that seems to have forgotten its way morally – New York is the strongest example but elements of it could be parts of any city I suspect. In painting this world in such a real way, Scorsese has made Travis all the more convincing and, to a point, all the easier to follow in his fall. Like I said it is not a film to morally uplift you but one that is depressingly fair. There is no redemption in this modern world and although it appears that the violence at the end somehow redeems Travis in reality by showing "society" accepting his action it drags the rest of us down nearer the world that he hates and has become part of. I love King of Comedy for the same reason albeit in a different world.

    Scorsese injects a real understanding of the place and a real sense of foreboding into even the earliest scenes. He inserts clever and meaningful shots into scenes that other directors might just have filmed straight and his choice of scene and shot compliments the script is depicting Travis descending into madness. What makes the film even better is De Niro showing the type of form that makes his recent form such a major disappointment. He is outstanding as he moves Travis from being relatively normal to being eaten up from the inside out. His eventual implosion is impressive but it is only as impressive as the gradual slide he depicts over the course of the film. Although he dominates it, others impress as well. Foster stands out in a small role, while Keitel makes a good impression as the pimp. Shepherd is not quite as good but her character was not as well written as the others so it isn't all down to her. Regardless, the film belongs to De Niro and although the quotable scenes are the ones that are remembered it is in the quieter moments where he excels and shows genuine talent and understanding.

    Overall an impressive and morally depressing film that deserves its place in cinematic history. The portrayal of a city and a man slipping into moral insanity is convincing and engaging and it shows how well to "do" modern madness and the effects of the moral void of parts of society. Scorsese directs as a master despite this being at an early stage in his career and De Niro is chillingly effective as he simply dominates the film in quiet moments and quotable moments alike. I rarely use phrases like "modern classic" because I think they are lazy but this is one film that certainly deserves such a label.
    Kirpianuscus

    portrait of loneliness

    One of powerful, for its profound honesty, films. A man lost in its loneliness. Desiring love, without social abilities, example of schizoidy and full of noble intentions. Robert de Niro gives more than the role of his life but a precise, realistic portrait of a social victim. A great film.
    Michael_Elliott

    A Masterpiece

    Taxi Driver (1976)

    **** (out of 4)

    Scorsese's masterpiece is a raw, powerful and nerve wrecking look at depression and loneliness. The film centers on taxi driver Travis Bickle (Robert De Niro), a man clearly with his own demons who finds a purpose in life when he meets a 12-year-old hooker (Jodie Foster) who he plans on saving from her pimp (Harvey Keitel). To me this is one of the richest films ever made and it's one that can easily be overlooked in some circles if you don't really connect to what the film is trying to say. I didn't care too much for the movie the first few times I watched it because I was too young to really understand depression and loneliness. After I understood what those things could do to a person is when I fully became aware of the power in this film and today it remains one of the most powerful films ever made. To me the entire film is pretty much about Travis trying to find someone to fit in with but of course it never really happens until he meets the hooker. He tries fitting in with the Cybill Shepherd character but falls flat on his face. He tries fitting in with his co-workers but that doesn't work out too well. No matter what Travis tries he keeps ending up alone and as he put it, he's God's lonely man. This film works on so many levels but I think the psychological one is where it's best at. Getting us into the mind of Travis works for many reasons but the biggest keys are the direction by Scorsese, the brilliant music score by Bernard Herrmann and DeNiro's groundbreaking performance. Putting those three things together is what makes this a classic but we can also throw in the screenplay by Paul Schrader, which rightfully gives the movie the time and patience to let the Travis character grow right in front of our eyes. DeNiro's performance is certainly one for the ages, although I think he would get even better with Scorsese's RAGING BULL, which would follow in four years. His performance here is nothing short of amazing because you can't help but be terrified by this guy because of the look in DeNiro's eyes. You can't help but feel sorry for him at the same time because there are countless moments where he embarrasses himself because he simply doesn't know how to fit in. The word anti-hero gets used a lot and perhaps that's a good term but I think it's something much deeper than that. DeNiro hits all the right marks without a false note anywhere. Foster is also impressive in her few scenes in the film as is Keitel as the pimp. Shepherd is also good as his Albert Brookes and the underrated Peter Boyle who has one of the best scenes in the movie where he's trying to talk some sense into Travis. The visual look of the film is mighty impressive and Scorsese's directing style is nothing short of amazing. The slimy looking streets and the dark atmosphere are one of a kind and something many films tried to copy but could never get it as perfect as it is here. This here remains one of the greatest American films ever made and I'm really not sure any movie could top it in showing the effects that loneliness can have on a person.
    9SnoopyStyle

    Disturbing Look into a Disturbed Mind

    Travis Bickle (Robert DeNiro) is a disturbed ex-Marine Vietnam vet. He's suffering from insomnia, and spends his nights driving a cab. He's sexually perverted, and obsessed with Betsy (Cybill Shepherd). On top of it all, he wants to save 12 year old prostitute Iris (Jodie Foster).

    DeNiro delivered one of the iconic performances of all times. Travis Bickle is one of the standards by which all performances are judged. Martin Scorsese is making a disturbing movie. It can be hard to watch at times. Scorsese uses his camera to maximum effect. As Bickle's mind drift from his co-workers, Scorsese's camera drift into the antacid fizzling in his glass. The grittiness of '70s NY is all there. Jodie Foster is shocking. Trying to watch Bickle can be a very trying experience. It isn't an easy movie. But it is a masterpiece.
    10TomC-5

    Scorsese's dark masterpiece of urban alienation

    Despite what some might see as limited by technical flaws and/or as an overly simplistic plot, Taxi Driver deserves its critical reputation as a cinematic masterpiece. Some 23 years later, the existential plight of Travis Bickle, "God's lonely man," continues to pack a hard emotional punch. In fact, it's hard to know where to begin when praising the elements of this film - such elements as the dark location shots of a (now gone) seedy Times Square, the cinema verite settings of the cabbies and campaign workers, the magnificent Bernard Hermann score, Paul Schrader's fine script, the memorable performances of Jodie Foster, Harvey Keitel, and Peter Boyle all must be mentioned. However, the brilliance of this film is primarily a result of the brilliance of De Niro and Scorsese, one of the greatest actor-director teams in movie history. This is an unforgettable film and rates a 10 out of 10, in my estimation.

    What Scorsese Film Ranks Highest on IMDb?

    What Scorsese Film Ranks Highest on IMDb?

    Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
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    Handlung

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    • Wissenswertes
      Robert De Niro has said that despite having won an Oscar for Der Pate 2 (1974), he was still a relatively unfamiliar face, and was only recognized once while driving a New York cab during his research for this film.
    • Patzer
      In an earlier version, Iris's timekeeper discovers a weapon on Travis, disarms him, then returns it to him as he's leaving. The scene was edited out, but the gun is still in the timekeeper's hand when he looks at his watch.
    • Zitate

      Travis Bickle: Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up against the scum, the cunts, the dogs, the filth, the shit. Here is a man who stood up! Here is...

    • Crazy Credits
      The original television version of the film featured the following disclaimer before the closing credits: "To our Television Audience: In the aftermath of violence, the distinction between hero and villain is sometimes a matter of interpretation or misinterpretation of facts. 'Taxi Driver' suggests that tragic errors can be made.- The Filmmakers."
    • Alternative Versionen
      Original UK cinema and video versions suffered a very brief 1 second sound cut to the scene where Iris unzips Travis's fly in the bedroom. The BBFC finally restored this cut in 1993.
    • Verbindungen
      Edited into Aristokraticheskiy kinematograf: Folge #1.1 (2011)
    • Soundtracks
      Late For The Sky
      Written and Performed By Jackson Browne

      Courtesy of Asylum Records

    Top-Auswahl

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    FAQ23

    • How long is Taxi Driver?Powered by Alexa
    • What is 'Taxi Driver' about?
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    • What does the cab personnel officer mean by "break my chops" and ''take it on the arches'?

    Details

    Ändern
    • Erscheinungsdatum
      • 7. Oktober 1976 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Site
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Taksista
    • Drehorte
      • 87 Columbia Heights, Brooklyn, New York, USA(Travis is buying guns at an apartment in Brooklyn Heights)
    • Produktionsfirmen
      • Columbia Pictures
      • Bill/Phillips
      • Italo/Judeo Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.300.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 28.262.574 $
    • Eröffnungswochenende in den USA und in Kanada
      • 116.458 $
      • 19. Feb. 1996
    • Weltweiter Bruttoertrag
      • 28.737.520 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 54 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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