Metacritic-Rezensionen

Mel Brooks will do anything for a laugh. Anything. He has no shame. He's an anarchist; his movies inhabit a universe in which everything is possible and the outrageous is probable, and Silent Movie, where Brooks has taken a considerably stylistic risk and pulled it off triumphantly, made me laugh a lot.

A virtually uninterrupted series of smiles.

The gags as usual vary in quality from gold to zinc, but what makes Silent Movie more than a string of gags is the comic sensibility of Brooks. [12 Jul 1976, p.69]

When American films were addressing social turmoil like never before, Brooks used his clout to turn back the clock by combining silly sight gags, show-biz satire, silence, and celebrity cameos in 1976's aptly named, ingratiatingly goofy Silent Movie.

The slender plot of Silent Movie [from a story by Ron Clark] is basically a hook for slapstick antics, some feeble and some very fine (notably a wonderful nightclub tango with Anne Bancroft). Harry Ritz, Charlie Callas, Henny Youngman, and the late Liam Dunn are standouts.

It's the kind of silliness that's too strained and self-indulgent to be enjoyable.

A series of heavily telegraphed, desperately played and incredibly unfunny sight gags, Silent Movie is truly a maddeningly insulting salute to the golden age of film comedy.