Brüll den Teufel an

As a World War One naval buff, I enjoy this film on one level. As a film enthusiast, I enjoy it on another, all the more so for it being based on fact.

The actual story of the Koenigsberg is actually far less glamorous than the fate of the Blucher in this film but no less enthralling. After the ship was destroyed, her crew joined the German land forces under Count Paul von Lettow-Vorbeck and, together with their few thousand fiercely loyal African troops, fought 1 million British soldiers to a standstill for 4 years until, after the Armistice, they surrendered to the Portuguese, undefeated and proud. A tale well worth reading, far better than the fiction.

Back to the film. The central character is one Flynn O'Flynn, a thoroughly disreputable character, played by Lee Marvin. Always good value for money, he merely reprises Ben Rumson in Africa - no effort required! Roger Moore, aged 49, plays the 'young' interest! Mind you, he don't look bad for it! He is married to the delectable Barbara Parkins, Flynn's daughter Rosa, really the only female character in the film, a grim role she carries off to perfection. Fleischer, the evil German, the exact opposite of von Lettow-Vorbeck, is brilliantly overplayed by Rene Kolldehoff - he really is unlikeable! Also look out for Ian Holm as the mute Arab servant Mohammed.

The film has great pace, really rolling along, well shot in wonderful scenery. It has been well researched too. The Blucher, an actual German cruiser, has been pretty accurately recreated. The whole film has a very genuine feel.

I can see why it's not popular with female viewers. It's quite bloody, very cruel and Barbara Parkins character has a dreadful time of it. The scene in which the farm is burned is quite harrowing.

There are plenty of laughs too. Flynn O'Flynn has all of Ben Rumson's comic characteristics. The big fight between Marvin and Moore is very funny. And then there's Roger Moore blacked up as an African porter - he's about as convincing as I would be - and I'm blond!

If you're a fan of Ripping Yarns, then this one is for you. If not, then I wouldn't bother.

The first thing you notice about this film is the racist MPAA. Despite it being rated PG for war violence, there was nudity. Breasts were exposed, but they weren't those of Barbara Parkins ("Peyton Place", Valley of the Dolls, and her skintastic moment in Breakfast in Paris), but of African natives. Seems that black breasts are not taboo for children to see.

But, to the film itself. It is actually two films. The first half in 1912, has Lee Marvin (Cat Ballou, Paint Your Wagon) as a drunken ivory poacher who manages to get Roger Moore (The Spy Who Loved Me, "The Saint") to partner up with him. After Moore and Parkins (Marvin's daughter) plan to marry, there is a great fight scene reminiscent of many John Wayne pictures.

Then the film changes. World War I is declared and the Germans are on the march led by Reinhard Kolldehoff (Moon Over Parador, "The Winds of War"), a big fat German pig whose men slaughter Moore and Parkins baby, and set them on a search for revenge.

The film has plenty of action, including what I would call a paper mache bi-plane which almost takes Moore's life, and culminates in the blowing up of a German battleship that had run over Moore and Marvin earlier.

Marvin was extremely funny and Moore looked just great painted black to get on the ship. Parkins was radiant throughout, even when consumed with revenge for the murder of her baby.

Sir Ian Holm (Chariots of Fire) was also fantastic as Marvin's mute servant.

I feel I should mention that the version of "Shout at the Devil" that I watched was the full length 150 minute version. When the movie originally played in theaters, it had been cut by about half an hour. Normally, I feel that the original full length version of a movie is the version to see, but in the case of this movie, I think that the edited version might play better. I'm not saying that the full length version is bad, but I'm saying that it's too long for its own good. There is quite a considerable amount of padding on display, and as a result the movie moves quite slowly at times. There are some good things along the way all the same - there is some good action and suspense, the African backdrop is colorful and catches the eye, and it's fun to see Lee Marvin and Roger Moore paired up and generate considerable chemistry. So it's nowhere near a total loss. All the same, I think a more snappy pace would have helped things considerably.

This guy seems to have been the most under-rated star in the Biz. His dry sense of humor combined with a subtle charisma made Lee Marvin one of the most likeable stars of the war movie genre. Here he played an older soldier, past his prime, that coaxes the younger Roger Moore into doing life-endangering things against the Germans. This is done with much humor, as Moore is in love with Marvin's daughter, and feels compelled out of family honor to do whatever he can. The action is really excellent, and the love story is touching. A must see for any war movie fan, and/or Moore fan. Marvin, himself, delivers another Marvin like performance, and reminds viewers of his earlier days from the film "The Dirty Dozen".

This is, as other positive reviewers have noted, a well told adventure story (based on real WWI events) with s strong, realistic script, excellent performances by Marvin, Moore and the wonderful character actor Ian Holm in an unusual role as a mute Muslim servant to Marvin's character. The female ingenue is played with charming demureness and grace by Barbara Perkins, who btw, is an absolute doppelganger for the American actress Joan Hackett. The Kaiser-era Germans are well portrayed as equally cruel and at times restrained as no true villians (or heroic characters for that matter) are simply all good or evil. And the near final scene where Marvin's character uses the film's title to quite meaningful effect (don't wish to spoil the ending), is poignant and deeply bittersweet. All the superhero films so popular today are fine, but if you wish to see genuine heroic characters struggling with not only difficult circumstances but there own all too human frailties, see this both thrilling and perceptive adventure tale.