IMDb-BEWERTUNG
4,8/10
888
IHRE BEWERTUNG
Ein einflussreicher arabischer Diplomat wird zur Zielscheibe zahlreicher Attentatsversuche, nachdem er seinen Plan, Frieden mit Israel zu schließen, verkündet hat.Ein einflussreicher arabischer Diplomat wird zur Zielscheibe zahlreicher Attentatsversuche, nachdem er seinen Plan, Frieden mit Israel zu schließen, verkündet hat.Ein einflussreicher arabischer Diplomat wird zur Zielscheibe zahlreicher Attentatsversuche, nachdem er seinen Plan, Frieden mit Israel zu schließen, verkündet hat.
- Auszeichnungen
- 1 Nominierung insgesamt
Roger Serbagi
- Yassin
- (as Roger Omar Serbagi)
Empfohlene Bewertungen
Sean Connery as an Arab doesn't bother me, I've seen him as a Spaniard, Russian, Irishman, even an English Agent, though very rarely a Scotsman. This is an interesting film as it could only end one way, even if it's heart is in the right place. Sean plays Abdul Muhsen, the new delegate from Saudi Arabia at the UN. He has great ideas about inviting Israel into a new kind of OPEC, which infuriates some Arab countries. He gets romantically involved with Nicole Scott (Cornelia Sharpe), but we know her back story.
This should've been better, but somewhat silly scenes lower it overall score a wee bit.
This should've been better, but somewhat silly scenes lower it overall score a wee bit.
This is a case of a bunch of people thinking they are so clever they have a story that fits the time. Remember the all-around political conspiracies caught on camera in the years leading to the Watergate and a little later? Most movies trying to cash in on made-for-TV 'o so powerful, o so mind numbing' conspiracies were in fact caught in their own navel-gazing attitude.
I was never a fan of The Conversation which I find as much dated as others conspiracy stints of the time but Coppola was true to his main character and Hackman was a pretty engaging actor to observe. I mean these conspiracy movies are mostly drowning in the character pool of noir heroes. Lots of questions unanswered, lots of dis-communication... Well this takes at least Bergman to build a movie about such un-visual bases.
The Next Man is a perfect example of its time: one political soup served with an idealistic character and an horrendous conspiracy tightening its web around him. Neither part is interesting in itself and the whole doesn't get any better. In fact you can tell how much it will be bad from the very first sequences piling up 'watcha that' murders without ever advancing any storyline. Pedestrian directing at its worst as most of the movie is one pompous accumulation of scenes revolving around violence naively brought under the viewer's eyes.
I was never a fan of The Conversation which I find as much dated as others conspiracy stints of the time but Coppola was true to his main character and Hackman was a pretty engaging actor to observe. I mean these conspiracy movies are mostly drowning in the character pool of noir heroes. Lots of questions unanswered, lots of dis-communication... Well this takes at least Bergman to build a movie about such un-visual bases.
The Next Man is a perfect example of its time: one political soup served with an idealistic character and an horrendous conspiracy tightening its web around him. Neither part is interesting in itself and the whole doesn't get any better. In fact you can tell how much it will be bad from the very first sequences piling up 'watcha that' murders without ever advancing any storyline. Pedestrian directing at its worst as most of the movie is one pompous accumulation of scenes revolving around violence naively brought under the viewer's eyes.
The Next Man (1976)
Plot In A Paragraph: Influential Arab diplomat (Connery) becomes the target of numerous assassination attempts, when he announces his plan to make peace with Israel by letting them join the Organization of the Petroleum Exporting Countries (OPEC).
I kind of wish Connery never made this one, as it is sandwiched in the middle of five great performances (3 before and the 2 that follow)
Playing The Saudi Arabian Minister Of State, but still doing nothing to change his natural accent, Connery kind of phones this one in. There is a sequence in the Bahamas, where he suddenly turns into 007 briefly.
Cornelia Sharpe is gorgeous as the freelance assassin Connery falls in love with. Other than that, there is not a lot to say about this one. Except the phrase "soft brown eyes" which is a line I remembered from seeing this in the 80's.
The Next Man tanked hard at the domestic box office and the DVD I bought was annoyingly expensive too.
Plot In A Paragraph: Influential Arab diplomat (Connery) becomes the target of numerous assassination attempts, when he announces his plan to make peace with Israel by letting them join the Organization of the Petroleum Exporting Countries (OPEC).
I kind of wish Connery never made this one, as it is sandwiched in the middle of five great performances (3 before and the 2 that follow)
Playing The Saudi Arabian Minister Of State, but still doing nothing to change his natural accent, Connery kind of phones this one in. There is a sequence in the Bahamas, where he suddenly turns into 007 briefly.
Cornelia Sharpe is gorgeous as the freelance assassin Connery falls in love with. Other than that, there is not a lot to say about this one. Except the phrase "soft brown eyes" which is a line I remembered from seeing this in the 80's.
The Next Man tanked hard at the domestic box office and the DVD I bought was annoyingly expensive too.
It has an interesting plot, and a political message. Imagine the Saudis sending a man of peace to the UN, to change OPEC. Other than that, it resembles Day of the Jackal in some respects, and Cornelia Sharpe is dazzling. Scenes of New York prior to 9/11 are always poignant, and Connery does a fine job. His "conversion" sparks a multitude of organizations to try to stop him from doing further damage. There is much to look at, and the pace is fast. I enjoyed his pleasure at confronting the UN members from the Mid-East who were outraged by his refusal to parrot the OPEC line. There is always a "next man"... or woman...who has a mission to perform.
I was able to watch the remastered version on YouTube. The original theatrical release was mangled by small cuts, 18 minutes of them,
and panned by critics. Even the restored version is not really a great film...but it is a very well made political and social drama, like SYRIANA. And so pertinent to today's world. Should be watched for that reason alone. Sean Connery plays a great Arab, like he did in Wind and the Lion (I know, that character was a Berber). Cornelia Sharpe is exquisite. If you blink a few times, you imagine we are in Bond territory again, especially when they go to the Bahamas. Highly recommend!
Wusstest du schon
- WissenswertesSir Sean Connery once said of his role in This movie: "I took the part of Khalil in "Öl - Kampf um die Energiereserven der Welt (1976)" based on reasoning that I always use. I thought him to be an interesting character. He is a contemporary man in every sense of the word: sportsman, diplomat, lover, intellectual, a complete man of our times."
- PatzerDuring Khalil Abdul-Muhsens Sean Connery visit to the US he recites a quote that he attributes to Senator Dirksen (Republican - IL) at the Republication National convention. "On the battlefield of indecision lay the bleached bones of countless thousands. Who in a moment of decision, waited. And in waiting; died." While Sen Dirksen did use a similar phrase it was on the floor of the U.S. Senate in support of the Civil Rights Act of 1964. The phrase should be attributed to George W. Cecil (as William A. Lawrence), American Magazine, March 1923 (in an ad for International Correspondence Schools).
- Zitate
U.N. Reporter: Your Excellence, in the wake of three assassinations, do you fear for your safety?
Khalil Abdul-Muhsen: I fear for the safety of all of us.
- VerbindungenFeatures King Kong und die weiße Frau (1933)
- SoundtracksStay With Me
Vocals by Tasha Thomas
© 1976 Jaycee Productions, Buddah Records Inc.
(C) 1976 Soultown Music Inc.
All music published by Soultown Music Inc./BMI 1976
(P) 1976 Jaycee Productions
© 1976 Soultown Music Inc.
All music published by Soultown Music Inc./BMI 1976
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Öl - Der nächste Mann
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 43 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Öl - Kampf um die Energiereserven der Welt (1976) officially released in India in English?
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