Kabhie Kabhie

After directing action movies Joshila and Deewaar, Yash Chopra made Kabhie Kabhie with a theme that he is good at i.e. Love. The movie starts with the song "Main Pal Do Pal Ka Shaayar Hoon" and, ends with the song "Main Har Ek Pal Ka Shaayar Hoon". What lies between the two songs of the poet is a well told love story spanning two generations that shows the transformation of the poet from "Pal Do Pal Ka Shaayar" to "Har Ek Pal Ka Shaayar".

I have watched Kabhie Kabhie several times and, yet I have not got tired of this movie. The main reason for this is that as an audience I can associate to Kabhi Kabhie in different ways, to the characters, to the story, to the music or simply to the musings of the poet.

There are seven main characters and, all of these characters are natural and realistic that audience can feel each of the characters emotion and associate to them. Amitabh, Rakhee, Shashi Kapoor, Waheeda Rehman, Rishi Kapoor, Neetu Singh, Naseem, all of them have acted very well; but it is Amitabh who steals the show. Parikshit Sahni and Simi Grewal have supported well as the foster parents of Neetu Singh and, Deven Verma provides the comical relief (given a few scenes he leaves a good impression).

Yash Chopra has handled the theme of the movie very well and, has directed superbly. He keeps the story telling simple and linear, develops each character very well, and never goes far from the crux of the story even when touching issues like premarital relationship. Though brief, he also captures the capital Delhi nicely. I regard Kabhie Kabhie as Yash Chopra's best movie until now. He did break the grounds with "Lamhe" in terms of story but he is yet to surpass Kabhie Kabhie as director.

Music and songs have always been the strong point of Yash Chopra's movie. Kabhie Kabhie is among the top ones in that list. The credit goes to both Khayyam and Sahir. One may have to watch Kabhie Kabhie second time just to enjoy the music and songs. The songs melodiously rendered by Mukesh, Lata, Kishore and Pamela to date are chart busters. At the time when Kishore's voice was getting associated with Amitabh, Khayyam broke the trend by using Mukesh's voice to capture the soul and the depth in the poet's (or Sahir's) lyrics (note that in Trishul he did it again using Yesudas's voice for Amitabh).

Khayyam not only composed delightful music for beautiful songs written by Sahir, but also scored one of the best background music in Hindi cinema. The background music is very rich, consistent, pleasant and captures the mood of the characters so as to relate them to the audience. Khayyam has done it mainly by efficiently fiddling with two instruments, such as, two guitars (when Sweety introduces Vicky to Preeti and, when Amit, Anjali, Vicky, Sweety and Preeti are eating dinner), guitar and sitar (Amit and Anjali discussing in the bedroom while they are thinking about two different things and, the change when they talk about themselves; Preeti and Vicky arguing in the garden after Preeti comes to know about her mother), banjo and violin (when Anjali finds out about Preeti and Vicky's love) to describe a few.

It isn't that there are no weak moments in the movie. The story line does has some weakness; but the different strengths of the movie does not lets the audience feel or see them, or lets the audience to ignore them.

As a whole Kabhie Kabhie is one of the best movie that has graced the screens of Hindi cinema.

Yash Chopra's ability to make a mainstream film which is hopelessly romantic on the one hand but then, at the same time, infuse it with a sort of delicate realism when it comes to his portrayal of relationships, is quite a rarity in commercial Hindi films. Mind you, Kabhie Kabhie is neither an art film nor a middle-of-the-road, Hrishikesh Mukherjee-style sort of film, but it has this believability about it which makes it entirely different and superior to the usual fare of the times. Due credit goes of course to the script by Sagar Sarhadi and Chopra's direction. Few mainstream films of the times showed a husband and wife lying on their bed and having a casual conversation after waking up, the wife taking a bath, other female characters sitting and sewing for leisure or reading a newspaper. This situational matter-of-factness, which is also true of the poetic but rich dialogue, is characteristic of Chopra's profound narrative style, as evidenced in his other films of the time, like Deewar, Trishul, and Kaala Patthar, and it makes his films consistently engaging.

At the same time, the film never gives up its commercial mass appeal. The characters are mostly affluent and urban, although like always Chopra presents how flawed they are, how many mistakes they make, and of course the price they pay for their actions. As one would expect, the setting is pretty gorgeous, with our players all living in big, often luxurious houses, and their lifestyle is one to envy. Indeed, Kabhie Kabhie is a melodrama, but, as mentioned above, the delivery makes it always ring true even if sentimentality is unavoidable in this kind of story. It's just much more subtle than most films of its kind, and its poetic quality makes even less appropriate parts fit well within the context the film. As a cinematic experience it is just great entertainment - the film is beautifully shot, and the music, oh the music - Khayyam, the legendary musician does wonders to the film and it is his songs which make the film so memorable today. The songs give life to the film and inject meaning even into the weaker parts.

Kabhie Kabhie is an ensemble film, and needless to say, those were the days of Amitabh Bachchan's consistent rise to cinematic immortality. His depth and restraint work so well for both the character and the film, playing well in accordance with Chopra's controlled direction. Raakhee is also quietly dignified and authentic. Sadly, their appearance once the story jumps many years forward, is not entirely convincing, but they do well. Shashi Kapoor plays second-fiddle to Bachchan like in so many other films from Deewaar to Trishul, and he does a typical job, which is good. Waheeda Rehman can be counted on to give exactly what she gives here - a remarkably realistic performance. The weak links for me, not because of their acting, but because of their placement in the story, the lovely couple of Rishi Kapoor and Neetu Singh, both working hard to highlight how young and bubbly they are. Singh of course gets meatier part which carries the narrative forward. Simi Garewal is very good in a smaller part. Flawed it may be, but Kabhie Kahbie is a classic worth revisiting.

I was very interested in seeing this movie for a long time. It was a huge hit when it came out and it was acclaimed by critics as well.

After seeing it, I wondered if this movie would be a success if it came out today. The characters act in weird and sometimes nonsensical ways. Rishi Kapoor's character's actions really have no justification. I did like Shashi Kapoor's character, though.

Overall, this makes me wonder if we see a lot of older movies through rose tinted glasses.

Kabhi Kabhie is what I'd like to call a complete movie- it has all the fine elements. Good story, great dialogues, great direction- and great acting. Amitabh Bachan, Raakhee, Shashi and Rishi Kapoor, Waheeda Rehman and Neetu Singh gave a convincing and touching performance.

I enjoyed Mukesh's songs. The poetry was simply breathtaking! The scene between Amitabh and Raakhee meeting 20 years later was very touching. It was a very beautiful love story, woven through several generations, and it felt as though it was a journey through several emotions and moments of recollection, remorse, repentance, etc. There was an atmosphere of unspoken love and care in the story. Many untold things took physical shape and meaning only in the hearts of the audience. It was great! All-in-all a 9/10 movie!

Skip the movie and buy the soundtrack instead. Great songs but painful sitting through the entire film.