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Baby Needs a New Pair of Shoes

  • 1974
  • R
  • 1 Std. 26 Min.
IMDb-BEWERTUNG
4,6/10
399
IHRE BEWERTUNG
Baby Needs a New Pair of Shoes (1974)
CrimeThriller

Füge eine Handlung in deiner Sprache hinzuA numbers king pin tries to stay in business as the mafia and police close in around him.A numbers king pin tries to stay in business as the mafia and police close in around him.A numbers king pin tries to stay in business as the mafia and police close in around him.

  • Regie
    • Bill Brame
  • Drehbuch
    • Howard Ransom
    • Elizabeth Ransom
    • Fredricka DeCosta
  • Hauptbesetzung
    • Frank DeKova
    • Paul Harris
    • Frances E. Williams
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,6/10
    399
    IHRE BEWERTUNG
    • Regie
      • Bill Brame
    • Drehbuch
      • Howard Ransom
      • Elizabeth Ransom
      • Fredricka DeCosta
    • Hauptbesetzung
      • Frank DeKova
      • Paul Harris
      • Frances E. Williams
    • 19Benutzerrezensionen
    • 13Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos31

    Poster ansehen
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    + 25
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    Topbesetzung65

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    Frank DeKova
    Frank DeKova
    • Big Tony
    • (as Frank deKova)
    Paul Harris
    Paul Harris
    • Pasha
    Frances E. Williams
    • Mama Lottie
    • (as Frances Williams)
    Reginald Farmer
    • Sweetman
    Don Edmondson
    • Serene
    • (as Tawny Tan)
    Larry Greene
    • Jimmie Rush
    Ernie Lee Banks
    Ernie Lee Banks
    • DuDirty
    • (as Ernie Banks)
    Karmello Brooks
    • Romaine
    Henry G. Sanders
    Henry G. Sanders
    • Sam Kingston
    • (as Henry Sanders)
    Pat Edwards
    • Pearl
    Terry Ransom
    • Little Billy Jones
    Curtis Price
    • Nathan Jones
    Onezene 'Ben' Geyen
    • Rev. Axle
    Ronald Ransom
    • Gambler
    Cal Wilson
    • Young Dude
    Luke Walker
    • Hustler
    Don Thompson
    • Willie Olen
    James T. Jackson
    • Raphael
    • (as James Jackson)
    • Regie
      • Bill Brame
    • Drehbuch
      • Howard Ransom
      • Elizabeth Ransom
      • Fredricka DeCosta
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen19

    4,6399
    1
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    Empfohlene Bewertungen

    4scriptsurfer

    Wow love the early 70's films

    This is what a grind house fan likes most a movie of the era that is not the best but a treat for some. It has it's moments with classic and forgotten songs of the area, one is especially timely of that style's vibe. And Sweetman was a slick numbers runner in the urban mafia who had to help his boss fight the Italian mob who wanted to take over the urban mafia. Not the best film but fun for a watch. It turns out the writers and director didn't go on to do many films after this. Sometime the plot gets confusing and not many of the actors ever went on to do much else. Could be why they changed the title is that it didn't do to well when released. As a fan of African American cinema in the 70's it still is a must to see them all, and the best ones are the ones in the early seventies. I guess this was shot right around 1973. Thanks for reading.
    Wizard-8

    Boring blaxploitation

    There's a big laugh in this movie's opening, which proclaims what we're going to see is a true story, but then states that the names, places, and events have been changed to protect the innocent - uh, wouldn't all that then make the movie complete fiction? Whether or not the movie has basis in fact, all the same it ends up being an almost complete bore that is badly made. I see other commenters have pointing out the movie's various anachronisms, so I won't bother to list them. But the script and the direction are more of a problem. The movie for the most part is far too serious for its own good, without a sense of fun and with the characters endlessly talking about boring topics. I will say some of the acting by the participants actually is okay, but that only helps a little. Whether you're looking for a serious (while engaging) movie or a blaxploitation romp, this movie simply doesn't work for any audience.
    4Uriah43

    Jive Turkey

    "Pasha" (Paul Harris) is a black mobster who has a lucrative setup running the numbers racket in Harlem back in 1956. Additionally, an Italian mobster named "Big Tony" (Frank DeKova) also deals heroin in the same location which doesn't bother Pasha because their interests don't conflict with each other. Unfortunately, Big Tony gets a little greedy one day and decides that he wants to take over Pasha's gambling operation which will leave Pasha out in the cold. A turf war results with Big Tony using his influence with the local politicians to stake his claim while Pasha is forced to utilize his connections within the black community. Anyway, rather than detail the entire story and risk spoiling the movie for those who haven't seen it I will just say that this was a cheaply made low-budget "blaxploitation" movie which manages to entertain to a certain degree. Although the acting was somewhat adequate the biggest problem was that the film was clearly low-grade and the lack of quality clearly shows. Overall I rate it as slightly below average.
    4fearmaker2002

    In addition to the modern cars...

    In addition to all the modern cars on the street, everyone in the movie keeps making declarative statements that it is 1956, as in "You know, this is 1956!" Also, all the white men have 70s haircuts and sideburns. The mayor would have been considered a bum, a beatnik or a surfer in 1956. Perhaps a missing subplot about a time machine wasn't fully explored. I don't know why they just didn't make it take place in present day except that the film is supposed to be based on a true story--In 1956!

    If you are into blaxploitation, it's not a bad story--the main characters do their best considering the mangled plot, but Serene's secret wasn't much of a secret--if you can't figure it out right away you aren't paying attention even though it's 1956.

    The other odd thing (among many odd things) is how this movie ends. It's a real WTF moment. Saying there are loose ends would be an understatement--Especially for 1956.

    It's available on the "50 Drive-In Movie Classics" collection. At about 50 cents a movie, I can't complain. It's low budget but has some nudity and some cartoon-like violence. This also appears to be the only movie in this pack that takes place in 1956.
    4boblipton

    A Strange Take On Reality

    According to the credits, this is a true story, but with the names, locations and events changed.

    Huh? In this case, the White actor is Frank DeKova, whose best known role was as an Indian chief on F TROOP. The movie is about Paul Harris, who runs a numbers racket, with the Mafia (referred to as "Chicago") muscling in and a mayoral election putting the pressure on. It's a potentially interesting idea, but the story is told in a disjointed fashion, with many scenes of people writing numbers in spiral notebooks. Frances Williams as the drug connection is amusing and Reginald Farmer as a street runner "Sweetman" might be interesting, but he wanders in and out.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Film debut of Minnie Summers Lindsey.
    • Patzer
      Early in the film, when white politicians and police are discussing Pasha's numbers racket, a microphone dips into the top of the shot.
    • Zitate

      Big Tony: What are we going to do to settle this mess, anyway? The Chicago bosses are tired of waiting. I'm tired, you're tired. What's the solution?

      Pasha: I thought perhaps you might have some ideas. You Italians were always better at that kind of thinking than us poor colored folks.

      Big Tony: [chuckling] you're too much. You know, if you knew what I was thinking right now... I've hated you for a long, long time, Hakim and right now at this moment I've got you right here in my hand. I could kill you, you know that. I still got your gun, Hakim.

      Pasha: Yeah, the one you got from me in your restaurant

      Big Tony: You've always been a man of honor, Hakim... something I never could stand in a nigger. Now I want to see that honor put you right in your grave. Are you willing to pay the price to see me and mine?

      Pasha: Lay it on me.

      Big Tony: There's a game, it's not Italian, it's Russian. It's a kind of roulette, a special roulette but you play it with life. You see, you drop a bullet in the barrel, like that, then you revolve it. You put it to your head... and press. You do it, Hakim. You do it. Just in case you think I tricked you, you take the first turn. Put the gun to your head and pull the trigger, if you can. You remember when we were kids, it was always you that wasn't afraid and I always panicked. God Almighty, how you used to torture me. Do it, damn it! Do it!

      Pasha: You're a creep, Tony. You never have known how to play fair. What difference does it make? The littlest noise and your gimp-leg goon'll be in here with a hand grenade or somethin'.

      Big Tony: No, no. This place is completely soundproof. Nobody'll come unless I call them and I won't. I swear. I'm going straight down to the wire. Luck is with me tonight, you ugly son of a bitch. It's got to be. It ain't worth it unless I can whip you just once. But you're afraid to give me the satisfaction, aren't you? You're afraid to put that gun up to your head.

      [Pasha raises the gun]

    • Crazy Credits
      When the movie finishes, the words 'THE DEAD END' flash on the screen before the credits roll
    • Verbindungen
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 4 (1997)

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    FAQ13

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    Details

    Ändern
    • Erscheinungsdatum
      • November 1974 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Jive Turkey
    • Produktionsfirma
      • Ransom Pictures (I)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 26 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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