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Und Morgen wird ein Ding Gedreht

Originaltitel: Harry and Walter Go to New York
  • 1976
  • PG
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
5,4/10
1280
IHRE BEWERTUNG
Und Morgen wird ein Ding Gedreht (1976)
In 1892, two vaudevillians and petty con artists get involved, together with the most notorious bank robber, in a New York City bank heist.
trailer wiedergeben2:10
1 Video
80 Fotos
CaperComedyCrime

Füge eine Handlung in deiner Sprache hinzuIn 1892, two vaudevillians and petty con artists get involved, together with the most notorious bank robber, in a New York City bank heist.In 1892, two vaudevillians and petty con artists get involved, together with the most notorious bank robber, in a New York City bank heist.In 1892, two vaudevillians and petty con artists get involved, together with the most notorious bank robber, in a New York City bank heist.

  • Regie
    • Mark Rydell
  • Drehbuch
    • Don Devlin
    • John Byrum
    • Robert Kaufman
  • Hauptbesetzung
    • James Caan
    • Elliott Gould
    • Michael Caine
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    1280
    IHRE BEWERTUNG
    • Regie
      • Mark Rydell
    • Drehbuch
      • Don Devlin
      • John Byrum
      • Robert Kaufman
    • Hauptbesetzung
      • James Caan
      • Elliott Gould
      • Michael Caine
    • 28Benutzerrezensionen
    • 19Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:10
    Trailer

    Fotos80

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    Topbesetzung88

    Ändern
    James Caan
    James Caan
    • Harry Dighby
    Elliott Gould
    Elliott Gould
    • Walter Hill
    Michael Caine
    Michael Caine
    • Adam Worth
    Diane Keaton
    Diane Keaton
    • Lissa Chestnut
    Charles Durning
    Charles Durning
    • Rufus T. Crisp
    Lesley Ann Warren
    Lesley Ann Warren
    • Gloria Fontaine
    Val Avery
    Val Avery
    • Chatsworth
    Jack Gilford
    Jack Gilford
    • Mischa
    Dennis Dugan
    Dennis Dugan
    • Lewis
    Carol Kane
    Carol Kane
    • Florence
    Kathryn Grody
    Kathryn Grody
    • Barbara
    David Proval
    David Proval
    • Ben
    Michael Conrad
    Michael Conrad
    • Billy Gallagher
    Burt Young
    Burt Young
    • Warden Durgom
    Bert Remsen
    Bert Remsen
    • Guard O'Meara
    Ted Cassidy
    Ted Cassidy
    • Leary
    Michael Greene
    Michael Greene
    • Dan
    James De Closs
    • Barney
    • Regie
      • Mark Rydell
    • Drehbuch
      • Don Devlin
      • John Byrum
      • Robert Kaufman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen28

    5,41.2K
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    Empfohlene Bewertungen

    ptb-8

    did they say HELLO to DOLLY?

    Made on the HELLO DOLLY set, this bumbling farce looks sensational and in some ways is actually as lush as DOLLY itself. With a spectacular cast and some very funny lines - and especially the genuinely hilarious NOBODY'S PERFECT song - H&W somehow just misses being really really good. Any opportunity to see Carol Kane on screen is a must. Barely released in 1976 this film is worth seeing in glorious widescreen, just for the visuals around the DOLLY set. It actually looks as though you will see Streisand singing somewhere in the background. It is probably the only two million dollar film with a three million dollar set. Deserving of a lavish DVD release it could easily become a collectors item for many reasons...if only the comedy was genuinely one of them. The ideas are all there and the cast and the lushness, but you just fell it is all a bit forced.
    5son_of_cheese_messiah

    Laurel and Hardy do The Sting

    This film is one of those films in which the elements fail to come together. It is clearly an attempt to recreate the lightning in a bottle of The Sting some years earlier. However it does not measure up for a number of reasons.

    Firstly the truly boring title does the film no favours. It is not surprising the audience stayed away despite this having obvious star power. Like The Sting the main stars are a couple of con men. The comedy is very broad, almost slapstick at times. This tends to undermine any tension in the film. And I'm not convinced that either Caan or Gould have any aptitude for this kind of broad comedy (and neither, I think, do they, if their subsequent career moves are an indication).

    However, there are certain times when nastiness creeps in, the most obvious example is when Gould is locked in a safe. Yes, that's comedy gold, having a man almost suffocate to death.

    Not only are the con men much more buffoonish than in The Sting, but they are also more contemptible. When we first see them, they are stealing money from ordinary members of the public. Why on earth would we be sympathetic to their escapades from then on? While in The Sting the objective was to rob another (and worse) villain, here the target is a normal bank containing real people's money. An attempt to show the manager as corrupt and lecherous does not undermine the fact that the bank contains real people's money and at a time when banks could go out of business.

    Ultimately, no one really cares about these two thieves and whether they succeed in their venture.
    4inspectors71

    Great Cast . . . That's All I Got

    When I saw Harry and Walter Go to New York in 1976, I liked it because it was fun seeing serious actors playing comedy. It had Diane Keaton, who, back in the day, made my gums sweat. I had no idea what was in store for me when I saw it again as a middle-aged adult.

    It was so very awful. Same fine cast to appreciate, but the movie just sat there like a blob of cat puke on the rug that not even the chihuahua will scarf up.

    Yup, that bad.

    And, considering how it went so over-budget it almost sank Columbia Pictures, you would think, you would hope that there would be some evidence the money had been used effectively. You would want your entertainment dollars (three and a half of them, back then) to be for something.

    You would be wrong.

    Aren't we lucky that, for some reason or another, you never see Harry and Walter Go to New York offered on even the Later than Late Show?
    bori-s

    i watched this movie over and over again

    more or less stuck in my hotel room on standby duty for five days during queenly coronation celebrations many moons ago, i found this movie on the hotel network and watched it over and over again. and then some on a parr with :

    Help

    The Three Amigos this movie is deliciously absurd And not only James Khan and Elliot Gould but Michael Cain is in the cast with Diane Keaton Cannot believe the guy who gave this a 5.4 rating has even sat down for the first five minutes cos if he had he wouldn't have ever left his seat unless the building was burning down and he certainly would not have given anything less than an 8

    Netflicks has still not found this gem guess I am gonna have to go out and buy it but how
    6thundersmommie

    I exist because of this movie!

    This is not gonna be a review more like a comment... This movie was not one of the best I've ever seen but because of this movie I exist. My parents were in this movie and met for the first time. This prison is in my hometown. Because of this movie and my parents' ability to be extras, (specifically my dad who looked like Robert Redford from Jeremiah Johnson), they moved in together after 4 days. 46 years later they are still married! Ted Cassidy actually walked up to my dad and called him Bob because he thought he was Robert Redford! How cool is that! You can actually see both my parents in their respective roles in this movie especially my dad as he has a kid on his shoulders in the beginning right up against the prison wall.

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    Handlung

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    • Wissenswertes
      This movie went massively overbudget and caused such a major cash crisis that Columbia Pictures nearly went out of business, until a fund of German dentists, Cinerenta, agreed to help co-finance the studio's other movies.
    • Patzer
      Most of the male characters in the film have 1970's long hairstyles or Afros which were not accepted or socially acceptable in the late Nineteenth Century.
    • Zitate

      Chatsworth: Adam, where'd you find those two oafs?

      Adam Worth: Oh, they're not oafs, Jack. They would require practice to become oafs.

    • Crazy Credits
      Shang Draper's Stained Glass Panels Based on Works of Alfonse Mucha
    • Verbindungen
      Referenced in Saturday Night Live: Eric Idle/Neil Innes (1977)
    • Soundtracks
      I'm Harry, I'm Walter
      (uncredited)

      Music by David Shire

      Lyrics by Alan Bergman and Marilyn Bergman

      Performed by James Caan and Elliott Gould

    Top-Auswahl

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    FAQ15

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. Dezember 1976 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Harry and Walter Go to New York
    • Drehorte
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Kalifornien, USA(Studio, interiors)
    • Produktionsfirmen
      • Devlin-Gittes/Tony Bill
      • Columbia Pictures
      • Safecracker Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 7.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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    Und Morgen wird ein Ding Gedreht (1976)
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