Grizzly

Okay, I think everyone going in knows that this is another one of those "nature-runs-amok" flicks. If you're a fan of these types of movies you'll enjoy "Grizzly;" you won't be blown away or anything, but it's a nice little time-waster.

"Grizzly" was made one year after the hugely-successful "Jaws." It's obvious that the creators wanted to profit from that film's popularity because the plot is basically the same, albeit with a different animal, land instead of ocean, etc. The main difference, however, is that "Jaws" was a first-rate film, whereas "Grizzly" is strictly Grade B.

How can one tell? Well, First rate films like "Jaws," "Raiders of the Lost Ark" or "The Bridge on the River Kwai" stand the test of time -- although you can tell they're older films for obvious reasons, they're so well done on all levels that you hardly even notice. Grade B films like "Grizzly," however, do not pulsate with creative originality, they lack that certain pizazz to set them apart.

This is not to say that "Grizzly" isn't entertaining; it is, as long as you understand going in that you're seeing a Grade B Jaws-on-land type flick. We're not talking "Apocalypse Now" here.

WHAT WORKS: The Northern Georgia location -- Black Rock Mountain State Park -- is a pleasant surprise. If you enjoy deep forest adventure type movies, then this film's for you.

The scene wherein the bruin destroys a fire outlook post is good.

WHAT DOESN'T WORK: aside from the obvious "Jaws" rip-off and Grade B film problems mentioned above, the grizzly in the picture doesn't look as big as they say it is. In the movie the bear is supposed to be a prehistoric survivor, some 15 feet tall or so. Don't get me wrong here, the thought of running into a grizzly is frightening enough, ask my wife who had a nervous breakdown on a trail in Glacier National Park, Montana (one of only two areas where grizzlies still dwell in the lower 48). It's just that the bear doesn't look as big as they SAY it is in the film.

Also, as with most Grade B fare, the score is substandard and dated.

FINAL ANALYSIS: Think rip-off, think Grade B, think "Paws" or "Claws," and you won't be disappointed.

GRADE: C+

Grizzly was a good film the bear was pretty big and very violent too. Grizzly features big stars such as Christopher George, Andrew Prine and Richard Jackel. Most people in the mid-70's think Grizzly is a rip off of Jaws but I don't think it is that much. Grizzly has a lot of gore and blood and Robert O. Ragland's music make's the killings a lot more errier. I have seen Grizzly more than 6 times it is very good, but they DO NOT have grizzly on VHS,only DVD at the time. Director William Girdler also made Abby, and Project kill before he was killed in a crash while making a film in the Philipheens

Very sexy 2nd victim, brunette with long hair, who went to poop in the forest and Mr. Big Bear caught her in the small cabin. The bear played excellently, he deserves an Oscar and a BAFTA. Human actors not so much. I mean, not exactly talented. The hand of the first victim, the woman with the red checkered shirt, can be seen to be made of plastic. We really need such a bear now, to deal with Bill Gates, Klaus Schwab and company...

Due to the year in which it was released, 1976's "Grizzly" seems to get summed up as a land-locked "Jaws" wanna-be, but people tend to forget that even before "Jaws," drive-ins were well stocked throughout the 1970s with a near endless series of killer animal/"nature takes revenge" flicks (i.e. "Squirm," "Frogs," "Night of the Lepus," etc.). So if anything "Grizzly" can merely be accused of having excellent timing, as it rode the coat-tails of "Jaws" to the tune of $39 million in box office and briefly held the title of most profitable independent movie (till it was unseated by the original "Halloween").

As for the movie itself, it's a fairly typical killer animal flick. A rogue Grizzly bear has suddenly begun tromping around a national park, munching on campers and back-packers, and the park's bad-ass head ranger (Christopher George) has to hunt it down and kill it, assisted by his two best friends, a naturalist (Richard Jaeckel) and a redneck chopper pilot. Due to its low budget nature, we don't see much of the actual bear till the film is three-quarters of the way finished, till then "attack" scenes are shown from the bear's eye view so all you see is a hairy paw reach from off camera and lots of growling on the soundtrack. Those attack scenes are still fairly brutal and gory (particularly when the bear goes after a young boy and his mother, and we see the poor kid thrown to the ground with his leg bitten off!), and when we finally do get to see the Grizzly in all his glory, he's a fearsome looking S.O.B. indeed. I won't reveal whether or not Ranger Smith (haha) manages to defeat Yogi Bear in their climactic battle, but I will say that it's the best scene in the movie, due to the total overkill weapon used by George's character.

Director William Girdler keeps the suspense level up and Christopher George is a suitable tough-guy hero, making "Grizzly" a decent night of schlocky-but-fun creature-feature entertainment, 1970s style.

To say that "Grizzly" is a rip-off of "Jaws" is only going part way to describing the genesis of the film. It has also taken a page from "The Towering Inferno" with opening credits that are so similar in their presentation that it's laughable. (There's even a lodge owner with the same type of glasses William Holden wore in "Inferno".) The film follows the basic formula (which would be copied in dozens of films thereafter) of "Jaws" with innocent people being mauled and devoured by an unseen enemy. Like Bruce the shark, Grizzly doesn't make his full appearance right away. Rather, the audience is treated to perspective shots of branches and foliage being shoved away as he approaches the next morsel...er...camper. (This approach was also utilized in the 1976 "King Kong", so the derivation continues.) George plays something akin to Head Ranger of the forest in question. When he isn't head-butting with the park supervisor (Dorsey), he's calling upon buddies Jaeckel (a naturist who prowls around with pelts on his back to better study the animal kingdom) and Prine (a helicopter-piloting Vietnam veteran) to help him track down this man-killing beast. Meanwhile, the body count rises and rises as victims fail to notice a 15 foot, 2000-lb grizzly bear coming up to them from nowhere! Finally, just when the cast is dwindling to that of a one man show, the climactic showdown between man and beast occurs with the bear getting a similar comeuppance as Bruce the shark did in "Jaws". Some of the scenery in the film is nice, though apart from the credit sequence, it is hardly ever exploited to its full potential. The three lead males do an okay job with Jaeckel scoring the most points with his quirky portrayal. It's a little sad to see George literally chain-smoking through the film when he would be dead of a heart attack in just 6 years at age 54. Prine affects a spotty cornpone accent that does little to bring his sketchy character to life. By far the worst presence in the film is that of McCall as George's love interest. Not only does her character have nothing to do with the plot or the title beast at all, but the actress is so annoying that one keeps hoping she will be next in line for the human buffet. Looking like a less-surgically-enhanced Katie Couric and with a voice twice as grating, she is a big debit to the film. WHERE was Lynda Day George?? Though the formula of "See camper, See camper die" gets more than a little tiresome, there are a couple of memorable moments. One is when the bear wants one victim so badly, he levels a towering ranger station! Among the sillier moments is one in which a female ranger says she is going to soak her feet in the stream, yet proceeds to strip down to bra and panties and let her hair out of its ponytail! There are campy bits like heads, arms and so forth being yanked off (mostly suggested rather than explicitly shown) and plenty of fake blood spewing here and there. There are worse "Animals on the rampage" flicks, but this is hardly a strong piece of movie-making. In a useless aside, both Prine and George posed for nude photos of themselves in the 70's, but here nary even a chest is in sight.