Cannonball

Here's yet another reason to accentuate the 1970's was the absolute greatest decade for cult-trash cinema output (as if we weren't convinced enough already): Carsploitation movies! There are only a handful of them, they all look alike and most film-loving audiences will probably detest them, but … damn, are they ever entertaining! "Cannonball!" – although I must say I prefer the much cheesier video title "Carquake" – is brought to us by the same team that made the brilliant and unequaled "Death Race 2000" one year earlier, and it many ways it feels as if writer/director Paul Bartel injected all the silly comedy that he couldn't put in "Death Race" into this film instead. This film is more of a straightforward comedy whereas "Death Race" was a black comedy (apparently not everybody finds the idea of wiping pedestrians off the road for points funny). The concept of this film is much simpler: bunch of eccentric people participate in an illegally organized cross-country race from California to New York City. Ex-convict Coy Buckman is obviously the most talented racer, so his competitors will have to revert to ingenious cheating if they want to stand a chance. The main storyline as described here is obviously very simplistic, but one could also claim there are numerous little sub plot story lines that are all terrific and imaginative. The lead character Coy Buckman is already quite intriguing. He dragged his sexy female parole officer along in the race and has a mechanic who idolizes him so much that he literally wants to be Cannonball! Every contestant in the race is worth mentioning, like the obnoxious German in his canary-yellow sport car and the psychopathic Redman and his country-singing and guitar-playing co-pilot. Outside the race there's quite a lot going on as well, like Coy's sleazy brother Bennie trying to sabotage the most important rivals because he bet a huge some of money on the winner. Although the comical ambiance definitely overrules, "Cannonball!" nevertheless remains a bona fide action/spectacle movie with copious crashes, macho showdowns, explosions and violent painful deaths. The climax, which features a mass accident with cars piling up seemingly forever, exactly demonstrates the blending of humor and action. The cast is full of pleasingly familiar faces, especially if you know a thing or two about B-movies. Apart from the brothers Carradine (David and Robert), there's Mary Woronov, Dick Miller, Carl Gottlieb and director Paul Bartel himself (in a hilarious role). Buckle up for some sheer cult-excitement!

'Cannonball' is one of the least remembered of the short-lived but successful 1970s car race/car crash genre begun by 'The Gumball Rally'. What really makes this one stand out is that it was directed by the late Paul Bartel (in between his immortal black comedy classics 'Death Race 2000' and 'Eating Raoul'), and features an impressive supporting cast of cult actors and Bartel buddies. 'Death Race 2000's David Carradine once again stars, this time as "Cannonball" Buckman, an ex-con who desperately wants to win the illegal Trans American road race. His older brother Benny (the legendary Dick Miller) gets him set up with a car, and bets enormous sums of money on him, mainly with the eccentric but ruthless bookie and amateur songwriter Lester Marks (played by Bartel himself). If Cannonball loses Benny will enter into a world of pain, so Benny tries any and every trick he can think of to ensure Cannonball's competitors lose. Cannonball's main competition is the borderline psychotic Redman ('Deliverance's Bill McKinney), but the race also includes Cannonball's sidekick Zippo (Archie Hahn), his parole officer girlfriend (Veronica Hammel), a bus full of babes led by frequent Bartel co-star Mary Woronov, an aspiring country singer (Gerrit Graham), and surfer types Robert Carradine and Belinda Balaski. 1970s exploitation fans will recognize these actors, and several others that make appearances throughout this stupid but fun movie, and buffs will also spot various film makers in cameos including Roger Corman, Martin Scorsese and Joe Dante. The whole thing is very incestuous and self-indulgent, but the cast looks like they're having a lot of fun. Maybe not as much as the viewer will, but it's still an entertaining ride if you kick back and have a beer or two when watching it.

Made a year after the 70s cult b-film Death Race 2000. Paul Bartel (as director) returns to the genre with another Corman produced feature of the same ilk. Instead of the futuristic dystopian setup of Death Race, it goes for a randomly breezy and thinly plotted Cannonball Run route of an outlaw cross-country racing event. However it was made years before Burt Reynold's iconic film, but around the same time as the similar plotted 'Gumball Rally'. One thing though, those aforementioned films never matched the striking tone of this very Bartel film.

Leading the way was the impressive amount of mass destruction occurring on the roads, sometimes quite violent, dangerous and disturbing in the details. Making it somewhat jarring with it also wanting to be humorous in its characters struggling to catch a break, or a comedy of errors turning lethal. The tip of the iceberg was the climatic vehicle pile-up which doesn't shy away from casualties and how they're presented. As the humour is strangely dark with ironic shades mixed with a cynical morality tale in some character fates. While sort of generic in what happens, the levity of the script and outrageous set-pieces can amuse, but at the same time shock. While the ensemble cast (led by David Carradine's fashion sense) really do push it along. So many familiar character actors, film-makers from Corman's staple show up. And it's quite fun picking up on them.

Cannonball.

The movie that broke the dam and started a flood of films revolving around illegal coast to coast car races, really isn't half bad. That is so long as you don't forget its a B grade film. There are moments during it's one and half hours of engine revving running time that you are could be duped into thinking that the film makers had something higher purpose in mind they fleshed out the script on an empty pizza box to this masterpiece. The opening scene (a dream scene no less) just oozes style and stinks and I mean that in a (it reeks like gym socks kind of a way) of finesse. It comes complete with a cryptic voice over and a heart beat soundtrack...enthralling.

David Carradine plays the titular Cannonball. He's the strong silent type with a dodgy past, he's out to win the Trans American to get his life back on track, after spending some time in the slammer for a crime he didn't commit. In what 70's film didn't he play this guy? There's your token bad guy complete with a black Dodge Charger that is looking to do him (being titular Cannonball) in at any cost. Why? Because you can't have a movie like this with out a bad guy. Its like sex with out the wet patch, they come hand in hand.

Made in that 70's dirty "we couldn't afford to buy better film" style that is normally reserved for Porn films and early sword and sorcery flicks the film makers have covered off all the stereotypes that we have come to know and love from these kinds of movies. We have a European with an exotic car, a couple of girls in a car going fast and wearing little, a ethnic minority character with little luck when it comes to cars or women. The a fore mentioned brooding anti-hero good guy type, the maniacal bad guy and a host of token others that matter little to the grand scheme of things, oh and of course more than its fair share of stupid cops.

The real stars of this movie however are the cars, let's be honest it's the only reason this movie was made. A showcase of some of the most popular American and a token European muscle car, ever to make their way on to the road. Let us review; Dodge Charger, Trans Am's (must be popular because there are two of them), a Corvette, Mustangs and all the hotted up customs you could ever want. They are all thrown though their paces but though the budget prevented any real fancy camera work really show off their moves. However there is some really decent action sequences here, that exceed the movie's standing as an the aforementioned 'we couldn't afford to buy better film' and make it memorable even by today's blockbuster standards. The highlights to look for, the massive car pile up on the interstate towards the end and the trashing of the Detomaso Pantera. So as you can imagine there's enough car carnage to make even the most Blues Brother hardened fan giddy with excitement.

To sum up, Cannonball is a bit of Tuesday night fun and to be enjoyed at its best, watched with a few friends and some strong liquor. Don't for get to look for Martin Scorsese and Sylvester Stallone in early cameo roles.

David Carradine takes part in an illegal anything goes cross-country race from California to New York. Paul Bartel's second attempt at the race movie, while good isn't as fun as his previous "Death Race 2000". It's still fun in parts, but lacks the pacing and memorable characters (except for Carradine and the always watchable Dick Miller)

My Grade: C+

DVD Extras: Interviews with David Carradine, Mary Woronov, and Roger Corman; Poster and Stills gallery; 3 TV spots; and Theatrical Trailer

1 Easter Egg: Highlight a hidden car in the Extras menu for a Carquake/ the giant spider invasion combo trailer