Füge eine Handlung in deiner Sprache hinzuA Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and ... Alles lesenA Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.A Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.
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Now how can you resist any hokum featuring those elements? Produced by Amicus, and scripted by Milton Subotsky (based on the novel by Edgar Rice Burroughs), this is decently executed by director Kevin Connor, who was a real go-to filmmaker for this kind of fantasy material in the 1970s. McClure is a jut jawed hero, and Cushing seems to be relishing a rare opportunity to ham it up. His performance may not be one of his most accomplished, but it's certainly a fun one. Caroline Munro is *extremely* alluring as cave girl Dia. Also performing this amiable nonsense with straight faces are Cy Grant as the helpful Ra, Godfrey James as the stolid Ghak, and Sean Lynch as the devious Hoojah (just to be sure we get the point, Hoojah is nicknamed "The Sly One").
The movie begins in grand style, with some striking opening titles and a beautiful, rousing piece of music. It promises a solid diversion, and that's what it delivers. The understandable criticisms often leveled at the production are its obvious budget issues, and rubber monsters. But these monsters are just so damn amusing, especially the exploding fire breathing frog. All of this is done in an agreeable tradition of the Saturday matinée feature. The sets and the visuals are reasonably impressive, and Connor keeps things moving along nicely (the movie hits the ground running), and building to an exciting and destructive finale.
"At the Earth's Core" does put a goofy smile on *this* viewers' face.
Seven out of 10.
This film from the 70's is undoubtedly dated by today's standards but this film was made at a time when cinema was finding itself, and new techniques were being used to bring strange new worlds to it's audiences. That is exactly what you get in this film, new sights and sounds brought to audiences in a new way. That being said, Star Wars was only released a year away from this film but even low budget films and techniques need to find themselves and explore capabilities.
Finding themselves in a labyrinth of tunnels where psychic bird creatures rule over their slaves of prehistoric man and woman, the scientists have to save the day, stop the oppression, and find a way back to their own part of the world.
OK, so the acting is tongue in cheek ham, the creatures are as rubber as the boulders and walls, and it's pretty inaccurate the majority of the time...what it is is harmless and it's fun. This is exactly the kind of film you can put on any Sunday and just relax without having to engage your brain. Enjoy.
In comparison, just look at the latest STAR WARS films: they have the latest, greatest special effects created by the latest technological advances which are capable in creating stunning visual effects as far reaching as the human imagination can imagine and yet, with all the razzle dazzle, those films were as exciting as a funeral. As Yoda would say, Fun they're not! In other words, who cares if the FX aren't the greatest when the spirit of the film is fast-paced, humorous and clearly set on the side of action. I love everything about AT THE EARTH'S CORE: the contrast between stodgy Victorian England VS the wild other-worldly, colorful setting of Pellucidar, the cast of characters, the concept of a lost underground world, the telepathic Pterodactyls, the human slaves rebelling, Jubal the ugly one (lol!), the inspired teaming of Peter Cushing (who's great!) and Doug McClure, the excellent music (it's really good), cinematography by the amazing Alan Hume and last but not least, Caroline Munro. She's effing sexy in this movie. One of the sexiest B-movie babes ever captured on screen.
Seriously, anyone who doesn't like this movie doesn't know what fun is. Gimme AT THE EARTH'S CORE over any turgid STAR WARS prequels any time! At least it has Caroline Munro, which no CGI fx can ever recreate.
Yes the effects are bad, men in suits, strings pinging parrot monsters around and exploding rubber frog like thingies amuse us greatly. And yes, Cushing and a surprisingly pudgy McClure (wearing bell bottomed flared trousers) act as if they have truly been mesmerised by the evil Meyhas at the "core" of our film. But it matters not, zany and clunky and awash in glorious colour, At The Earth's Core is a throwback to a special pre ILM time when kids like me queued around the block to see such joyous nonsense. 8/10
Wusstest du schon
- WissenswertesActor/stuntman Bobby Parr lost a finger during a fight sequence with Doug McClure that went wrong.
- PatzerThe guards in front of the White House are dressed in British police uniforms.
- Zitate
Dr. Abner Perry: You cannot mesmerise me! I'm British!
- VerbindungenFeatured in Troldspejlet: Folge #1.12 (1989)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Angriff der Dinosaurier
- Drehorte
- Pinewood Studios, Iver Heath, Buckinghamshire, England, Vereinigtes Königreich(studio: made at Pinewood Studios, London, England)
- Produktionsfirma
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Box Office
- Budget
- 1.500.000 $ (geschätzt)