Planet der Stürme

There's not too much going for this movie. It has a poor plot and poor acting. At the start of the movie, the special effects seem promising but even this quickly disappears and reverts to much lower standards. It seemed to me that the film is far behind the quality of special effects available in 1968. It seemed to be several years behind the times. The actual quality of the film is even poor. The so called prehistoric women did not in the least look prehistoric. To me they just looked very strange. I didn't find this movie to be very interesting and would go as far as calling it boring. I've seen a lot worse but this film is definitely near the bottom of my list and is one that I would not recommend.

"Voyage to the Planet of Prehistoric Women" concerns a party of cosmonauts attempting to rescue another group on Venus. Along the way they encounter prehistoric monsters and other perils, and there is an intelligent robot. This part of the film is really an excellently made Russian sci-fi film called "Storm Planet", while the other part concerns a band of telepathic Venusian cave girls led by Mamie Van Doren, who worship a pterosaur named Tera and watch the struggles of the cosmonauts from afar; this other part was spliced in by P. Bogdonovitch (at R. Corman's behest? I'm not sure), and is ridiculous camp. I've seen two versions of this film (not including the Russian original), one without the Van Doren sequences. Although it is regarded as a psychotronic/cult/camp type of film, the classiness of the original manages to come through most of it, and the pacing benefits from the exclusion of a stereotypically sexist subplot involving a female crewmember's misplaced patriotic zeal.

Director Peter Bogdanovich had to start somewhere; following second unit work on Roger Corman's "The Wild Angels," Corman allowed the hardworking novice an opportunity to do a feature film utilizing the exact same Russian stock footage used by Curtis Harrington for his 1965 "Voyage to the Prehistoric Planet," a 1962 entry titled "Planeta bur" (Planet of Storms). It's no stretch to assume that the first-time director just didn't have his heart in his work, as all of his newly shot footage features a dozen bikini-clad models not required to speak, everything narrated by Bogdanovich himself. There is no integration between the alien mermaids and the Russian characters, so the whole thing just sits there, aimlessly meandering from one crisis to another. Granted, I had just viewed Curtis Harrington's work on his "Voyage," so all the Soviet footage was already familiar to me, but at least Harrington had Basil Rathbone and Faith Domergue actually communicating with the Russian astronauts, their scenes already dubbed into English. The blame here simply lies with Roger Corman, who felt the need for another retread rather than something truly original. "Voyage to the Planet of Prehistoric Women" carries a 1967 copyright, and at least Corman was satisfied enough to grant Bogdanovich the freedom to do a feature starring Boris Karloff, who supposedly owed Roger two days work on a previous contract; we can all be grateful that the result was the superlative "Targets," shot in Dec 1967, an achievement that even "The Last Picture Show" couldn't top (some may feel free to disagree). Pittsburgh's Chiller Theater aired "Prehistoric Planet" only 3 times, "Prehistoric Women" 4 times (maybe it was the bikinis), all from July 1969 to July 1972.

Although Planet Of Prehistoric Women's mother film Voyage to the Prehistoric Planet had some interesting aspects to it, this one is a total dud. Unless of course all you want to see is Mamie Van Doren and those scantily clad Venusian babes. All of them Playboy playmates or could qualify for same.

Honestly if the earth people knew what was on Venus, they'd be rushing pell mell to get to the shrouded second planet.

This film is a re-edited version of the first film with some added footage of Mamie and her clan. It seems as though the earth astronauts have killed the flying reptile the Venusians worship as a god. Causing a theological revolution on the place.

Unless you like Mamie and those twin weapons of mass destruction she sports, I'd pass this one up.

I saw this movie as a kid, around 1972 or so, and spent years trying to see it again. Yes, I know, I need a life. I finally found it on DVD in one of those 50 sci-fi movies for $20. The movie itself is pretty bad, but if one enjoys 'bad' sci-fi, then this one is perfect. I still can't figure out how they got their 'space-car' to float around like it did. It looked pretty real, as did a Brontosaurus, but the Pterydactyl looked very cheesy, like it was made by a bunch of 7th graders. Anyway, I watched "Voyage to the Prehistoric Planet", then I watched "Voyage to the Planet of the Prehistoric Women" back to back. There must have been a gun to my head, I know. The movies use the exact same dubbed Russian "Planet of Storms" footage, but each movie spliced in their own additional footage, and the results produce 2 similar, but different story lines. "Prehistoric Planet" has Basil Rathbone in separate footage, as well as Faith Domergue in her own footage-they are in different space stations.....making for a clumsy (but enjoyable) plot involving rescuing the men on Venus. The robot seems to have a bigger role in this movie, although it is used to some effect in the other. "Prehistoric Women" has Peter Bogdanovich's voice-over narration, and the spliced-in women in clam shell bathing suits (Mamie Van Doren is the leader), who communicate telepathically. I found this one to be much more interesting of the two. The Earth men and Venus women seemed destined to meet each other, they look for each other most of the movie, but alas because it is separate footage, they never do! A somewhat surprise ending makes the movie that more interesting. I do have to comment on the eerie female singing/crying throughout the movies, made it pretty haunting. Also, some of the noises coming from the console of the space-ships sounds exactly like those heard on the original Star Trek TV show. Well, I probably spent more time talking about this movie than the production crew who actually shot the movie!