Füge eine Handlung in deiner Sprache hinzuA story of a brilliant master sergeant with a great career behind him and transferred to yet another post, his attraction to a younger man eventually overrides him, to a point where his late... Alles lesenA story of a brilliant master sergeant with a great career behind him and transferred to yet another post, his attraction to a younger man eventually overrides him, to a point where his latent homosexuality, finally emerges.A story of a brilliant master sergeant with a great career behind him and transferred to yet another post, his attraction to a younger man eventually overrides him, to a point where his latent homosexuality, finally emerges.
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Nadine Alari
- Mrs. Gérard, Solange's Mother
- (Nicht genannt)
Gabriel Gascon
- Paul - Solange's Brother-in-Law
- (Nicht genannt)
Dan Gregory
- Young Soldier
- (Nicht genannt)
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I'm a Viet Nam vet who spent 6½ years in the Army, 5 years as sergeant or staff sergeant. This movie is the best and most accurate portrayal of army life I've ever seen. It's accuracy and correctness is uncanny. It makes me wonder how they did it. Most audiences would not be interested in the real McCoy, but this is it. It is also a top notch war film! The bleakness, emptiness, alienation, and devastating isolation, meanness, poverty, ugliness, and frightful brutality of army life are there in spades. The wreckage both of war and of the unnatural regimentation and peculiar dual hierarchy (that of commissioned officers and of non-commissioned officers) of the military are portrayed with accuracy and near perfect verisimilitude. Steiger is 110% convincing as a seasoned, career, First Sergeant in the regular army. I didn't bother with the theme of repressed homosexuality. It's the loneliness and debilitating harshness (often self-imposed by those who opt, or more likely fall into the trap of rootless expediency, of military life) that count here. Is it any wonder that soldiers commit atrocities in war? Watch this movie and see for yourself.
Cliché? No more than a thousand other films that make melodrama of the agony of unrequited love. What makes the film unique is not just that The Sargeant was "secretly" homosexual, what makes it unique is that he was TOO OLD (and fat!) for Swanson, who was obviously a "hottie", and more likely just plain heterosexual anyway.
It's impossible to watch this film and not be somewhat awed by the performance of Rod Steiger, who doesn't speak a word until ten minutes into the film, but his silent performance at the end still screams in your gut as the closing credits roll.
Did Swanson feel guilty for not helping out the old guy, or just pity because The Sargeant was a pervert? This question is left unanswered at the end of the film. It is as vital and important today as it was when released. It tells a story not only of general attitudes toward homosexuality at the time, but the never-ending story of young men's indifference to the attentions of fat old supervisors.
Seriously, the WB Archive DVD looks very good, but it's easy to see how a full restoration of the film could look exceptionally good. The important thing is that the film not be overlooked because the gay man doesn't get his guy.
It's impossible to watch this film and not be somewhat awed by the performance of Rod Steiger, who doesn't speak a word until ten minutes into the film, but his silent performance at the end still screams in your gut as the closing credits roll.
Did Swanson feel guilty for not helping out the old guy, or just pity because The Sargeant was a pervert? This question is left unanswered at the end of the film. It is as vital and important today as it was when released. It tells a story not only of general attitudes toward homosexuality at the time, but the never-ending story of young men's indifference to the attentions of fat old supervisors.
Seriously, the WB Archive DVD looks very good, but it's easy to see how a full restoration of the film could look exceptionally good. The important thing is that the film not be overlooked because the gay man doesn't get his guy.
I believe this is one of the most sensitive films about hiding your gayness in the military. Even though it takes place many years prior to the 'don't ask don't tell' motto, it speaks of the difficulties a gay man must cope with.
Now that the industry has lost one of its more brilliant character actors, I hope this movie will find its way to DVD, along with "The Loved One" which has been on moritorium for some time.
Now that the industry has lost one of its more brilliant character actors, I hope this movie will find its way to DVD, along with "The Loved One" which has been on moritorium for some time.
After wanting to see this film for a long time, I finally tracked down a VHS copy taped off TV in Philadelphia (I found the copy in California). The performances are very good. And it's well made, until it gets close to THE BIG MOMENT, and then the editing goes awry, as if studio executives had gotten nervous about the subject matter and deleted whole sections, so that the time line of the behavior of the title character - played by Rod Steiger - is all off. One minute he's telling John Philip Law to get lost; the next minute he wants him near. I know people change their minds, and LOSE them when they're obsessive, but it feels choppy here, and glaring. And between THE BIG MOMENT and the denouement there is an odd black and white montage that seems to be some kind of memory device (could the copy I saw be missing something?), so that seemed like another obvious studio error. Still, the movie is worthing seeing and should be on a double bill with "Reflections In A Golden Eye," another well made, failed film from around the same time and on the same subject (repressed, lonely, older, closeted military man fascinated by a handsome younger guy).
A real tour de force for Steiger, whose riveting portrayal of an Army sergeant wrestling with his own repressed desires is both realistic and compelling. Another top-notch Steiger character study.
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- WissenswertesSimon Oakland campaigned hard to play the lead role and even told director John Flynn that he would do it for no salary. However, Rod Steiger was ultimately cast instead because he was a bigger name at the time.
- PatzerThe story takes place in 1952, but all the women's fashions and hair styles are strictly 1967-1968.
- VerbindungenFeatured in Homo Promo (1991)
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Details
- Laufzeit1 Stunde 48 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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