Hostile Witness - Im Netz gefangen

1967's "Hostile Witness" was the last of five feature films to be directed by actor Ray Milland, who also starred in each one, dating back to his 1955 Western "A Man Alone" (his best known was AIP's "Panic in Year Zero!" in 1962). The experience of starring in Jack Roffey's successful Broadway play (which he also toured in the US and Australia) led Milland to helm this movie adaptation at London's Shepperton Studios, the stationary camera reminding us of its stage origins yet still engaging with a veteran cast of stalwarts like Felix Aylmer (as the presiding judge), Raymond Huntley (as the prosecutor), Richard Hurndall (as the investigator), and especially Sylvia Syms as Milland's promising young clerk, whose services are sorely missed once he begins to defend himself. His barrister Oliver Crawford is as arrogant as he is confident in his victorious ways, only to see his world come crashing down with the unexpected death of his only daughter, the victim of a hit-and-run right outside his home. After spending three months recovering from the tragedy, the barrister returns to work but is quickly sidetracked by the murder of a trusted friend who is presumed to have been guilty of the crime, circumstantial evidence pointing to Crawford as the guilty party. At this point we never leave the courtroom, and the viewer cannot be certain if a nervous breakdown could be responsible for turning Crawford into an undeniable killer. Milland acquits himself well though the story tends to bog down near the end of its 102 minutes, his screen career only picking up again three years later as Ryan O'Neal's stern father in the hugely successful "Love Story."

Enjoyable, entertaining, somewhat stagy film version of play Hostile Witness stars Ray Milland(who also directs) as a barrister who having lost his daughter to a hit-and-run driver vows vengeance on the man responsible. This leads to his eventual arrest under a series of intriguing red herrings and some interesting if not wholly plausible logic. Milland gives a , how shall I put it , a strong - STRONG - performance. He barks out nearly everything he says and looks like he'll pop a vein any minute. He is enjoyable nonetheless. The rest of the cast of British stalwarts make for good viewing as well. Sylvia Syms as a junior barrister is particularly strong as is Geoffrey Lumsden as a provincial older military relic - totally out of step with reality in many ways and very engaging to watch. Hostile Witness is nothing great or profound by any means but makes for a good, old-fashioned courtroom drama/mystery.

I found this courtroom drama extremely enjoyable for a large number of reasons. I thought that there were excellent performances from the cast but especially the two leading actors Ray Milland and Sylvia Syms. The drama unfolded at an easy to follow pace with a leading barrister (Ray Milland) being accused of killing his neighbour (a high court judge) following the tragic accident which killed his daughter. We follow his trial through many twists and turns with at first his junior (Sylvia Syms) defending him but ending up with him defending himself. As you may expect from such a film, there is an unexpected twist at the end. I have tried for years to find this released on video or DVD but with no success. I consider that this film is good enough for release.

I don't think I've ever seen a film where almost all of the characters are literally shouting 50% of their dialogue. Ray Milland is probably the worst offender...and since he directed the film himself, that makes it twice as bad! It's not that the acting is "over the top" - that would have been preferable to actors constantly yelling at each other. Sometimes it's warranted - but that's an issue in itself - there are too many scenes that lend themselves to over-emoting. Other ties, the yelling is just plain ridiculous.

Another issue is the facial expressions made by the actors (again, mainly Milland). I believe they are intended to deliberately confuse the viewer, to make the viewer think that the actor is thinking in certain way, when they are not. I'm not sure if it's the actors' fault, the director's fault or a product of the times (late 60s filmmaking ?? - I'm not sure what that really means, but I'm putting it out there anyway).

Watching Ray Milland in a 1940s or 1950s film seemed OK...in "Hostile Witness", I feel like I'm watching him in one of his late career horror films. Not good.

This being said, the film was paced well (a credit to Milland!) and had some neat twists. It kept me watching in spite of its issues.

If you like Perry Mason you'll like this film. But not as much. It follows a similar path, where we see some events around the crime but not who the guilty party is. Of course the truth comes out in the end. As the setting is in England, there is much more courtroom decorum, with few objections by the lawyers. Yet we see some classic Perry Mason tactics. My main disappointment though, came when the film had no epilogue. After Perry Mason won his case, he would always have a chat with Della and Paul and explain how he figured it out. You would then slap your brow and wonder how you missed that. But in the film, this doesn't happen, so it's not at all clear how the crime was solved. At least not to me.