IMDb-BEWERTUNG
4,3/10
1607
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuFu Manchu poisons and hypnotizes ten women to bring down his enemies, including Nayland Smith, with kisses of death.Fu Manchu poisons and hypnotizes ten women to bring down his enemies, including Nayland Smith, with kisses of death.Fu Manchu poisons and hypnotizes ten women to bring down his enemies, including Nayland Smith, with kisses of death.
Howard Marion-Crawford
- Dr. Petrie
- (as Howard Marion Crawford)
David de Keyser
- of The Governor andothers
- (Synchronisation)
Robert Rietty
- of Jansen and Lopez and others
- (Synchronisation)
Marcelo Arroita-Jáuregui
- The Governor
- (Nicht genannt)
Jesús Franco
- Inspector Ahmet
- (Nicht genannt)
- …
Olívia Pineschi
- One of Fu's Girl
- (Nicht genannt)
Vicente Roca
- Governor's Secretary
- (Nicht genannt)
Francesca Tu
- Lotus
- (Nicht genannt)
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Christopher Lee returns in this fourth chapter as the evil Fu Manchu , this time has designed a fantastic gadget injecting gorgeous girls (Leni Von Friedl, among others) a venomous poison which reacts in a killing kiss . The beautiful girls are sent to seduce Nayland Smith (Richard Greene replaced Douglas Wilmer) and world leaders . When Nayland Smith is kissed by a death-kiss and he then strolls completely blinded , letting his assistant Dr. Petrie (Howard Marion Crawford) takes the center of attention . A blind Nayland Smith enlists the help an adventurer named Jansen (Gotz George) and an attractive woman (Maria Rhom, married to producer Harry Allan Towers) .
This is a bizarre blending of adventures , thriller and Spaghetti Western . This exciting picture is full of Chinese killers , British adventurers , and Cangaiceiros dressed in Mexican bandits-alike . Weak performance by Richard Greene as Nyland Smith who in previous episodes was best interpreted by Nigel Green and Douglas Wilmer . The villain T Sai Chin stands out as Fu Manchu's daughter and the murderous bandit Ricardo Palacios overacting as a sympathetic chief Cangaicero . This is the beginning of collaborating between Jesus Franco or ¨Uncle Jess¨ and the producer Harry Allan Towers and to be continued in several movies . Filmed in Madrid and Rio De Janeiro and well photographed by Manuel Merino . Atmospheric musical score by Daniel White , Jess Frank's usual.
Most critics felt this outing was one of the weakest entries along with ¨The castle of Fu Manchu¨ also directed by Jess Frank with similar casting , plenty of stock-shots and a Z-series style . Christopher Lee (Dr. Fu Manchu), Tsai Chin (Lin Tang) and Howard Marion-Crawford (Dr. Petrie) are the only actors to appear in all five Harry Allan Towers/Fu Manchu films . The best installments resulted to be ¨Face of Fu Manchu (1965, Don Sharp)¨ , and ¨Brides of Fu Manchu (1966, Don Sharp)¨ and the inferior ¨Vengeance of Fu Manchu (1967 , Jeremy Summers) ¨.
This is a bizarre blending of adventures , thriller and Spaghetti Western . This exciting picture is full of Chinese killers , British adventurers , and Cangaiceiros dressed in Mexican bandits-alike . Weak performance by Richard Greene as Nyland Smith who in previous episodes was best interpreted by Nigel Green and Douglas Wilmer . The villain T Sai Chin stands out as Fu Manchu's daughter and the murderous bandit Ricardo Palacios overacting as a sympathetic chief Cangaicero . This is the beginning of collaborating between Jesus Franco or ¨Uncle Jess¨ and the producer Harry Allan Towers and to be continued in several movies . Filmed in Madrid and Rio De Janeiro and well photographed by Manuel Merino . Atmospheric musical score by Daniel White , Jess Frank's usual.
Most critics felt this outing was one of the weakest entries along with ¨The castle of Fu Manchu¨ also directed by Jess Frank with similar casting , plenty of stock-shots and a Z-series style . Christopher Lee (Dr. Fu Manchu), Tsai Chin (Lin Tang) and Howard Marion-Crawford (Dr. Petrie) are the only actors to appear in all five Harry Allan Towers/Fu Manchu films . The best installments resulted to be ¨Face of Fu Manchu (1965, Don Sharp)¨ , and ¨Brides of Fu Manchu (1966, Don Sharp)¨ and the inferior ¨Vengeance of Fu Manchu (1967 , Jeremy Summers) ¨.
The fourth film in the revived Fu Manchu series from hit-and-run international film producer Harry Alan Towers is the first one directed by Jesus (Jess) Franco, a cult icon best known for the staggering quantity of his films, as well as their usually appalling quality. In hindsight, Towers and Franco were destined for each other. Both were specialists in speedy international productions and each usually juggled more than one project at a time.
"Fu Manchu's Kiss of Death" (the shooting title) was filmed back-to-back (or perhaps simultaneously) with the next film in the series "The Castle of Fu Manchu" and shows evidence of having been written on the fly. The script is loosely constructed and constantly sidetracks itself with multiple subplots and far too many characters. The most intrusive involves the a South American bandit chief, whose protracted exploits take up so much screen time that viewers just walking in would think they were in the wrong theater. Probably designed to show off the Brazilian exteriors, it is tempting to say that these sequences look like rejected scenes from "The Wild Bunch", but that would be giving Franco's footage too much credit.
As evidence that Towers was not above ripping off himself, the film opens with a sequence that is a remake of the opening of "Brides of Fu Manchu", with women chained to pillars in an underground hideaway. As in "Brides", one is led to a snake pit but, instead of being lowered in, she is gingerly bitten in the throat by one, thereby becoming the carrier of the title's kiss of death. The contrast between the lighting, staging and sets in these two sequences gives ample testimony of how low the series had fallen in just two years.
The ever-present Maria Rohm (AKA Mrs. Harry Alan Towers) shows up as a jungle missionary wearing a gaucho hat and red leotards. She gets involved in yet another subplot about a proto-Indiana Jones leading a medical expedition. Apparently, this plotline exists only to provide the hero, afflicted with the death kiss, with a miraculous cure at the last minute.
While the rest of the cast was having fun in the Brazilian jungles, stars Christopher Lee and Richard Greene never leave the studio in Madrid, Spain that was home to all the film's interiors. Guest star Shirley Eaton appears in one brief scene that appears to be an outtake from one of the two Su-Muru films she was making for Towers at the time. (The second was also directed by Franco.)
It's hard to believe that this film (retitled "Kiss and Kill") got major USA playdates in 1968 as a solo feature.
"Fu Manchu's Kiss of Death" (the shooting title) was filmed back-to-back (or perhaps simultaneously) with the next film in the series "The Castle of Fu Manchu" and shows evidence of having been written on the fly. The script is loosely constructed and constantly sidetracks itself with multiple subplots and far too many characters. The most intrusive involves the a South American bandit chief, whose protracted exploits take up so much screen time that viewers just walking in would think they were in the wrong theater. Probably designed to show off the Brazilian exteriors, it is tempting to say that these sequences look like rejected scenes from "The Wild Bunch", but that would be giving Franco's footage too much credit.
As evidence that Towers was not above ripping off himself, the film opens with a sequence that is a remake of the opening of "Brides of Fu Manchu", with women chained to pillars in an underground hideaway. As in "Brides", one is led to a snake pit but, instead of being lowered in, she is gingerly bitten in the throat by one, thereby becoming the carrier of the title's kiss of death. The contrast between the lighting, staging and sets in these two sequences gives ample testimony of how low the series had fallen in just two years.
The ever-present Maria Rohm (AKA Mrs. Harry Alan Towers) shows up as a jungle missionary wearing a gaucho hat and red leotards. She gets involved in yet another subplot about a proto-Indiana Jones leading a medical expedition. Apparently, this plotline exists only to provide the hero, afflicted with the death kiss, with a miraculous cure at the last minute.
While the rest of the cast was having fun in the Brazilian jungles, stars Christopher Lee and Richard Greene never leave the studio in Madrid, Spain that was home to all the film's interiors. Guest star Shirley Eaton appears in one brief scene that appears to be an outtake from one of the two Su-Muru films she was making for Towers at the time. (The second was also directed by Franco.)
It's hard to believe that this film (retitled "Kiss and Kill") got major USA playdates in 1968 as a solo feature.
If you read the plot synopsis of "Blood Of Fu Manchu" it sounds like exploitation gold, but don't get your hopes up: it doesn't make the most of its premise (to put it kindly). Despite noted smut peddler Jess Franco in the director's chair, it is quite tame, and despite being part of the Fu Manchu series, a stereotypically fat, unshaven, cackling bandit has by far the most screen time (Shirley Eaton fans will also be disappointed; her part is a 2-minute cameo). Location filming in Brazil and Christopher Lee's commanding (even if unconvincing) performance are pretty much its only assets. ** out of 4.
In spite of the fact that this is the 4th (I think) entry in Christopher Lee's Fu Manchu "series" (I'm assuming they don't all follow on from each other), it's the first one I've seen and if the rest of them are anything like this; I hope it's the last! I can't profess to know a great deal about this series having only seen one film in it; though I am familiar with the character Fu Manchu after having seen the 1932 Boris Karloff film. Christopher Lee is a great actor, but here he looks like he couldn't really be bothered; for a start, Fu Manchu is meant to be an oriental character, and Lee doesn't even try to put on an oriental accent! The plot follows Fu Manchu's quest for world domination and focuses on his bright idea of filling up a load of women with poison and using them to seduce ten of the most powerful men in the world. It actually doesn't sound like that bad a springboard for a decent film, adding in the jungle setting and a super villain, you'd really be forgiven for thinking that this film is going to be a lot better. Jess Franco takes the directors chair and it seems, as is often the case, he cared more about his paycheck than the film as it lacks suspense and excitement, the characters are mostly dull and the situation is not made the best of. Overall, this film may do something for fans of the series; but personally it hasn't made me want to see more of these films!
The 4th of the 5 Fu Manchu movies with Christopher Lee takes the villain to a new hiding-place in Brazil. He uses a snake venom to blind and kill his enemies. Immune girls are passing on the poison to the victims by a kiss of death. Carl Jansen (Götz George) finds Fu Manchu, and Nayland Smith urgently needs help because he's been kissed already. The whole movie makes no sense at all (even the trip to Brazil isn't necessary for Nayland Smith, since the antidote was available in England from the girl who gave the kiss), but I didn't worry much about logic because it is so much fun! Just a handful of examples: Dr Petrie is unshaken by any danger, but cold tea really upsets him... A bandit steals a book, then throws it away: "No pictures, only words! Terrible!" he says with the justified wrath of the illiterate. The governor keeps Jansen prisoner for three days under false accusation - and apologizes that "good chess players are hard to find"!
Ricardo Palacios as Lopez makes a much better co-villain than Horst Frank in the previous movie because he provides such a great difference: the short, fat, sweating, ugly bandit compared to the tall, lean, stiff, ascetic mastermind. Lopez is the first one with the guts to ask: How much do you pay?", and Lee dryly replies: Freedom is not measured in terms of money..." Brilliant moments, and the camera work with its close-ups and focusing is looking much more creative than the traditional job in The Vengeance of Fu Manchu". Last not least, more sexy girls than ever before! I voted 7/8/5/7/4 for the five movies.
Ricardo Palacios as Lopez makes a much better co-villain than Horst Frank in the previous movie because he provides such a great difference: the short, fat, sweating, ugly bandit compared to the tall, lean, stiff, ascetic mastermind. Lopez is the first one with the guts to ask: How much do you pay?", and Lee dryly replies: Freedom is not measured in terms of money..." Brilliant moments, and the camera work with its close-ups and focusing is looking much more creative than the traditional job in The Vengeance of Fu Manchu". Last not least, more sexy girls than ever before! I voted 7/8/5/7/4 for the five movies.
Wusstest du schon
- WissenswertesMaria Rohm was married to Producer Harry Alan Towers at the time.
- Alternative VersionenThe original cinema version was cut by the BBFC to receive an 'A' certificate with edits to nudity during the dungeon scenes and shots of Sancho's men attacking the women in the village. The 1994 Lumiere video release was more heavily cut and lost 1 minute 46 secs of censor cuts to shots of chained women, a scene where a woman is stripped topless and bitten by a snake, and shots of a snake being crushed by falling rubble. For the 1999 Warner video similar cuts were made though the cuts length was reduced to 44 secs via different edits. All the cuts were waived for the 2007 Optimum DVD.
- VerbindungenEdited into Die Folterkammer des Dr. Fu Man Chu (1969)
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By what name was Der Todeskuss des Dr. Fu Man Chu (1968) officially released in Canada in English?
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