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IMDbPro

Asterix und Kleopatra

Originaltitel: Astérix et Cléopâtre
  • 1968
  • 6
  • 1 Std. 12 Min.
IMDb-BEWERTUNG
7,2/10
15.306
IHRE BEWERTUNG
George Birt, Walter Bluhm, Hal Brav, Roger Carel, Micheline Dax, Jean Fontaine, Ginger Hall, Ursula Herwig, Hans Hessling, Martin Hirthe, Bernard Lavalette, Jacques Morel, Edgar Ott, Jean Parédès, Lee Payant, Serge Sauvion, Siegfried Schürenberg, Anthony Stuart, and Pierre Tornade in Asterix und Kleopatra (1968)
Hand-Drawn AnimationAdventureAnimationComedyFamily

Ein Architekt erhält von Kleopatra den Auftrag, im Rahmen einer Wette mit Cäsar innerhalb von drei Monaten einen Palast in Alexandria zu errichten und holt sich dafür die Hilfe von Asterix, ... Alles lesenEin Architekt erhält von Kleopatra den Auftrag, im Rahmen einer Wette mit Cäsar innerhalb von drei Monaten einen Palast in Alexandria zu errichten und holt sich dafür die Hilfe von Asterix, Obelix und Getafix.Ein Architekt erhält von Kleopatra den Auftrag, im Rahmen einer Wette mit Cäsar innerhalb von drei Monaten einen Palast in Alexandria zu errichten und holt sich dafür die Hilfe von Asterix, Obelix und Getafix.

  • Regie
    • René Goscinny
    • Albert Uderzo
  • Drehbuch
    • René Goscinny
    • Albert Uderzo
    • Pierre Tchernia
  • Hauptbesetzung
    • Roger Carel
    • Jacques Morel
    • Micheline Dax
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    15.306
    IHRE BEWERTUNG
    • Regie
      • René Goscinny
      • Albert Uderzo
    • Drehbuch
      • René Goscinny
      • Albert Uderzo
      • Pierre Tchernia
    • Hauptbesetzung
      • Roger Carel
      • Jacques Morel
      • Micheline Dax
    • 22Benutzerrezensionen
    • 16Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos115

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    Topbesetzung71

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    Roger Carel
    Roger Carel
    • Astérix
    • (Synchronisation)
    • …
    Jacques Morel
    • Obélix
    • (Synchronisation)
    Micheline Dax
    • Cléopâtre
    • (Synchronisation)
    Jacques Balutin
    • Tournevis
    • (Synchronisation)
    Jacques Bodoin
    • Lion
    • (Synchronisation)
    Maurice Chevit
    • Voix additionnelles
    • (Synchronisation)
    Pierre Tornade
    Pierre Tornade
    • Numérobis
    • (Synchronisation)
    • …
    Claude Dasset
    • Voix additionnelles
    • (Synchronisation)
    Pierre Garin
    • Voix additionnelles
    • (Synchronisation)
    Olivier Hussenot
    Olivier Hussenot
    • Voix additionnelles
    • (Synchronisation)
    Jacques Jouanneau
    • Assurancetourix
    • (Synchronisation)
    Bernard Lavalette
    • Le narrateur
    • (Synchronisation)
    • …
    Rodolphe Marcilly
    • Voix additionnelles
    • (Synchronisation)
    Joël Noël
    • Voix additionnelles
    • (Synchronisation)
    • (as Joel Noel)
    Jean Parédès
    • Jules César
    • (Synchronisation)
    Fred Personne
    • Voix additionnelles
    • (Synchronisation)
    • (as Alfred Personne)
    Lucien Raimbourg
    • Panoramix
    • (Synchronisation)
    Eddy Rasimi
    • Voix additionnelles
    • (Synchronisation)
    • Regie
      • René Goscinny
      • Albert Uderzo
    • Drehbuch
      • René Goscinny
      • Albert Uderzo
      • Pierre Tchernia
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen22

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    10ElMaruecan82

    An 'epic historical drama' where every moment is a comic relief ...

    In the "Movies-that-Made-my-Childhood" anthology, "Asterix and Cleopatra" is the number one. I grew up with it, my parents did (that's for posterity), I can recite it line by line, watch it again and again, I still laugh and may even discover subtle details in the process. But don't take my 'history' with the film as a bias; just watch it and you'll see that Disney had not the monopoly of entertainment, laughs and catchy songs. "Asterix and Cleopatra" is something special.

    The first frame shows a funny-looking Egyptian with a deadpan expression. The narrator starts : "About two thousand years ago in the time of Cleopatra, queen of Egypt, the Egyptians talked like this" a speech bubble appears while the Egyptian talks in gibberish codified by funny drawings illustrating each sound he makes: a fly for buzzing, smoke for coughing, a bird for tweeting etc. After this hilarious nonsense, the narrator then concedes: "This language was rather difficult to understand, so the film you are about to see has been dubbed. However, due to the fact that dubbing techniques had not been perfected in this period, you may notice that the movement of lips is not always synchronized exactly with the words being spoken" The Egyptian proves his point by setting the tone: "And now after this interesting and instructive prologue, we are privileged to present a great historic epic drama".

    The Egyptian is right on one thing, the prologue was indeed interesting and much, much instructive; however, I'm more doubtful about the word 'drama'. Which foreign drama (from most IMDb users' perspective) would acknowledge dubbing's inconsistencies? Hell, which animated feature would do so? To my knowledge, "Asterix and Cleopatra" is the only one to elevate the parody to such summits of hilarity. And it's only the beginning of a ten-laugh per minute spectacle, starting with a score imitating these historical epic peplum until it turns to Asterix' theme. The film is an adaptation of one of the most famous little Gaul's adventures, labeled then as the greatest story ever drawn. The cover exhaustively listed all the furniture that contributed to the making: pencils, paintings, pens, paper, beer etc. I guess any comparison with a little film starring Elizabeth Taylor and Richard Burton was totally fortuitous..

    The 'Cleopatra' book was a great choice because only the big screen could recreate, even improve, the epic feel through music and majestic shots on Egyptian sites in the backdrop, before turning them into derision. This explains why the same story was used for Alain Chabat's "Asterix and Obelix: Mission Cleopatra" which became one of the highest-grossing movies of French cinema. The story is a winner, starting from the titular character: Cleopatra, the delightfully hot-headed, exquisitely histrionic and capricious (drama) queen whose nose would have changed the face of the world, had it been shorter. Cleopatra, voiced by Micheline Dax, is more of a prima donna in the film and this is the perfect characterization to make her funny without damaging her inner majesty. On the other side, the suave and debonair Julius Caesar doesn't sugarcoat his words and provokes Cleopatra by stating that Egyptians are decadent and lost their touch as far as architecture is concerned. Cleopatra then promises a sumptuous palace built in three months, it's a deal.

    For that mission, she hires Numerobis (Edifis in English), the greatest architect of Alexandria but that's not saying much since his trademark consists on buildings that end up collapsing and make laugh the neighbors. It's a hit-or-miss for Edifis, gold or crocodiles (replacing the arena's lions in Egyptian tradition), who's got no other choice than asking for help Panoramix (Getafix for the English speakers), the old druid accepts and he's escorted by the village's best warriors: Asterix, Obelix and little Idefix (Dogmatix). In their adventure, they encounter the ruthless pirates whose 'boarding, slit-throating, destroying, massacring, and, sinking' are labeled by the green parrot as 'daily routine'; they face the vicious plots of Edifis' main rival Amonobofis (Artifis). He's not that bad actually, even offering his precious help. However, he only consents on sharing the gold in case of success, otherwise, Numerobis would be sent alone to the crocodiles. Anyway, it won't be an easy job, even Julius Caesar would try to undermine their road to success, but our Gaulish heroes find time to travel along the Nile and visit the Pyramids, where Obelix notices a little cameo of Santa Claus in the hieroglyphs.

    And that's only one of the countless gags that transcend the 'epic historical drama' facade. Served by a dubbing from (among others) Roger Carel, Pierre Tornade and Micheline Dax, who were also the main French voices in the Muppets Show, the film also benefits from a great music. During the first visit in the construction site, it's slow, pompous and depressing, like the sight of the two workers struggling to pull a one-ton block of stone during overtime. But as soon as the workers drink the magic potion, it's as if the potion even fueled the music with a fast-pacing rhythm, catchiness and energy, it goes so fast, you might even miss some hilarious sight gags. The film also features an operatic duo between Cleopatra and her scene-stealing lion; a magnificent ode to the joys of food, when Obelix makes some entrechats with roasted boars and Asterix informs that the old adage changed "we don't eat to live, but we live to eat", this trippy parade is one of the greatest tributes to French' appetite and the best about food is still to come. Who'd have thought making a poisoned pudding could be so jazzy?

    The film has everything: slapstick, verbal humor, music, even the obligatory happy ending is treated with a a subtle detachment. "Asterix the Gaul", the first film; met with popular success, but it was cheap and graphically poor. With a few songs, escapism, unforgettable secondary characters, the authors Uderzo and Goscinny finally found the recipe for a cinematic magic potion.
    bob the moo

    Not brilliant, but it's a faithful adaptation of the book

    When an argument between Caesar and Cleopatra over Egyptian ability turns into a bet, an architect is charged to build a palace for Caesar. The architect turns to Getafix, Asterix and Obelix to help him with the construction. However with a rival architect and the Roman empire seeking to stop Caesar losing the bet Asterix et al have more on their hands than they reckoned for.

    The story is yet again faithful to the book, even opening and closing on the original cartoon itself. It doesn't manage to bring all the jokes out of the book as it could have done but it is still pretty good. The animation is solid and stays close to the source in style.

    The characters are quite good, however their voices sound the same at times and don't match their roles too well – Obelix sounds less dopey this time but Asterix still sounds too squeaky. The downside, watching it now, is that the racist stereotypes are really crude – the black characters are dark with huge rubber lips. But I suppose at the time nothing was thought of it and we should take it in the spirit it was intended.

    The musical numbers are OK –there aren't too many so the film isn't slowed down. The bets one is a sort of warning against anorexia with the lines `If you're off your food, you're ill' and `when you're eating well you're well'!

    Overall it's not brilliant, but it's a faithful adaptation of the book and manages to bring some of the wit and charm of the characters out.
    7bazmitch23

    Good but not perfect

    There are some good gags in this film, like the poor dubbing in the beginning, the scene where the man is sharpening his hand to karate chop wood, the architect's's poor designs and Cleopatra acting like a spoiled brat.

    But the songs are terrible. There is only 3 songs and the lyrics are hopeless. Cleopatra's song in the bath consists of only "La la la la la." and that annoying lion dancing. The food song consists of "When you're eating well, you're well. When you're eating well, you're well. Loss of appetite is a dreadful blight. When you're eating well, you're well." And don't get me started on the song where the villain bakes a cake.

    The point of writing a song is to make it catchy so that people can't get it out of their heads. These lyrics are obviously written by a first timer.

    Black people are drawn in a shockingly stereotypical way with giant lips and speak in stereotypical voices. I'm surprised the BBFC didn't cut those scenes out. They probably knew it was Asterix and gave it a U anyway without watching it. You could have full frontal nudity in it and they wouldn't know.

    The animation is not great, it is not a Hollywood Disney film. Just a low budget French film. The voice acting is average. Asterix with an American accent is not good idea. Ceaser and Cleopatra's voices work though.

    It's also really short. But back in the 60's, animated movies were very short.

    But it is entertaining. There's good visual gags in it and it is certainly a lot better than Asterix The Gaul which was awful. Despite it's flaws, it is worth watching if you're an Asterix fan.
    6ma-cortes

    Asterix , Obelix and Panoramix go to Egypt where takes place several adventures

    Enjoyable cartoon movie with original story based on the hugely successful series of comic books and featured by our immortals heroes . Asterix books are a popular comics with the same title about a village of indomitable Gauls who resist Caesar's invasion thanks to a magic potion that renders them invulnerable supermen . The year is 50 Bc. Gaul is entirely occupied by the Roman.Well,not entirely..One small village of indomitable Gauls still holds out against the invaders.and life is not easy for the Roman legionaries who garrison the fortified camps .In the village are our friends : ¨Asterix¨,the hero of this adventure,he's a shrewd,cunning little warrior,all perilous missions are immediately entrusted to him. ¨Obelix¨ his inseparable friend,he's a Menhir delivery-man by trade and addicted to wild boar,he's always ready to drop everything and go off on a new adventure with Asterix,so long as there's wild boar to eat, and plenty of fighting. ¨Panoramix¨,the venerable village druid, gathers mistletoe and brews magic potions,his speciality is the potion which gives the drinker superhuman strength although also has other recipes up his sleeve.¨Abraracurcix¨,the chief of the tribe,majestic,brave and hot-tempered,the old warrior is respected by his enemies,he has only one fear,he's afraid the sky may fall on his head tomorrow,but as he always says,'Tomorrow never comes'. And of course ¨Cacofonix¨,the Bard,opinion is divided as to his musical gifts,he thinks he's a genius,everyone else thinks he's unspeakable,but so long as he doesn't speak,let alone sing,everybody likes him..... Meanwhile the Egyptian Queen Cleopatra bets against the Roman Emperor, Julius Caesar, that her people are still great, even if the times of the Pharaohs has long passed. She vows to build a fabulous palace for Caesar within a short period of time. Since all her architects are either busy otherwise or too conservative in style, this ambivalent honor falls to a botcher architect. He is to build the palace and be covered in gold or, if not, his fate is to be eaten by crocodiles. Then the Egyptian architect calls upon an old friend to help him out: The magician Druid Panoramix from Gaul, who brews a fantastic potion that gives supernatural strength. In order to help and protect the old Druid, Asterix and Obelix accompany him on his journey to Egypt. En route to Egypt, the ship is met by a gang of pirates , and as always the pirate vessel is sunk .When Julius Caesar gets wind of the project succeeding, he has the building site attacked by his troops in order to win the bet and not lose face. But just like the local pirates, he hasn't counted on Asterix and Obelix .

    This is a fine adventure with hilarious moments here and there, and has Asterix and his inseparable friend Obelix traveling to ancient Egypt to help Cleopatra build a fantastic palace and fighting, as always, against the stupid Romans , pirates and an ambitious architect. Although contains a primitive drawing , however being better developed than former entry ¨Asterix the Gaul¨ , both of them produced by Raymond Leblanc. It contains some customs critical about actual way of life and modern anachronisms that's common thing in comic books . The cartoon movie brilliantly captures the outrageous adventures, tongue in cheek, satire, comedy from original story with the same title and drawn by Albert Uderzo and writing credits by Rene Goscinny . This amusing movie is accompanied to lively musical score by Gerard Calvi with a catching leitmotif on the start and the ending. Full of humor , it's a funny entertaining for kids and grown-ups . The picture will appeal to popular animated hero Asterix and his faithful sidekick Obelix fans and comic-books nostalgics. A successful, funny adaptation from a great comic book.
    9thegarf

    Surprisingly fresh...

    It's been a surprise for me to see this movie was made in the late 60's. I just can't count the times I've seen it during my childhood, because it was such a great parody of the Hollywood peplum and historical movies. As usual, Goscinny's story and talent brings out a lot of fun and humorous situation, helped by the excellent quality of drawings. Too bad there wasn't enough money to make more frames per sec., but this anime's quality and humour lie in the great work of reconstitution and study of houses, temples, furnitures, each becoming a reason for fun; the two friendly companions Asterix and Obelix once again show their talent helping an architect for a bet between Cleopatra and Caesar. A long and funny story making you travel from the shores of Gaul to the water of the Nile... perfect entertainment for kids (and their parents !). And listen carefully for the lyrics of the "Arsenic pudding" song !!! :)

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    Handlung

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    • Wissenswertes
      Astérix creators René Goscinny & Albert Uderzo had no input in the first Asterix feature, Asterix der Gallier (1967), which was made by Georges Dargaud without their consent. For this second animated film, they decided to take control. Uderzo even came to the conclusion that Astérix's legs had to be made a bit longer to enable him to walk properly and subsequently changed the way he drew the character.
    • Patzer
      In the Roman Age, the body of the Great Sphinx of Giza was buried in sand.
    • Alternative Versionen
      As a bonus feature for the German DVD release, each Asterix film was given a new dubbing in a German dialect. This film was dubbed in Hessian.
    • Verbindungen
      Featured in Troldspejlet: Folge #6.5 (1992)
    • Soundtracks
      Quand l'Appétit va, Tout va
      Music by Gérard Calvi

      Lyrics by Pierre Tchernia

      Performed by Roger Carel and Jacques Morel

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    Details

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    • Erscheinungsdatum
      • 20. März 1970 (Westdeutschland)
    • Herkunftsländer
      • Frankreich
      • Belgien
    • Offizieller Standort
      • Asterix.com (France)
    • Sprache
      • Französisch
    • Auch bekannt als
      • Asterix and Cleopatra
    • Produktionsfirmen
      • Belvision
      • Dargaud Films
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    Box Office

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    • Weltweiter Bruttoertrag
      • 1.090.041 $
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    Technische Daten

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    • Laufzeit
      1 Stunde 12 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1(original & negative ratio)

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    George Birt, Walter Bluhm, Hal Brav, Roger Carel, Micheline Dax, Jean Fontaine, Ginger Hall, Ursula Herwig, Hans Hessling, Martin Hirthe, Bernard Lavalette, Jacques Morel, Edgar Ott, Jean Parédès, Lee Payant, Serge Sauvion, Siegfried Schürenberg, Anthony Stuart, and Pierre Tornade in Asterix und Kleopatra (1968)
    Oberste Lücke
    By what name was Asterix und Kleopatra (1968) officially released in India in English?
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