Füge eine Handlung in deiner Sprache hinzuSandy, a young woman in the research dept of Howard Publications has wild romantic daydreams about her boss Glenn Howard that confuse her sense of reality, hampering Howard in an investigati... Alles lesenSandy, a young woman in the research dept of Howard Publications has wild romantic daydreams about her boss Glenn Howard that confuse her sense of reality, hampering Howard in an investigation.Sandy, a young woman in the research dept of Howard Publications has wild romantic daydreams about her boss Glenn Howard that confuse her sense of reality, hampering Howard in an investigation.
- 2 Primetime Emmys gewonnen
- 2 Gewinne & 10 Nominierungen insgesamt
Folgen durchsuchen
Empfohlene Bewertungen
I used to love this show. I have not seen it recently, and I do not know how it would play today. However, my younger self remembers this as one of the best tv dramas ever. I remember one episode when Tony Franciosa returns to New York City to visit his mother and astranged older brother played by Martin Balsem. Franciosa throughout is trip is reading Thomas Wolf's "You can Never Go Home Again." He reunites with is brother, but later find that his grocery store owner brother is also a local drug dealer. It ends with Franciosa turning his brother into the police. His mother forgiving him, but she leaves to live in her home country of Italy. Susan Saint James played one of the magazine's researchers, and stared in one episode opposite Joseph Cotton. This was a 90 minute show that had three rotating stars. Tony Franciosa played the star reporter for a fictional magazine called "People," his millionare publisher was Glenn Howard played by Gene Barry, and Robert Stack played Dan Farrell, a former FBI agent turned crime reporter.
I saw most of the episodes in the late '60s and in syndication the following decade. Ambitious and not bad on the whole, especially in view of the 90 minute mini-movie running time. One was supposed to get, and at least I did at times, a "bigger than TV" fell from THE NAME OF THE GAME. I recall especially a fine early episode inspired by the "Prague Spring." Some of the camera work was so good that I recall discussing it with a photography buff friend at the time.
That said, I did get tired of Gene Barry playing himself. Far worse, the series seemed to come apart after the second season perhaps from writing, perhaps from budget cuts. Robert Culp added nothing, and I think his coming on board signified deeper problems.
Anyway, THE NAME OF THE GAME was American television at its most studiously spectacular thirty years ago.
That said, I did get tired of Gene Barry playing himself. Far worse, the series seemed to come apart after the second season perhaps from writing, perhaps from budget cuts. Robert Culp added nothing, and I think his coming on board signified deeper problems.
Anyway, THE NAME OF THE GAME was American television at its most studiously spectacular thirty years ago.
"The Name Of The Game" was, as I recall, a very interesting and well-done "rotating" series that portrayed various and sundry well-known actors such as Gene Barry and Tony Franciosa as personnel connected with a well-known magazine. The peculiar thing was that this "fictional" magazine later became the real thing in life as we know it. It was a fascinating show to watch -- especially if you'd not seen it before and had caught it in passing later in syndication. It also had a very cool theme song, quite an accomplishment in itself.
This series was brilliant. Few shows have reached this level of quality. From musical scores to well thought story lines. Great chemistry between actors. What I enjoyed was it revealed American dynamics and world events through the magazine journalist. We saw what makes an interesting story and how it is brought to the pages. We also saw why a story is valuable. Not because it would sell magazines but because it was just interesting. This series was interesting. It had a particular feel about it that set it apart from any other show. Yes this is what television was ment to communicate.
After more than 35 years, I still remember The Name of the Game as one of my all-time favorites. The format was original and the overall vibe cool and classy. The stories were well-written with interesting plot twists. Back then, I had no idea who the writers were but now, of course, Steven Bochco (Hill Street Blues) is a TV icon and I'm not surprised to learn his superb career had its genesis here. The actors were on a par above other shows of the day -- movie stars doing a TV turn. not the norm at that time. Susan Saint James made her career on this show. Her character was vivid and sexy and it was obvious she was destined for bigger parts.
Wusstest du schon
- WissenswertesAnthony Franciosa was fired during the show's third season. Instead of being replaced by one actor, he was replaced by a series of actors filling in on his rotation, including Robert Culp twice appearing as reporter Paul Tyler. Peter Falk as reporter Lewis Corbett, and Robert Wagner as reporter Dave Corey, each were billed as 'Guest Starring in...'. Earlier in Season Two, both Darren McGavin (as freelance newsman Sam Hardy in Goodbye Harry (1969)), and Vera Miles (as reporter Hilary Vanderman in Man of the People (1970)), took guest starring roles (both put under the Gene Barry segment, as he made cameo appearances in each).
- VerbindungenFeatured in Die Universal-Story (1996)
- SoundtracksThe Name of The Game Theme
by Dave Grusin
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Laufzeit1 Stunde 30 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was The Name of the Game (1968) officially released in India in English?
Antwort