Wie man Erfolg hat, ohne sich besonders anzustrengen

I've lived in the Metropolitan New York area all my life but the first musical I ever saw was the revival of How to Succeed in Business with Matthew Broderick in the title role. This prompted me to purchase the original musical with Robert Morse and I was not disappointed. My wife preferred the live musical, however what attracted me to the video was the performance of Rudy Vallee as Mr Bigly. Frank Loesser's score is marvelous, I think that the song "The Company Way" is a humorous parody of those corporate types who risk nothing that will damage their careers. This video is one that I've watched over and over and I can recommend to any musical lovers other than ardent feminists who might be turned off by the 1960s type relationships between the men and women.

What a great musical! Too bad only one song made the hit parade( I Believe in You) Michelle Lee's singing voice has the depth and range of Barbara Striesand....wish we could have heard more of it. Rudy Vallee was a gem...topped off a remarkable career --the Elvis of the 1920s! Get the DVD....it's a beautiful transfer!

The longer I watched the movie the more convinced I became that the world of business in 2006 is the same as it was in 1967. Robert Morse as J.P. Finch finds a self-help book that he uses as his guide to get ahead in the corporate world. Nothing different there than now. Go to any bookstore and there are an amazing number of "how to" books simply written and easily read (don't get me wrong, many are indeed very good).

J.P. Finch follows every page's instructions very carefully. He learns how to utilize people's weaknesses to promote himself. Along the way he sings several quite original songs that are quite entertaining and definitely add to the story.

It was evident that everyone making the movie was having a good time. Yet they took their roles seriously and did not overplay their roles. The comedy is high level and the satire is nothing less than brilliant.

Except for four songs being dropped and a slight altering of the original story's pacing, this is a flawless translation of a Broadway classic to the big screen, making great use of New York locations and retaining Robert Morse in the best role of his entire career as the ambitious window washer J. Pierrepoint Finch who climbs his way up the corporate ladder by every little trick in a book that the musical takes it's title from. Morse's timing and delivery is perfect and everyone who's played the part of Finch since on Broadway (most notably Matthew Broderick a few years back) have had to emulate his basic approach to the part.

Michele Lee is also perfect as the secretary Rosemary who is madly in love with Finch. Her sexy solo of "I Believe In You" (a vast improvement over the stage's "Happy To Keep His Dinner Warm") makes you wish she hadn't given up Broadway for TV success because she has one of the best singing voices you'll ever hear.

This was one of the rare Broadway musicals whose book is actually more interesting than its score. So while roughly a half-dozen Frank Loesser songs from the stage version are deleted, they're not really missed. What survives is a witty skewering of office politics, featuring much of the Broadway cast. And while such '60s business staples as rampant sexism and smoking now look quaintly offensive, the gleeful satirizing of backstabbing and skulduggery in business will always be relevant. David Swift, whose training was in TV, doesn't do much with the widescreen format (except for the ingenious ballet-mechanique in "A Secretary Is Not a Toy"), but he cuts cleverly away from the production numbers just as the musical-comedy silliness is on the verge of becoming embarrassing, and he splices in some delectable location shots of '60s New York. The color scheme is bright, the pacing brisk, the cast friendly, the production values refreshingly modest. At a time in movie history when so many adaptations of stage hits were overbudgeted and overlong, what a pleasure to see something to faithful to its source material -- and so unpretentious.