Die fünf Geächteten

The film takes place from October 26, 1881 to April 15, 1882 . Tombstone , Arizona , at the OK Corral , hoodlums from evil Ike Clanton (Robert Ryan , he was 57 at the time that the film was made , though his role Ike was only 34 years old) confront gunplay against Wyatt Earp (James Garner) , his brothers Virgil (Frank Converse played Earp's elder brother, in spite of the fact that he was ten years James Garner's junior) , Morgan (Melville) and joining forces with an ill-fated Doc Holliday (Jason Robards) . Members from Clanton gang result dead and as revenge Ike orders kill to Earp's brother . A furious Wyatt Earp swears vengeance and with help his friend Doc will do pay one for one the killers his brother.

This traditional western deals what happens later the gun-play at Tombstone . It's a sequel from superior version and more famous actors (Douglas and Lancaster) by the same director ¨Gunfight at the OK Corral¨(1957) . Prior to production , United Artists had made it quite clear to director John Sturges that none of the primary roles were to be filled by the actors who played the same characters in Sturges' previous Wyatt Earp film . Wanting to distinguish this film from the previous one , they demanded different actors be cast in the roles . The main character is a historical figure , in this case the sheriff Wyatt Earp who participated the most known duel occurred in the western town of Tombstone in 1881 that has been brought to the big screen many times as in the classic "My Darling Clementine" in 1946 directed by John Ford with Henry Fonda and Victor Mature , the famous "Gunfight at O.K. Corral" (1957) by specialist John Sturges who would resume the same story in this "The Hour of the Gun" (1967) ; the demystifying "Doc" (Frank Perry, 1971) with Harris Yulin and Stacy Keach or the more modern "Tombstone: The Legend of Wyatt Earp" (George P. Cosmatos, 1993) with Kurt Russell and Val Kilmer and ¨Wyatt Earp¨ (Lawrence Kasdan, 1994) with Kevin Costner and Dennis Quaid . ¨Hour of guns¨ packs an enjoyable and glimmer cinematography by Lucien Ballard . This thrilling film contains a spectacular and atmospheric musical score by the great Jerry Goldsmith . The motion picture was professionally directed by John Sturges.

The picture was based correctly on real events , thus : In 1879 Wyatt and his brothers and Doc Holliday arrived in Tombstone . Virgil became the town marshal . Trouble brewed up among the Earp gang and Clanton-McLaury faction which resulted the explosive showdown that lasted thirty seconds and Virgil and Morgan were badly wounded . Less than a year after the incident , Morgan was killed in an ambush . In response Wyatt and Holliday tracked down and shot the two man they considered to be Morgan's killers, and were forced to elude a pursuing posse in Colorado . Far from fitting the popular description of a stand-off among good guys and bad guys some historians consider the incident OK corral to be nothing but cold blooded murder of the Clanton and McLaurys some of whom were unarmed,by the Earps and Doc . The Earps always maintained the show down was fought in self-defense . Wyatt Earp lived on until 1929 but will always be remembered as the hero of OK Corral , however Doc , an alcoholic dentist turned gambler and gunman, will die soonest .

Here is yet another Wyatt Earp story. I wasn't aware of this version until early in the summer of 2005. I thought I had seen them all. Judging by the amount of reviews in here, I wasn't alone in not knowing about this film. I am glad I got it, but It was just okay; nothing special.

None of the three top characters: James Garner as Earp, Jason Robards as "Doc Holliday" or Robert Ryan as "Ike Clanton" can match up to their best of their counterparts in other Earp films.....but they were still pretty good and certainly three famous actors. The only one who might have been a little out of place was Robards, who played a little too subdued "Doc."

Still, the similarities are there in all the Earp movie versions including this one: the gunfight at the OK Corral, the courtroom trials, the train scene near the end, Holliday's illness, etc. One thing missing from this is any love interest, which actually was nice to have left out for once.

It's Oct 26, 1881 Tombstone, Territory of Arizona. Wyatt Earp (James Garner)'s group fight Ike Clanton (Robert Ryan)'s group at the O.K. Corral. Ike survives and Wyatt is brought up on charges with the help of the corrupt local sheriff. Wyatt is cleared. His brother Virgil runs for sheriff and is severely injured in an ambush. His other brother Morgan is elected and promptly killed. He sends his family to California. He gets appointed as a new federal marshal for Arizona. With the help of friend Doc Holliday (Jason Robards) and his supporters, he takes on Clanton and his gang.

It's interesting to start the movie where most Tombstone movies end. Supposedly, this is based more on the real events. John Sturges directs this with his steady hands. Most of it rests on James Garner's solid performance. His character is restrained by the law and circumstances. He suppresses what must be overwhelming anger. I would prefer a bit more action to intensify the traditional western and more anger to show Wyatt's emotions. Nevertheless, it's compelling to see this part of the story done well.

This is the quasi-sequel to Sturges' "Gunfight at the O.K. Corral" and it improves on that film in every way. The Panavision widescreen gives it a more epic scope than "O.K.", and in the ten years between the two films Sturges has also much improved his mise-en-scene. Whereas "O.K." was often unassuming at best and plain dull at worst in its framing (additionally hindered by some obvious studio shots presenting the outdoors), Sturges gets the most out of his shots here. The sequence in which Virgil Earp is gunned down in a dark street is one example. Thankfully enough the dreadful "singing cowboy" songs of "O.K." are nowhere to be heard, instead we have one of Jerry Goldsmith's best scores...and that says something. Acting is also a touch better than in the predecessor. While the Lancaster-Douglas team of "O.K." was indeed that - o.k. - it was bogged down by the repetitious dialogue they were given. Garner and Robards, both somewhat underestimated actors, give fine performances here. And while Robert Ryan as the villainous Ike Clanton is not given much to work with, he makes a reasonable impact as the scheming cattle baron and thief. Finally, and most importantly, the timing of the film is much better than "O.K." which was simply a chore to go through and a bore when one got there. "Hour of the Gun" alternates politics (both sides of the conflict getting the law on their sides, in itself a truthful and interesting account of law and order in the Wild West) and action scenes with Wyatt and comrades pursuing the attackers of his brothers. The depiction of Earp's vigilantism is relatively realistic though the claim of the film to "tell it as it happened" is of course somewhat over-exaggerated, especially concerning the fate of Ike Clanton.

As far as westerns from the end of the golden age of that genre go, "Hour of the Gun" does not rank among the very best, but is a minor treasure nonetheless, a very worthwhile film that tells the events after the famous showdown at the O.K. Corral, and does a very good job of doing so.

Hour of the Gun is a superb western with a top-notch cast and a most memorable musical score. So why was it a box-office flop? Unfortunately it came along at a time when westerns were on their way out, no longer fashionable. The hour of the "ridiculous gun" had arrived. Westerns were soon replaced with parodies of westerns such as Support Your Local Sheriff, Butch Cassidy and the Sundance Kid, etc. Fun movies to be sure, but the cynicism which had begun to take hold in America in 1967 and made them hits was a death knell for serious films about the old west. For me, Hour of the Gun has stood the test of time. It's as absorbing now as when I first saw it. If it were re-released today, would it succeed at the box office? Probably not. Although the cynicism of 1967 is gone, it has been replaced by male-bashing. This film is strictly for guys. There's no female lead character or even a minor one. No wonder Hour of the Gun is still consigned to the rotten tomatoes bin. Although it's a darn good movie, its "hour" may never come, at least not in our lifetime.