Hydra - Verschollen in Galaxis 4

I sometimes wonder why people make these sub B grade movies. But since they are made, there must be a market for them, although I have no idea where.

Out of all bad movies of this type, this one is not bad. It's clear that they had no budget for special effects, so a footages from a Japanese disaster movie is used, and the rockets are also from Japanese movies, and you can clearly see the rising sun symbol on its wings.

The best part of the movie is its plot. An exploration to Venus is suddenly altered at the last minute to exchange 3 male pilots for 3 female pilots. In fact the plan is to convert the space ship into Noah's ark for the survival of human race. But they do not find the new world so friendly either.

This movie can be remade with better production. The story is that good, with few alterations.

I hope someone will recognize the value and do a decent remake of this movie.

Hey, a space ship that comes with its own seat belt equipped laz-e-boy recliners! OK, given that this thing was started by one bunch in the 60s and then finished by another group in the 70s you can pretty much figure that continuity is out the window. Hairstyles change, the Russian chick looses her accent, and boy does Danny's voice ever change. But given the circumstances, like two entirely different crews, I really don't think continuity and the lack of same ought to be a factor. The folks that took this thing out of mothballs and tried to make it work deserve kudos for the effort. And they did a fair job up until the very end. Pseudo-philosophical meanderings just don't fit well in a sci-fi movie that comes across like the B films of the same genre out of the 50s. But, thats rather where a lot of those flicks tried to go too, so I guess it was to be expected. At the end they even set it up for a sequel. Well, be thankful that never happened. The cast is fun, with players recognizable from "Wagon Train" to "M.A.S.H." and beyond. Its not so bad, and kinda fun to watch. With all the problems it survived, hey, maybe, at the edge of our solar system, there is an adventure awaiting the "last of man".

A fine "B" movie cast is wasted by using awful production values in a project that likely ran out of money before it was finished. The tacked-on ending without a doubt uses different actors than the on-screen talent (Grant Williams, Mala Powers, Denny Miller, Bobby Van). Probably the WORST special effect is the destruction of the earth. "The Doomsday Machine" gets a "3" from me because it was at least always coherent. It's sad whatever happened during production prevented the movie from being filmed as intended. I feel especially bad for Grant Williams, a fine actor, who was likely blacklisted because of his sexual preferences, not to mention a well publicized feud with Jack Webb, then director of production for Universal. Better William be remembered for "The Shrinking Man" and "Hawaiian Eye" than this crap. Ditto, Mala Powers for "The Time Travelers".

Originally begun in 1967 under the title "Armageddon 1975", this movie was never actually completed. Why it was never finished is unclear. But somewhere down the line it was scrapped, shelved and forgotten. That was in 1967. Then about five years later, it was rediscovered by some amateur film maker and re-edited into a complete movie. When I first saw this movie, I realized I was watching two different films edited together. The original version stands out from the poor added footage that makes this movie terrible. The added footage alone is what destroys this flick ( too bad the producer couldn't locate the original actors to star in the re-edited version).Also, you'll see lots of footage taken from old Japanease Godzilla and Rodan movies. What a mess! The Doomsday Machine is one DOOMED MOVIE!

The movie came from a February 1966 screen play story outline by Stuart J. Byrne called Deadmen in Space. It was optioned to Fred Long of Pleidas Productions, Inc. Allied Artists Studio. In March, 1966, Henry Blum and Fred Long agreed to form a corporation to be known as Blu-Lon Ent. which would acquire certain properties, one of which was "Dead Men in Space" also known as "Armageddon 75". (The corporation never was formed but Blum and Long worked as a 50/50 partnership on this movie).

Seeing possible conflicts with the title Armageddon, the property was registered on March 29, 1967 with the Motion Picture Association of America, Inc. as "Doomsday + (plus) 7 (seven)". There was a private screening of the incomplete movie on June 21, 1969 with the title listed as "Doomsday Plus 7". (There are audience participation cards.) On the 22nd of November, 1969, Fred Long signed over all rights to the "partially completed feature length motion picture, tentatively entitled 'DOOMSDAY PLUS SEVEN', by FRED LONG as Producer ... to Q R C Productions ..." and lost all control, possible profit and his name was stricken from the picture.

There is much more to the story. The budget overruns and mismanagement. The threats of lawsuits. Rising government costs almost at will. The way Stuart stood by Fred Long and how the Hollywood machine just chewed up the little guy. If a movie were made called "The Making of Doomsday + 7", it would be a money maker in theaters today. I have the documentation and more.

I also have Fred Long family photos and negatives along with some personal items of Mr. Long that I would like to get back to the family. Fred Long is a stage name, the family will know his given name.

Do not judge Mr. Long's work by the completed film but by the work up to the point the actors morphed. Hokey - yes. Low budget - yes. But it didn't have to be a hack job. RIP Fred, I hope this helps.