IMDb-BEWERTUNG
6,2/10
5863
IHRE BEWERTUNG
Als ein Zug ausgeraubt wird, tun sich ein Versicherungsvertreter und ein Pokerspieler zusammen, um die Beute von den Banditen zurückzuholen, die sie an einem geheimen Ort nahe der mexikanisc... Alles lesenAls ein Zug ausgeraubt wird, tun sich ein Versicherungsvertreter und ein Pokerspieler zusammen, um die Beute von den Banditen zurückzuholen, die sie an einem geheimen Ort nahe der mexikanischen Grenze bewachen.Als ein Zug ausgeraubt wird, tun sich ein Versicherungsvertreter und ein Pokerspieler zusammen, um die Beute von den Banditen zurückzuholen, die sie an einem geheimen Ort nahe der mexikanischen Grenze bewachen.
- Auszeichnungen
- 1 wins total
José Manuel Martín
- Bud
- (as José Manuel Martin)
Franco Gulà
- Gravedigger - Clockmaker
- (as Franco Gula)
Bruno Ariè
- Older poker Player with no moustache
- (as Bruno Arie)
Juan Olaguivel
- Targo
- (as Juan Olaguibel)
Tito García
- Tam-Tam
- (as Tito Garcia)
Luis Barboo
- Full-bearded henchman
- (as Luis Bar Boo)
Empfohlene Bewertungen
Among all the spaghetti-westerns I have seen(maybe 50) this one belongs to the better ones. It has in fact a pretty complex story line with revenge, false accusation, treasure-hunt and buddy relationship elements which cannot be told in one sentence. There is even a twist and some well placed flashbacks. Terence Hill showed his talents and the "chemistry" with Bud Spencer worked so well that it wasn't their last pairing, to say the least. And I liked to see them as serious actors.
No special score and overall regular cinematography.
Noteworthy: Sandra Brennan from Allmovie Guide rated it with only 1 star, the lowest rating I found. ;)
6 / 10.
No special score and overall regular cinematography.
Noteworthy: Sandra Brennan from Allmovie Guide rated it with only 1 star, the lowest rating I found. ;)
6 / 10.
7SFZ
Even though it stars Terence Hill and Bud Spencer don´t expect this to be a light-hearted comedy flick like the Trinity westerns. Realistic clothing, dusty dark intense atmosphere and a downright good script make this one a winner. If you want every grandmothers dream, parading around in his pink shirt and right out of the laundromat jeans shooting baddies by the dozens, don´t even bother watching this one. These characters got personality and flaws just like you and me.
Buy it, Rent it or forget all about it. 8/10
Buy it, Rent it or forget all about it. 8/10
I'm not sure why American-International chose to theatrically release in the U.S. this particular spaghetti western over dozens of others. Although this does the job for spaghetti western addicts (like myself), and it's never boring, it is not spectacular in any department - scenery, story, action, violence, etc.
The main attraction this movie has today is the early pairing up (before the TRINITY films) of Hill and Spencer. Spencer acts like his usual ornery self, though we do get the chance to see hill play a determined, more brutal western hero. The movie is also interesting that we see the duo in a more serious story for once. However, there are a few (mild) comic moments where you can see the rumblings of the comic characters the two were to later play. Did the TRINITY people see these scenes? I wouldn't be surprised!
The main attraction this movie has today is the early pairing up (before the TRINITY films) of Hill and Spencer. Spencer acts like his usual ornery self, though we do get the chance to see hill play a determined, more brutal western hero. The movie is also interesting that we see the duo in a more serious story for once. However, there are a few (mild) comic moments where you can see the rumblings of the comic characters the two were to later play. Did the TRINITY people see these scenes? I wouldn't be surprised!
I've never really appreciated the whole Terence Hill and Bud Spencer phenomenon the way that some people apparently do. I don't think they are any better as a duo than any other two random actors that could have been thrown together at that time, and as far as comedy goes, let's just say they are no Laurel and Hardy. I see no good reason for them ever having been teamed up for more than just one film. In fact, I think they've done better work when they haven't been together, especially in the case of Hill.
One saving grace for this film is that it is not one of their irritating attempts at comedy. It is a serious story with bloody violence, double-crosses, revenge, and gold. And it's told in good spaghetti western fashion. This film keeps the viewer intrigued from beginning to end, and it is accompanied by an interesting music score from Angel Oliver Pina.
The highlight of this movie is the performance of Frank Wolff, as Bill San Antonio. Wolff has appeared in a lot of spaghetti westerns playing all sorts of characters, and is one of the finest supporting actors of the genre. He really outdoes himself in this movie as the cunning, wisecracking, sadistic, backstabbing bandit who fakes his own death to make it easier for him to continue his crimes. San Antonio is one of those funny, over-the-top characters that make these movies so much fun to watch. Frank Wolff is so great in this role that he steals the show completely, and makes this movie way more enjoyable than it would have been otherwise.
Overall, this is a pretty decent spaghetti western that is worth watching for fans of the genre.
One saving grace for this film is that it is not one of their irritating attempts at comedy. It is a serious story with bloody violence, double-crosses, revenge, and gold. And it's told in good spaghetti western fashion. This film keeps the viewer intrigued from beginning to end, and it is accompanied by an interesting music score from Angel Oliver Pina.
The highlight of this movie is the performance of Frank Wolff, as Bill San Antonio. Wolff has appeared in a lot of spaghetti westerns playing all sorts of characters, and is one of the finest supporting actors of the genre. He really outdoes himself in this movie as the cunning, wisecracking, sadistic, backstabbing bandit who fakes his own death to make it easier for him to continue his crimes. San Antonio is one of those funny, over-the-top characters that make these movies so much fun to watch. Frank Wolff is so great in this role that he steals the show completely, and makes this movie way more enjoyable than it would have been otherwise.
Overall, this is a pretty decent spaghetti western that is worth watching for fans of the genre.
God Forgives...I Don't! (1967)
** (out of 4)
Incoherent but violent Spaghetti Western has a train pulling up to a station but everyone on board has been shot and killed and there's also $100,000 in gold missing. Soon Terence Hill and Bud Spencer (their first film together) are trying to track down the gold, which has been buried somewhere in the west. Apparently there are at least two versions of this film out there and the one I watched was the AIP version, which got a theatrical release here in the States back in the day. The studio was known for editing and rearraging foreign films and I'm curious if that's what they did here because the film was really incoherent and didn't make too much sense as if some of the scenes were either edited or moved. Since I haven't seen the foreign version I'm not sure what the case is so I can just review what I watched. As for the film, outside it not making too much sense, it really isn't as bad as some of the reviews that I've read. This is the only film I've seen from the Hill/Spencer team, although I've got more sitting here to watch. I think the two make for an interesting duo but I've read the majority of their films together are more comedy than anything else. This one here is certainly played straight as there are very few laughs and a lot of violence. The opening sequence on the train is wonderfully done as is the following scene where Hill is playing poker against three cheaters. The violence really keeps the film moving even when the story doesn't make too much sense. This isn't the best spaghetti I've seen but I'm sure there are worse out there.
** (out of 4)
Incoherent but violent Spaghetti Western has a train pulling up to a station but everyone on board has been shot and killed and there's also $100,000 in gold missing. Soon Terence Hill and Bud Spencer (their first film together) are trying to track down the gold, which has been buried somewhere in the west. Apparently there are at least two versions of this film out there and the one I watched was the AIP version, which got a theatrical release here in the States back in the day. The studio was known for editing and rearraging foreign films and I'm curious if that's what they did here because the film was really incoherent and didn't make too much sense as if some of the scenes were either edited or moved. Since I haven't seen the foreign version I'm not sure what the case is so I can just review what I watched. As for the film, outside it not making too much sense, it really isn't as bad as some of the reviews that I've read. This is the only film I've seen from the Hill/Spencer team, although I've got more sitting here to watch. I think the two make for an interesting duo but I've read the majority of their films together are more comedy than anything else. This one here is certainly played straight as there are very few laughs and a lot of violence. The opening sequence on the train is wonderfully done as is the following scene where Hill is playing poker against three cheaters. The violence really keeps the film moving even when the story doesn't make too much sense. This isn't the best spaghetti I've seen but I'm sure there are worse out there.
WUSSTEST DU SCHON:
- WissenswertesPeter Martell was cast as Cat Stevens but broke his foot at the beginning of the shooting and was replaced by Terence Hill, who met Bud Spencer for the first time.
- PatzerKid plays with a plastic ball at the beginning of the movie.
- Alternative VersionenThis film was released in three different versions in Germany. First in 1968 the original theatrical release which had a "Not under 18" rating and ran 95 minutes (ca. 12 minutes were cut). This version was released in 2001 on home video by Screenpower (re-rated "Not under 16"). In the 80s, due to the popularity of the Spencer/Hill comedies, the film was re-released by Tobis in a spaghetti-western-like "comedy version" (this version was re-dubbed and missed about an additional 14 minutes) with a "Not under 12" rating. It was often shown on TV and released on home video by various companies. In 2003 the original uncut version of the film was released, again by Screenpower (also with a "Not under 16" rating).
- VerbindungenFeatured in Kino kolossal - Herkules, Maciste & Co (2000)
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What is the French language plot outline for Gott vergibt ... Django nie! (1967)?
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