IMDb-BEWERTUNG
6,1/10
774
IHRE BEWERTUNG
Django ist ein Kopfgeldjäger geworden, der einen Bösewicht jagen soll, der ein junges Mädchen entführt hat.Django ist ein Kopfgeldjäger geworden, der einen Bösewicht jagen soll, der ein junges Mädchen entführt hat.Django ist ein Kopfgeldjäger geworden, der einen Bösewicht jagen soll, der ein junges Mädchen entführt hat.
Gianni Garko
- Django
- (as Gary Hudson)
Fidel Gonzáles
- Fidelius the Photographer
- (as Fidel Gonzales)
Ferdinando Poggi
- Vasquez Henchman Miguel
- (as Nando Poggi)
Elio Angelucci
- Bar Patron
- (Nicht genannt)
Ausgewählte Rezension
Yet another unofficial Django sequel, or at least one of many westerns, post Corbucci's masterpiece, that have the main character named Django. Sadly, it's rather run of the mill and it failed to capture my attention in any major way. Gianni Garko, as Gary Hudson (a pseudonym representative of the creativity of the film), takes on the Django name as a bounty hunter who will learn to pay a steep price for his greed.
I was reminded of the Hitchcock/Truffaut interviews (coincidentally published that same year) where they came to the conclusion that the "better the villain, the better the film." Henry Fonda in Once Upon A Time in the West, for instance, would be a great example of this. Unfortunately for us, Guerrieri did not seem to be too familiar with this concept; had he made a quick trip to the bookstore before starting the film, he might not have thought it such a splendid idea to put more mascara on the bad guy, than on the female lead. Sadly the appearance of the villain, Manuel, was not the only laughable thing and a lot of the supporting characters are as grotesque as they are dull. Garko also makes a poor Franco Nero replacement here, even though he is usually quite good in other movies.
On a more positive note, the camera work is decent, there are a couple of fun shoot-outs and the locations are easy on the eye.
I was reminded of the Hitchcock/Truffaut interviews (coincidentally published that same year) where they came to the conclusion that the "better the villain, the better the film." Henry Fonda in Once Upon A Time in the West, for instance, would be a great example of this. Unfortunately for us, Guerrieri did not seem to be too familiar with this concept; had he made a quick trip to the bookstore before starting the film, he might not have thought it such a splendid idea to put more mascara on the bad guy, than on the female lead. Sadly the appearance of the villain, Manuel, was not the only laughable thing and a lot of the supporting characters are as grotesque as they are dull. Garko also makes a poor Franco Nero replacement here, even though he is usually quite good in other movies.
On a more positive note, the camera work is decent, there are a couple of fun shoot-outs and the locations are easy on the eye.
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe wanted poster of Claudio Camaso from this movie can be seen used in Sergio Corbuccis "Il Grande Zilencio".
- VerbindungenReferenced in Leichen pflastern seinen Weg (1968)
- SoundtracksBasta cosi
(English version: "The Bells are Ringing")
Written by Nora Orlandi
Directed by Robby Poitevin
Sung by Piergiorgio Farina
Lyrics by Paola Orlandi
Published by Edizioni Musicali C.A.M.
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Details
- Laufzeit1 Stunde 37 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Django - 10.000 blutige Dollar (1967) officially released in India in English?
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