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Hexen von heute

Originaltitel: Le streghe
  • 1967
  • 16
  • 2 Std. 1 Min.
IMDb-BEWERTUNG
5,9/10
2186
IHRE BEWERTUNG
Hexen von heute (1967)
ComedyDramaRomance

Fünf Kurzgeschichten, die sich lose mit den Frauenrollen in der Gesellschaft befassen.Fünf Kurzgeschichten, die sich lose mit den Frauenrollen in der Gesellschaft befassen.Fünf Kurzgeschichten, die sich lose mit den Frauenrollen in der Gesellschaft befassen.

  • Regie
    • Mauro Bolognini
    • Vittorio De Sica
    • Pier Paolo Pasolini
  • Drehbuch
    • Giuseppe Patroni Griffi
    • Cesare Zavattini
    • Agenore Incrocci
  • Hauptbesetzung
    • Silvana Mangano
    • Annie Girardot
    • Francisco Rabal
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    2186
    IHRE BEWERTUNG
    • Regie
      • Mauro Bolognini
      • Vittorio De Sica
      • Pier Paolo Pasolini
    • Drehbuch
      • Giuseppe Patroni Griffi
      • Cesare Zavattini
      • Agenore Incrocci
    • Hauptbesetzung
      • Silvana Mangano
      • Annie Girardot
      • Francisco Rabal
    • 23Benutzerrezensionen
    • 27Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 wins total

    Fotos139

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    Topbesetzung65

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    Silvana Mangano
    Silvana Mangano
    • Gloria (segment "La Strega Bruciata viva")…
    Annie Girardot
    Annie Girardot
    • Valeria (segment "La Strega Bruciata Viva")
    Francisco Rabal
    Francisco Rabal
    • Paolo (segment "La Strega Bruciata Viva")
    Massimo Girotti
    Massimo Girotti
    • Sportsman (segment "La Strega Bruciata Viva")
    Véronique Vendell
    Véronique Vendell
    • Young Girlfriend (segment "La Strega Bruciata Viva")
    Elsa Albani
    Elsa Albani
    • Gossip (segment "La Strega Bruciata Viva")
    Clara Calamai
    Clara Calamai
    • Ex-Actress (segment "La Strega Bruciata Viva")
    Marilù Tolo
    Marilù Tolo
    • Maid (segment "La Strega Bruciata Viva")
    Nora Ricci
    Nora Ricci
    • Gloria's Secretary (segment "La Strega Bruciata Viva")
    Dino Mele
    Dino Mele
    • Dino (segment "La Strega Bruciata Viva")
    Helmut Berger
    Helmut Berger
    • Hotel Page (segment "La Strega Bruciata Viva")
    • (as Helmut Steinbergher)
    Bruno Filippini
    • Pianist (segment "La Strega Bruciata Viva")
    Leslie French
    • Industrialist (segment "La Strega Bruciata Viva")
    Alberto Sordi
    Alberto Sordi
    • Elio Ferocci (segment "Senso Civico")
    Totò
    Totò
    • Ciancicato Miao (segment "La terra vista dalla luna")
    • (as Toto)
    Ninetto Davoli
    Ninetto Davoli
    • Baciu Miao (segment "La terra vista dalla luna")
    • (as Nenetto Davoli)
    Laura Betti
    Laura Betti
    • Male Tourist (segment "La terra vista dalla luna")
    Luigi Leoni
    • Female Tourist (segment "La terra vista dalla luna")
    • Regie
      • Mauro Bolognini
      • Vittorio De Sica
      • Pier Paolo Pasolini
    • Drehbuch
      • Giuseppe Patroni Griffi
      • Cesare Zavattini
      • Agenore Incrocci
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen23

    5,92.1K
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    Empfohlene Bewertungen

    Buddha-Jones

    1966 - Italy - 'nuff said!

    These five shorts have an undeniable breezy quality, commenting on the freewheeling Italian lifestyle of the swingin' sixties and also offering some timeless "period" storytelling. The favorite is "The Witch Burned Alive". Visconti's work is redolent of Fellini's "Juliet of the Spirits"' upper class shenanigans, with the celebrity angle making Woody Allen's comments nearly half a century later seem, well, tired and inferior. Silvana Mangano appears a bit, well, exhausted in this film and others of the series, like Chrisitna Applegate on a bad day, but the costuming and Kitzbuehl apres ski setting in a chalet make Visconti's short irresistible. The Pasolini work is charming in a semi-dada-esque way, especially with the knowledge that the young male pimply faced "actor' may well have been really a boy toy from the streets of Roma. The story has a punk rock feel that rings with folkloric quirkiness and white magic.

    "Civic Spirit" is the most emblematic of the five, very au courant of the era, using an injured man as an excuse to barrel through Rome traffic at top speed under the guise of being hospital bound, while the driving beauty is really just using the poor hapless man as a shill to get to a rendezvous on time-- very cute, and Silvana looks fabulous once again, as she rushes to meet her playboy date. This film is on cable on occasion late at night and worth sitting through for the afficionado of these fine directors. Brava to Silvana, an actress largely forgotten in the pantheon of stars of international merit. Two pinkies held semi-high.
    fiona13

    re: Pasolini segment

    I once caught 15 minutes on Italian tv of Pasolini's contribution and was completely fascinated by it. Having now also seen his film "Uccellacci e uccellini," made the same year as "Le Streghe" and in much the same absurdist style, I understand even more fully the political commentary being made in both films. The social and political commentary in Pasolini's work is delivered obliquely and with great humor but is nonetheless vital to an understanding of both the style and content of his films. Even after having lived in Italy for some time, speaking the language fluently and learning as much as I could about the complicated political events of the fifties, sixties and seventies, I am aware that as a foreigner I am still at a disadvantage to fully "getting" the point that's being made in these two films. I would think it would be nearly impossible to find them anything other than strange and disconnected without some familiarity with the Italian political milieu of that period. However, that said, I think the beauty of the stylization - successfully realized and united on every level, design, costumes, cinematography and most particularly, acting - works irregardless and is entertaining in and of itself. It's especially interesting to see a comic performer as beloved and mainstream as Toto was at that time, so willingly and completely giving himself over to a director as completely experimental and also so controversial in an extremely volatile political climate as was Pasolini. My only negative comment about "Le streghe" is that I wish it weren't so impossible to get hold of as I would love to see this very beautiful film in its entirety.
    10pacificpubs

    surreal, absurdist, very Italian, very 60's

    Surreal, absurdist (kind of), very Italian, very 60s. You should definitely see this movie if you like a) 60's clothes, b) 60's movie sets, c) weird movies, d) Silvana Mangano, and e) obscure Clint Eastwood titles (yes, he's in it, too), among other things.
    Poseidon-3

    The Five Faces of Mangano

    Mangano, the wife of famed producer Dino de Laurentiis, gets a royal showcase here, portraying five different women in five short films, each directed by a noted Italian director. In the first (and lengthiest) one, she is a beleaguered movie star who hides away in the large ski chalet of an acquaintance and is promptly pursued by the men and nearly deconstructed by the women. This film has some interesting camera placement and some intriguing aspects, but isn't particularly revelatory or surprising. One ridiculous scene has her talking into a telephone in which her husband is screaming incoherently nonstop into the other end. An impossibly young and attractive Berger has a small role as a servant. Also, viewers could possibly die from the secondhand smoke emitted from the performers! Next Mangano plays a well-dressed woman whose car is stopped at the site of an accident. She picks up an injured man and speeds through the city waving a white handkerchief, but passes various first aid stations and hospitals along the way. The man mutters unintelligibly while he ponders why she is doing this. In the third short film, she is a green-haired deaf-mute who becomes the wife of a lonely widower who has been searching the country for a bride (and a step-mother for his son.) This is by far the most unusual of the stories and is told with much bizarre imagery, whimsy and surrealism. This will make it hard to take for some people, but it has value as an exercise in oddity and metaphor. Next up, Mangano plays a fiery Sicilian woman who has been wronged. When she expresses her shame to her father, it kicks off a whole chain of assassinations. Finally, she is a bored and unappreciated housewife married to Eastwood (of all people!) who complains to him about the mundane existence they share all the while fantasizing about what their life was once like and could be again with a little imagination. This one probably holds the most interest of the five because of the presence of a boyishly young Eastwood (who is quite game for the various shenanigans in the piece) and the myriad of striking costume and hairstyle changes that occur on Mangano throughout. It is a must-see for fans of the over-the-top "What a Way to Go!"-esque clothes of the time. Why didn't anyone ever make this lady a Bond villainess? One section has her being courted by a gaggle of sexy comic book characters like Flash Gordon and Batman. All but the last film suffer from the dreaded English dubbing, but some amount of entertainment value manages to come through. The title sequence is unusual and interesting. This melange of stories will not appeal to everyone, but most viewers will at least get a slight kick out of the last one if only for the sight of pup Eastwood and the way-out clothes in the fantasy sequences.
    LLAAA4837

    One of the Weirdest and Most Surreal Anthologies I've Seen.

    *** out of ****

    This is basically a collection of five short films all about women and the roles that people feel that they play in society. It gives us different interpretations of women and how people feel around them.

    The first story is about a famous actress who hides away from the public at a ski resort, before discovering that she's pregnant. But when she calls her husband, he is not at all supportive of her desire to have children. It starts out slow, but it becomes pretty haunting to watch after a while.

    The second story gives us a woman who has an injured man in her car who is supposed to drive him to the hospital, but instead drives by several of them before going to where she wants to go. The man doesn't appear to be hurt too badly. Perhaps this is supposed to be a comment on how a woman supports a man in times of need?

    The third story is an indescribably weird and chaotic satire of a father and son who look for a woman to be the father's wife and his son's mother. They come upon a woman who is deaf and are able to get something going with her before the story gets even weirder. This film actually really made me feel weird and left my mind broken in a million directions, but i couldn't stop watching it no matter how much i tired.

    The forth is a story about a man who murders several people because of a woman. This one isn't really funny at all and is actually pretty depressing when you really get right down to it.

    The fifth story has Clint Eastwood in it as the uninteresting husband of a woman who escapes into an imaginary world where she gets sweet revenge on him for being so boring.

    My favorite story is the third, simply because it is so strange and unlike anything that it must be seen to be believed. Overall, i enjoyed it and found it to be very entertaining and interesting. It's creepy and weird if you aren't prepared. Check it out.

    contains adult content and some violence.

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    • Wissenswertes
      Clint Eastwood was given the choice of taking $25,000 in cash or $20,000 and a new Ferrari by Producer Dino De Laurentiis to play a small part in this movie. He chose the money and the Ferrari. He got along well with Silvana Mangano and Director Vittorio De Sica.
    • Zitate

      Industrialist: I make a perfume. But I can't make it any better or it would destabilise the market.

    • Verbindungen
      Featured in Sunday Night: Man of Three Worlds: Luchino Visconti (1966)
    • Soundtracks
      Mandolinata
      (uncredited)

      Written and Performed by Ennio Morricone And His Orchestra

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 1. September 1967 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Frankreich
    • Sprachen
      • Italienisch
      • Englisch
    • Auch bekannt als
      • Nadie engaña a una mujer
    • Drehorte
      • Kitzbuhel, Österreich(First Episode)
    • Produktionsfirmen
      • Dino de Laurentiis Cinematografica
      • Les Productions Artistes Associés
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      2 Stunden 1 Minute
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.66 : 1

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