OSS 117 - Teufelstanz in Tokio

US 24, an American Navy base in a small island in the Pacific, is annihilated. Hubert Bonisseur de la Bath, a French aristocrat that is also a secret agent, OSS 117, is sent to Tokyo to investigate who did it.

Soon, he finds out that a cypher girl in the American embassy had passed vital information to a Japanese gang. Eva Davidson confesses to him that she did that under coercion, and is now ready to cooperate.

OSS 117 will pretend to be Eva's husband, to better cover the contacts between her and the gang that is pursuing more information about a second naval base. Each step is a battle for his life, and he suspects that Eva may have not tell the whole truth. ..

Frederick Stafford returns as OSS 117 for another action packed spy adventure that has the usual intrigue, duplicity, and danger - starts with a nifty car chase before winding down to build a rather engaging story and interspersed between the espionage there's some really impressive and inventive fight scenes; the fight with the samurai, the one in the finale and sumo guy comes to mind. The finale action sequence with the hero clinging on the yacht via a harpoon is truly impressive. Dare I say the action is more impressive here than in some '60's Bond films. Top notch stuff.

Japan is the location and a year later 'you will Only Live Twice" will be set in the Land of the Rising sun, however in this OSS 117 entry Japan comes across less grand and is captured in a down to earth manner. Stafford makes a likeable and engaging agent who only uses violence in the last resort. Interesting that his agent doesn't smoke or drink. And unlike Connery in You will only live Twice he looks like he's enjoying himself and comes across focused. The only negative points are that some things happening appear vague and some tension is lacking, but nevertheless this is a very good spy thriller.

André Hunebelle was a good craftsman when it came to making popular swashbucklers whose hero was Jean Marais ("le Bossu" "le Miracle des loups" ).The spy thriller had the wind in its sails thanks to James Bond....

So Hunnebelle ditched his previous genre for the more lucrative spy stuff.It was his second OSS 117 effort(the first one featured Kervin -Simbad/Jack-Matthews ) and it's not really an improvement on the first one.There is a true actress here ,Marina Vlady (oddly,she plays on the boat almost the same part as Domino and her camera in "Thunderball" ).And Henri Serre,whose career ran into difficulties after "Jules et Jim".And Frederick Stafford future "Topaz " star. It's not much.

The fourth entry in the official French movie series of "OSS 117" movies, while a notch better than the previous entry ("OSS 117: Mission for a Killer"), still fails to engage viewers as much as even a second rate James Bond movie. There are a few things along the way to catch the eyes or ears of viewers momentarily. The location shooting in Tokyo, combined with an adequate budget, do provide a lot of pleasant eye candy. The musical score is also pleasant, sounding very much like the music found in a James Bond movie of the same era. And the action sequences are pretty well done. That is, when there IS action. There simply isn't enough action to be found in the 100 minute running time, which will leave viewers impatient for the movie to get down to business like James Bond. I think the lack of action can be blamed for a very slow-moving script. Surprisingly, James Bond veteran Terence Young had a hand with this movie's story, but you wouldn't know it. The story unfolds at a snail's pace, and another unfortunate consequence of this is that there is no feeling of tension, no feeling that people's lives are on the line. It doesn't take long for the movie to become quite frankly dull. "James Bland" is more like it.

Polished but lacking some vital spark of energy, or perhaps it was just that I found it tiring having to read subtitles, as there doesn't appear to be a dubbed version available, unlike most of the Italian and German ones. I much prefer dubbing because it means I'm free to use my eyes for fully appreciating the visual aspects of the film. I'm just not much of a multi-tasker I guess.

However after a second viewing, I think I've put my finger on the problem, it's with the sound track. The on screen action is fine, but the music rarely provides any assistance to help generate suspense or tension. Even if most Eurospy themes are melodramatic and overwrought, they at least bring some energy and help set the appropriate mood, while the music in this one is either non-existent or more like travelogue music, lacking the punch and drama required (the scene where the Combi van is crashed being a classic example, with a cheerful tune played during what should be a moment of great peril.)

Japan provides suitable exotic locations (a year before "You Only Live Twice") and a somewhat stylish super-tanker makes for a decent villain's lair in the finale (although it only has a medium size door in the side, big enough for a launch size boat, rather than a ship swallowing front maw like the one in "The Spy Who Love Me"). There are several excellent fight scenes, the screenplay is good with a decent plot and adequate dialogue.

Frederick makes friends with a couple of attractive women. Marina Vlady brings the beautiful ice queen who eventually melts, and Jitsuko Yoshimura brings the cute and perky, yet sensual local flavour (as when she playfully bites Fred's finger while bidding him farewell).

Eventually, after all the usual spy shenanigans, being followed or chased, chasing or following, getting knocked out, escaping from traps and ambushes, Fred identifies the bad guys, locates the lair and saves the day in suitable fashion.

Overall a solid, if unexceptional, effort

Best quip Marina - "Have you ever been called a cad?" Fred - "No. I kill people before they have time to say it."

Frederick Stafford's second and last adventure as Hubert Bonniseur de la Bath a.k.a. OSS 117 is a well made but ultimately disappointing feature. The film starts out with a nifty car chase but unfortunately that level of excitement is never regained and the result is a rather dull film. The self-assured Stafford is never allowed to showcase the talents he displayed in OSS 117 Mission For a Killer and even the lovely Marina Vlady isn't enough to perk things up.

Director Michel Boisrond does what he can with the material but the lack of a good story dooms this from the start. Michel Magne's score is appropriately flavored with Asian spice but is otherwise forgettable. You can skip this one as an also ran that doesn't measure up.