Während des Bürgerkriegs beliefert der mexikanische Viehzüchter Alvarez Kelly die Union mit Vieh, bis die hungrigen Männer des konföderierten Colonel Tom Rossiter Kelly zwingen, seine Kunden... Alles lesenWährend des Bürgerkriegs beliefert der mexikanische Viehzüchter Alvarez Kelly die Union mit Vieh, bis die hungrigen Männer des konföderierten Colonel Tom Rossiter Kelly zwingen, seine Kunden zu wechseln.Während des Bürgerkriegs beliefert der mexikanische Viehzüchter Alvarez Kelly die Union mit Vieh, bis die hungrigen Männer des konföderierten Colonel Tom Rossiter Kelly zwingen, seine Kunden zu wechseln.
- Regie
- Drehbuch
- Hauptbesetzung
- Lt. Farrow
- (as Donald Barry)
- General Kautz
- (as G.B. Atwater)
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Slow moving at times and even talky, Alvarez Kelly is a vastly underrated western that depicts the futility of war, but not in outward fashion. It's still a large scale western, unusual, well-mounted and hugely diverting largely due to the well-etched characters, particularly in William Holden and Richard Widmark; their confrontations is one of the highlights of this Edward Dymtryck directed film and compensates somewhat for the lack of action, though the finale features a vigorous stampede and blowing up of bridges (what's with William Holden and bridges). I have seen this film on BBC2 in my youth and I have found it a nice western. Love the title song.
"Alvarez Kelly" (1966) is a Civil War Western based around the real-life Beefsteak Raid. It's similar to "The Horse Soldiers" (1959), also co-starring Holden, mixed with "Major Dundee" (1965). While it's the least of these, with "Horse Soldiers" easily being the best, it's still worth checking out for those interested, just don't expect a conventional Western or Civil War yarn.
Critics complain that it's too talky with not enough action, which I suppose is true, but I appreciated the settings and the authentic scruffiness of the Rebs, not to mention the wartime intrigue and a thrilling stampede in the last act.
My top qualm would be how easy it seemed the cattleman is secretly taken into Richmond. Yet this can be overlooked on the grounds that it wasn't a classic military siege wherein a city is fully surrounded and all supply lines cut off. You could still enter Richmond from the west.
The flick scores well on the feminine front with stunning Southern belles Janice Rule, Victoria Shaw and Stephanie Hill, plus peripherals.
The two stars became best buds during shooting. Widmark remarked how the four months of being constantly together during shooting was the equivalent of 10-15 years of friendship. Meanwhile Steve McQueen happened to be filming "Nevada Smith" in the same area and the three ran into each other one day wherein McQueen and Holden ended up drinking together for the rest of the evening.
The movie runs about 1 hour, 55 minutes, and was shot in Louisiana (the vicinity of Baton Rouge), with the opening sequence done in the Southwest.
GRADE: B-
William Holden as Kelly and Richard Widmark as Tom Rossiter settle down in roles familiar to them. Ever since Sunset Boulevard Bill Holden has brought us a fine line of cynical protagonists to the silver screen. Holden's good, but he's not breaking any new ground here.
Richard Widmark as Rossiter is a bit more idealistic than Kelly, but only because he believes in a cause. He's no less cynical than Kelly in his methods of getting Kelly's cooperation in his scheme. The scheme being to get the cattle passed union lines to Richmond. We're not talking here about slavery and the causes of the Civil War. Just the prevention of disease and starvation.
The only other larger role of note is Patrick O'Neal as Major Stedman of the Union Army. He is such and unctuous and boring man and written deliberately so by the writers that we will understand why Kelly is tempted by the Confederate offer. Of course Widmark uses other forms of persuasion, but you have to see the movie for that.
It's a nice action film by two very capable male stars who were passed the peak years of their respective careers in the Fifties. Also you will not be able to get the title song, sung by the Kingston Trio over the opening credits out of your mind. Very catchy indeed.
William Holden plays the owner of the cattle herd who has arranged, for a price, to deliver a prime beef herd to Union lines during the latter year of the War, 1864. As Kelly, he'll do anything that can be done, as long as there is a handsome fee at the end of the task. Richard Widmark plays the leader of the Confederate raiders who is just as determined to get the herd delivered, but not to Yankees, but instead to starving Confederate soldiers and citizens. His Southern accent is a bit contrived, but bearable. Widmark is able to convince Holden to change the route of the herd; however, the Union army is going to have to be contended with, as they know this herd was intended for them.
An easy film to watch, just don't put much historical truth with it.
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- WissenswertesWilliam Holden and Richard Widmark became good friends during the production of the film. When Widmark became ill with the flu and was confined to his room, Holden bought him a snare drum because he knew Widmark played the drums. Widmark later remarked, "That four months of being constantly together on a film location was the equivalent of ten or fifteen years of friendship."
- PatzerSergeant Hatcher is wearing a bandoleer of .45-70 cartridges at least eight years before the .45-70 was developed.
- Zitate
Alvarez Kelly: Now the main thing to remember is... cattle are like women. Sometimes you have to be firm with them. Sometimes you have to be gentle. And sometimes you have to give them a slap on the rump.
- Crazy CreditsOpening credits prologue: In every war................... In every age.................... The forgotten weapon is.................... Food. For to kill, soldiers must live................... to live, they must eat.................... And a herd of cattle is as vital as a herd of cannon...................
The United States in 1864.
- Alternative VersionenThe version shown on the Starz Westerns Channel and on the Sony DVD runs 109 minutes. It is not yet known what scenes have been trimmed.
- VerbindungenReferenced in When the Applause Died (1990)
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Details
- Laufzeit1 Stunde 56 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1