Alvarez Kelly

1864: during the American Civil War a herd of cattle owned by rancher Alvarez Kelly becomes the centre of attention. While Kelly is selling it to the Union Army, Colonel Rossiter of the Rebels is planning to steal it, and he needs an expert cattleman to do it.

Slow moving at times and even talky, Alvarez Kelly is a vastly underrated western that depicts the futility of war, but not in outward fashion. It's still a large scale western, unusual, well-mounted and hugely diverting largely due to the well-etched characters, particularly in William Holden and Richard Widmark; their confrontations is one of the highlights of this Edward Dymtryck directed film and compensates somewhat for the lack of action, though the finale features a vigorous stampede and blowing up of bridges (what's with William Holden and bridges). I have seen this film on BBC2 in my youth and I have found it a nice western. Love the title song.

See it - William Holden plays his trademark role as a smooth-talking womanizer caught in a war he doesn't want to be a part of. He's a rich cattle driver in the Civil War looking to sell his horses to the highest bidder. Richard Widmark plays the eyepatch-wearing Confederate villain. Some might say these two actors can't carry a movie by themselves, but together they are fantastic. The script in this movie is surprisingly sharp and smart. This is rare for a western. The dialogue is very witty and actually pretty funny at times. The movie has also aged very well, meaning that it is still relevant and doesn't have that "old" feel to it. For example, the things that are supposed to be funny are funny, etc. The only problem with this movie is that there's not much action until the end. This is easily forgivable because of the good story. After seeing the movie, I immediately compared it to Horse Soldiers, which Holden co-starred in with the Duke. Worth seeing once. 2 out of 5 action rating

Most reviews here range from mixed to egregious. Except for a few shocking holes in the script and underproduced scenes (e.g. the Confederate ambush at the apple cellar and Stedman's escape with Ruthie and her subsequent death), just like a kid at the movies I felt swept up in the film's patched-together, on-with-the-show spirit.

Given the production's reliance on a cattle herd as its main prop and the health problems of its aging stars, much credit goes to the film's editors. Plus one must bow to the astonishing gift of William Holden, reportedly a wreck throughout the making, but managing his horse like a pro and looking like a man you or any woman would keep giving another chance.

Overall this film probably represents a pathetic last gasp of the studio system whose problems are worthy of dismay, but once again that studio system produced a work that soldiers on to some kind of colorful, noisy, almost dignified end.

Good surprise for a film by Edward Dmytryk. The scenario is rich and invites an interesting story with multiple twists on an original theme. Because it is about showing the confrontations between the northerners and the Confederates who are fighting over a herd of cows that will be used to feed a regiment on one side and a besieged city on the other. There is therefore a lot at stake in taking possession of the herd. Which is one thing, but then you have to know how to manage the cows and the herd.

That's where William Holden comes in, between the two sides, playing a Mexican, actually a Texan, who brings the herd, but finds himself kidnapped by one side, then the other. He is in the middle of everyone and is motivated by money, and women, because he will find his interest thanks to the female characters he will meet. First Victoria Shaw and then Janice Rule, Richard Widmark's fiancée, but who will leave him; elements of romantic comedy and love triangle are well integrated into the action.

The script contains multiple twists and turns. The film relies mainly on the relationship between Richard Widmark and William Holden, which is very mechanical, but works in the end, via their relationship to the female characters.

This ensemble works and is successful.

Alvarez Kelly, Mexican national, has just sold a herd of cattle to the North during the American Civil War. Yankee Major Stedman insists he accompany the cattle all the way to Richmond where they're to feed Grant's troops besieging the city. Only Confederate Cavalry hero Tom Rossiter has different ideas for the cattle and for Kelly.

William Holden as Kelly and Richard Widmark as Tom Rossiter settle down in roles familiar to them. Ever since Sunset Boulevard Bill Holden has brought us a fine line of cynical protagonists to the silver screen. Holden's good, but he's not breaking any new ground here.

Richard Widmark as Rossiter is a bit more idealistic than Kelly, but only because he believes in a cause. He's no less cynical than Kelly in his methods of getting Kelly's cooperation in his scheme. The scheme being to get the cattle passed union lines to Richmond. We're not talking here about slavery and the causes of the Civil War. Just the prevention of disease and starvation.

The only other larger role of note is Patrick O'Neal as Major Stedman of the Union Army. He is such and unctuous and boring man and written deliberately so by the writers that we will understand why Kelly is tempted by the Confederate offer. Of course Widmark uses other forms of persuasion, but you have to see the movie for that.

It's a nice action film by two very capable male stars who were passed the peak years of their respective careers in the Fifties. Also you will not be able to get the title song, sung by the Kingston Trio over the opening credits out of your mind. Very catchy indeed.