IMDb-BEWERTUNG
5,3/10
2663
IHRE BEWERTUNG
Nachdem ein Fotograf von einem primitiven Stamm gefangen genommen wurde, wird sein Leben verschont und er wird in das Dorf aufgenommen, nachdem sich die Tochter des Häuptlings in ihn verlieb... Alles lesenNachdem ein Fotograf von einem primitiven Stamm gefangen genommen wurde, wird sein Leben verschont und er wird in das Dorf aufgenommen, nachdem sich die Tochter des Häuptlings in ihn verliebt hat.Nachdem ein Fotograf von einem primitiven Stamm gefangen genommen wurde, wird sein Leben verschont und er wird in das Dorf aufgenommen, nachdem sich die Tochter des Häuptlings in ihn verliebt hat.
- Regie
- Drehbuch
- Hauptbesetzung
Nick Alexander
- Trailer Narrator
- (Synchronisation)
Luciano Martino
- Extra in bar
- (Nicht genannt)
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Deep River Savages represents Umberto Lenzi's first steps in the notorious field of cannibalism and jungle adventure movies. This infamous director will gross out entire audiences during the early 80's, with vicious cult flicks like `Cannibal Ferox'; `Eaten Alive by the Cannibals' and `Nightmare City'. This film is more like a pioneer and Lenzi carefully explores the primitive jungle communities and their traditional rites. Deep River Savages isn't half as gross as the title and DVD-cover leads you to believe and it basically is a social portrait mixed with an authentic love-story!
Believe it or not! Actually
the best way to describe this film is: Dances with Wolves
with cannibals! The plots of both movies are pretty much alike, the only differences are the setting and the fact Kevin Costner's film is praised all over the world while nobody has ever heard of Deep River Savages. John an Englishman is traveling across Eastern Asia when he gets mixed up in a bar-fight. He accidentally kills a man and flees on one of the many unknown rivers. He ends up as a prisoner in primitive tribe, somewhere deep in the jungle. The aboriginals actually form a rather joyful community! They spend their days watching animal-fights (roosters and snakes versus martens) and swimming naked. Our civilized' friend is tortured at first and he attempts to escape. But, pretty soon he falls in love with the local beauty (Me Me Lai who looks even better here than she did in Deodato's Jungle Holocaust) and marries her. John feels at home there now and he even helps the tribe in fighting the sadistic enemy-tribe from the across the river.
The film contains very few action sequences and is overall pretty boring. I don't blame Lenzi for this, though. Even though I prefer his later splatter films, you have to keep in mind this movie was made in 1972! Deep River Savages also looks very cheap, amateurish and the cinematography isn't anywhere near as stunning as in other cannibal films. The whole movie depends on Me Me Lai's beautiful naked body and the short (but action-packed) climax. Nonetheless, it stays recommended to Italian horror-admirers who're interested in the roots of `Savage Cinema'.
The film contains very few action sequences and is overall pretty boring. I don't blame Lenzi for this, though. Even though I prefer his later splatter films, you have to keep in mind this movie was made in 1972! Deep River Savages also looks very cheap, amateurish and the cinematography isn't anywhere near as stunning as in other cannibal films. The whole movie depends on Me Me Lai's beautiful naked body and the short (but action-packed) climax. Nonetheless, it stays recommended to Italian horror-admirers who're interested in the roots of `Savage Cinema'.
In Director Umberto Lenzi's SACRIFICE! (aka: THE MAN FROM DEEP RIVER), photographer, John Bradley (Ivan Rassimov) ventures into the wilds of Thailand, after having killed a man in self defense. While taking pictures, Bradley is captured, and finds himself at the mercy of a primitive tribe. What follows is his hellish ordeal. There's also a rival tribe of cannibals nearby.
With this early effort, Mr. Lenzi pretty much set the pattern for this entire subgenre. Torture, flesh-eating, and the inexplicable animal cruelty are all on display. The notorious "monkey brain" scene alone is certainly enough to set off anyone's gag reflex. Of course, the argument is made that this is in keeping with tribal customs. However, this is a fictional movie, not a documentary.
The sad thing is that this isn't a bad movie, and the aforementioned cruelty really has nothing whatsoever to do with the story. It's totally unnecessary!
Extra points go to Me Me Lai, who is in three of these cannibal epics (as is Mr. Rassimov). She's very good in all of them...
With this early effort, Mr. Lenzi pretty much set the pattern for this entire subgenre. Torture, flesh-eating, and the inexplicable animal cruelty are all on display. The notorious "monkey brain" scene alone is certainly enough to set off anyone's gag reflex. Of course, the argument is made that this is in keeping with tribal customs. However, this is a fictional movie, not a documentary.
The sad thing is that this isn't a bad movie, and the aforementioned cruelty really has nothing whatsoever to do with the story. It's totally unnecessary!
Extra points go to Me Me Lai, who is in three of these cannibal epics (as is Mr. Rassimov). She's very good in all of them...
Ivan Rassimov plays American photographer John Bradley, on vacation in Thailand. He and his guide end up deep in the jungle, where he is abducted by a primitive tribe. They put him into a variety of tortures and trials, until finally accepting him as one of their own. He finds adjusting to this new life to be surprisingly agreeable, especially when he becomes smitten with Maraya (Me Me Lai), the lovely daughter of the tribes' leader.
Considered to the vanguard film in that jungle / cannibal genre popularized by the Italians, this is definitely a trail blazer, but people who've already seen more famous entries in the genre may be caught off guard with this one. It's more of a straight drama (heavily influenced by Elliot Silversteins' Western "A Man Called Horse") with touches of horror than a body munching / body count / exploitation feature. In reality, despite the presence of a hostile cannibal tribe in the film, only one person ever gets turned into a feast.
"Sacrifice!", a.k.a. "The Man from the Deep River", isn't without its gory pleasures, however. It benefits from excellent location shooting and utterly convincing local color. It's wonderfully shot, and scored, and is overall quite appealing and engaging. It's not to all tastes, though, because it includes some brief moments of animal cruelty that will turn off some members of the audience. This, of course, has only become one of the elements that recurs throughout many an Italian jungle adventure.
Rassimov is good as the hero. The intoxicatingly gorgeous Me Me Lai, who went on to appear in "Jungle Holocaust" and "Eaten Alive!" as well, is very easy to watch. (Viewers should be quite content with the amount of female nudity that is present.) The other performances are quite effective.
This is as good a story of both the beauty and savagery of nature as one could see.
Eight out of 10.
Considered to the vanguard film in that jungle / cannibal genre popularized by the Italians, this is definitely a trail blazer, but people who've already seen more famous entries in the genre may be caught off guard with this one. It's more of a straight drama (heavily influenced by Elliot Silversteins' Western "A Man Called Horse") with touches of horror than a body munching / body count / exploitation feature. In reality, despite the presence of a hostile cannibal tribe in the film, only one person ever gets turned into a feast.
"Sacrifice!", a.k.a. "The Man from the Deep River", isn't without its gory pleasures, however. It benefits from excellent location shooting and utterly convincing local color. It's wonderfully shot, and scored, and is overall quite appealing and engaging. It's not to all tastes, though, because it includes some brief moments of animal cruelty that will turn off some members of the audience. This, of course, has only become one of the elements that recurs throughout many an Italian jungle adventure.
Rassimov is good as the hero. The intoxicatingly gorgeous Me Me Lai, who went on to appear in "Jungle Holocaust" and "Eaten Alive!" as well, is very easy to watch. (Viewers should be quite content with the amount of female nudity that is present.) The other performances are quite effective.
This is as good a story of both the beauty and savagery of nature as one could see.
Eight out of 10.
This, Umberto Lenzi´s first cannibal movie, is by far the best of the three he made. Not as gory as Eaten Alive or Cannibal Ferox (well, is any movie really as gory?), but with a better plot and acting. Ivan Rassimov, who is awful in Eaten Alive, is really not bad in this one. Actually, cannibals are really not that important to the plot. This appears to be more of a "Man called Horse" rip-off, Rassimov is captured by some tribe somewhere in Asia and has to go through some harrowing tests to be accepted, later he encounters some cannibals. I don´t recall seeing a better directed Lenzi film, although if you´ve seen a few of his films you´ll know this ain´t no masterpiece. I read in an interview that this is his favorite of the three cannibal flicks he made. Unfortunately there is a bit much real life animal cruelty, which will upset some. Nice score, though.
This is a earlier film directed by Umberto Lenzi in 1972. This is also considered to be the first of a series of many cannibal films. Although, this film dosen't necessarily focus on the cannibalism but more on character development and story.
Basically, a man goes into the amazon and is captured by a vicious tribe. It isn't until he kills one of their own that he is excepted into the tribe.
I just saw this movie and I thought it was a decent film. Nothing to spectacular but enjoyable nonetheless. The main problems with this film is it tends to drag at many points and the gore is very limited. Another problem with this film is (just like almost all other cannibal films) the fact that they have real animals being slaughtered. Just like in my review of Cannibal Holocaust and Cannibal Ferox, I just don't understand the use in killing animals on the screen for shock value.
Altogether, this isn't a bad film but nowhere near as good as some of Lenzi's later work. 6/10 stars
Basically, a man goes into the amazon and is captured by a vicious tribe. It isn't until he kills one of their own that he is excepted into the tribe.
I just saw this movie and I thought it was a decent film. Nothing to spectacular but enjoyable nonetheless. The main problems with this film is it tends to drag at many points and the gore is very limited. Another problem with this film is (just like almost all other cannibal films) the fact that they have real animals being slaughtered. Just like in my review of Cannibal Holocaust and Cannibal Ferox, I just don't understand the use in killing animals on the screen for shock value.
Altogether, this isn't a bad film but nowhere near as good as some of Lenzi's later work. 6/10 stars
WUSSTEST DU SCHON:
- WissenswertesThe film is considered to be the first "cannibal film", a subgenre of European exploitation films that was prevalent in Grindhouse cinema in the late seventies and early eighties.
- PatzerKnife which tribesman nears Taima's face is close to her face, but in the very next shot it's farther away.
- Zitate
John Bradley: I'm a human being, like you! I'm a man, not a fish!
- Alternative VersionenThe USA Media-Blasters version under the title Man from Deep River is completely uncut at 93 minutes.
- VerbindungenEdited into Lebendig gefressen (1980)
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By what name was Mondo Cannibale (1972) officially released in India in English?
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