Das Auge des Bösen

Although this is definitely one of your lamer Italian gialli, like all gialli it has some points of interest. It has two different chase scenes involving the Eiffel Tower, just so you know (if the title doesn't clue you in) that it's set in Paris. It has an ironic scene where a condemned murderer is decapitated while fleeing police on a motorcycle. It has a strange scene where the police then turn over the disembodied head to a mad scientist, played by Jess Franco regular Howard Vernon, for him to conduct vague "experiments" on. And perhaps strangest of all it has a lead detective who is played by a Humphrey Bogart impersonator, which no one in the movie remarks on, but will have everyone at home scratching their head.

The plot involves the murder of a prostitute in a Paris brothel (run by early 60's sex symbol Anita Ekberg). It's blamed on a jealous client, but the lead detective ("Bogey")suspects otherwise. And when the murders continue after the suspect's ironic-if-he-were-actually-guilty demise, his suspicions are confirmed. The movie has all the standard giallo elements but it's directed without much flair. There's a lot of sex and female nudity (perhaps too much), but it doesn't involve the "name" actresses for the most part who are pretty much wasted in general. Barbara Bouchet is good as a bitchy prostitute but she is murdered before she can even strip out of her sexy red lingerie. Rosalba Neri has a brief nude scene but also a completely throwaway part as the condemned man's ex-wife. And Anita Ekberg, looking middle-aged and none to svelte, also has pretty phoned-in role that pales not just to her early sexy roles, but to the over-the-top trashy stuff she'd do later in movies like "Killer Nun".

Howard Vernon is about as good as he usually is in Franco movies, and as for the Bogart impersonator--well, nobody ever saw him again after this movie. I would definitely not recommend buying an overpriced DVD of this disappointing movie, but it might not be a total waste of 90 minutes of your life, especially if you're kind of a giallo completist like I am.

THE FRENCH SEX MURDERS (Ferdinando Merighi - Italy 1972).

Formerly, the usual UK title was THE BOGEY MAN AND THE FRENCH MURDERS. There's also a Greek video with the sleeve title, CALL GIRLS FOR INSPECTOR BOGART. The inspector is not named Bogart, nor does he get any call girls, but who cares? It's a title that sells.

There's a killer in Paris, a suicide from the Eiffel Tower, a brothel as the main setting, insane professors, an eye-ball thief, an inspector who looks like Humphrey Bogart (for no apparent reason), a truly creepy Anita Ekberg, and an impressive line-up of Euro-stars. How Dick Randall assembled this cast is beyond me, but he did it. Besides Anita Ekberg, there's Rosalba Neri (who even sings a song in a nightclub), Barbara Bouchet, Evelyn Kraft, Howard Vernon, and Robert Sacchi as inspector Pontaine or Humphrey Bogart. The title is pretty accurate. The murders take place during, before or after sex in a brothel in Paris. In between, the Bogey-man snoops around trying to track down the killer, but he is not too bright. You'll probably have figured it out long before he does.

The film's producer was American Dick Randall who took residence in Rome in the '60s but basically was wherever the deals where made, which meant Rome in the '60s, Bangkok and Hong Kong in the '70s and London in the '80s. Whilst residing in Italy, he payed close attention and decided to take a shot at the giallo as well, and produced this piece of cinematic soufflé. It's a perfect example of totally round the bend Euro-tosh, with a rather tame execution actually. The direction is not wildly imaginative, a workman's job at best, so don't expect outrageous Italian craftsmanship and style here, but some spicing-up in the editing by Bruno Mattei.

The special effects were done by future Oscar-winner Carlo Rambaldi of ET fame. I guess he learned a lot since this one. Of course, the presence of Robert Sacchi, among some other ingredients (mostly the cast) give this film a certain weird identity of its own. All together, it's pretty much a poor man's interpretation of an Italian Giallo.

The version on Mondo Macabro's DVD never existed in this form. From various copies, they assembled the longest version they could possibly paste together. There's an English audio-track, but a couple of scenes appear in Italian with subtitles.

Camera Obscura --- 5/10

Ferdinando Merighi's "Casa d'appuntamento" aka "French Sex Murders" of 1972 sure is anything but a Giallo-highlight, and yet I warmly recommend this delightfully trashy little flick to all my fellow fans of Italian Horror cinema. The plot is overall pretty silly, but the film scores with a trashy atmosphere, some sleaze and cheap but cool gore-effects, and a cast that includes quite a few familiar faces for cult-cinema fans. "Killer Nun" Anita Eckberg shines in the role of a brothel madam and the regular Eurocult actress Rosalba Neri has the role of a seductive bar singer. The film furthermore stars Jess Franco-regular Howard Vernon and Robert Sacchi, who is basically a low-budget Italian version of Humphrey Bogart (Sacchi looks just like Bogey, and it's hard to believe he was only in his early 30s when the film was made) in the role of the investigating police detective. Even veteran B-Movie star Gordon Mitchell has a tiny role! My main reason for looking forward to seeing this film was the ravishing Barbara Bouchet, a true cult-cinema goddess and the female star of two personal favorites of mine, Fernando Di Leo's masterpiece "Milano Calibro 9" (1972), and Luci Fulci's Giallo-highlight "Don't Torture A Duckling" (also 1972). Even though she sadly has little screen time, Bouchet is once again ravishing, and her sheer presence grades the film up a bit in my personal appreciation.

The film, which mainly takes place in a Paris brothel, revolves around murders of prostitutes, investigated by a cynical and Bogart-ish police inspector... I don't want to give away too much of the plot, but I can assure that it is somehow messy and yet very entertaining. The film is overall quite (but not exceptionally) sleazy and has a delightful trash-factor. The gore scenes are, of course, not too professionally made, but nonetheless quite effective. The funky repetition and colorization of murder sequences was very odd, but also somehow amusing. I would recommend to look for a subtitled Italian version - the uncut DVD I watched was a messy mixture of English, German and French, which was even more odd as two characters, who are husband and wife in the German language version, were obviously Father and Daughter in the English dubbed version (as from the context, they must have been Husband/Wife in the original Italian language version). Overall, "French Sex Murders" (or, "The Bogeyman and The French Murders", as one of the many aka. titles reads) is certainly not a good Giallo, but it is nonetheless an entertaining low-budget production that my fellow Cult-cinema fans should enjoy. Recommended.

I saw "French Sex Murders" in the cinema during Dni Makabry festival in Warsaw and wasn't disappointed.This one has a truly bizarre murder plot involving a jewel heist,an all-knowing-all-seeing medium,a brothel,hooded killers,a mad scientist,incredibly sexy women butchered in gruesome ways,incest,human eyeball fondling and a professional Humphrey Bogart look-a-like brilliantly played by Robert Sacchi.The female cast is full of Italian beauties including Anita Ekberg,Barbara Bouchet and Rosalba Neri.The killings are surprisingly violent and gory in true giallo-style,including throat-slashings and decapitations,but most surprising is the innovative camera-work associated with the death scenes.Each murder is replayed four times in a quick and continuous sequence where the colour of the lighting is changed for each replay.There is also plenty of sleaze and nudity for fans of Eurohorror to enjoy.8 out of 10.

Despite the fact that this Giallo is often lambasted, I actually had rather high hopes for it; just due to the sheer number of cult names on the cast list and the fact that the more convoluted Giallo's are often the best. However, while this film does have a vast array of ideas on display, director Ferdinando Merighi isn't able to round everything up into one coherent plot line. Furthermore, not many of the genre trademarks have made it into the film; as it's not very colourful, the mystery is obvious from the beginning and despite the fact that the plot focuses on a brothel; there isn't a great deal of nudity. The film gets off to a good start, and after the first half hour I was really expecting a more than decent Giallo. We are introduced to Antoine Gottvalles; a customer at the aforementioned brothel. He's in love with prostitute Francine (the gorgeous Barbara Bouchet, whom I'm in love with) and after her murder, he becomes the prime suspect while the real killer manages to escape. It's not long before the murders continue and police inspector/Humphrey Bogart look-alike Inspector Pontaine gets on the case.

The cast list is among the most impressive of any Giallo. The most exciting element for me was the fact that Amuck co-stars Rosalba Neri and Barbara Bouchet were reunited, even if the latter does only last a few minutes. 'Killer Nun' Anita Ekberg gets a supporting role alongside 'Dr Orloff' Howard Vernon, while the film introduces the lovely Evelyn Kraft. The film is rounded off by a bizarre performance from professional Humphrey Bogart look-alike Robert Sacchi. Quite why the Inspector looks like Bogey is never actually explained; my theory is that it either has something to do with the alternate title (Bogeyman and the French Murders), or director Ferdinando Merighi really wanted Bogart in his movie, but couldn't get him...for obvious reasons. The problem with Sacci in the lead is that, unfortunately, he can't act...and he doesn't look that much like Bogart anyway. The plot manages to move along without getting too dry despite being highly derivative, and the film does have a number of standout death scenes; even if they are extremely unprofessional in their handling. The Parisian setting is good and provides a little beauty to offset the mundane plot. The ending is a little obvious...but it's fun enough to watch and overall, I won't say that The French Sex Murders is a great example of the Giallo...but it just about qualifies as a decent one.