IMDb-BEWERTUNG
5,7/10
138
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA psychologically damaged young man murders young women who sexually excite him.A psychologically damaged young man murders young women who sexually excite him.A psychologically damaged young man murders young women who sexually excite him.
- Regie
- Drehbuch
- Hauptbesetzung
Maria Rohm
- Teresa
- (as María Rohm)
Concha Gómez Conde
- Empleada pensión
- (as Concepción Gómez Conde)
Empfohlene Bewertungen
A troubled young man goes around murdering women who sexually excite him.
It's not the most original concept in the world. There have been movies before and since that have dealt with a similar idea. But this Spanish production still registers. It has decent performances and a story that essentially holds up. But more importantly it has a good sense of style. The killer's inner turmoil is shown by flashbacks, close-ups of eyes and eerie music. In the murder scenes all of these elements kick in together and are well executed. Generally speaking, it's a well photographed film, with nice exterior shots of various Spanish locales and great detail of a religious festival incorporated into the story which adds good additional atmosphere. The killer's obsession with women's shoes also adds a further fetishtic detail; similarly, images and sounds of trains add additional material that recalls his past trauma. The music varies from cheesy Spanish pop to atmospheric glockenspiel and piano driven pieces.
It's a psychological thriller with some slasher violence. It's more interested in setting an atmosphere that glorifying in bloody mayhem though. Overall, it works pretty well. It's a stylish film and the Spanish feel to it adds a lot to the aesthetic. Definitely a movie that deserves to be more widely seen.
It's not the most original concept in the world. There have been movies before and since that have dealt with a similar idea. But this Spanish production still registers. It has decent performances and a story that essentially holds up. But more importantly it has a good sense of style. The killer's inner turmoil is shown by flashbacks, close-ups of eyes and eerie music. In the murder scenes all of these elements kick in together and are well executed. Generally speaking, it's a well photographed film, with nice exterior shots of various Spanish locales and great detail of a religious festival incorporated into the story which adds good additional atmosphere. The killer's obsession with women's shoes also adds a further fetishtic detail; similarly, images and sounds of trains add additional material that recalls his past trauma. The music varies from cheesy Spanish pop to atmospheric glockenspiel and piano driven pieces.
It's a psychological thriller with some slasher violence. It's more interested in setting an atmosphere that glorifying in bloody mayhem though. Overall, it works pretty well. It's a stylish film and the Spanish feel to it adds a lot to the aesthetic. Definitely a movie that deserves to be more widely seen.
The Spanish, of course, could never quite do the giallo the way the Italians could, but this example is a real let down. Its a particular shame because this is a bright, colourful print with good subtitles, but oh dear! Mr. Duenas was, apparently, more used to making documentaries and he certainly shows here a distinct lack of skill in directing a thriller. The main premise of the film also makes things very difficult from the very start. Our hero/killer has suffered some traumatic childhood event, and he gets flashbacks, as do we, when he is kissed by a woman. Unfortunately we have to believe that all these women find him so attractive, when he spends his time cringing and sneering. Maybe and just maybe because most Spanish guys are so macho that the ladies find this child like reluctance endearing? I don't know but its no good for us and for the first time ever in one of these movies we never actually get the reveal on what really caused the problem! I have a hunch that this just might have been cut from this print because of adult/child interaction but I'm probably being generous. Inept.
Wusstest du schon
- Zitate
Julio Nieto: [calling Dona Dolores, after having attempted to garrote her] I'm very sorry.
Doña Dolores: It's not important!
- SoundtracksNo le roces con tu sonrisa
Written by Ann Collin (as Collin), Jesús García de Dueñas (as Dueñas) and Pattuchi
Performed by Ann Collin
Published by Cam España S.A. Ediciones Musicales
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El asesino no está solo
- Drehorte
- Malaga, Costa del Sol, Spanien(Semana Santa observances)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 25 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was The Killer is Not Alone (1975) officially released in Canada in English?
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