Krieg und Frieden

I remember seeing this first when I was just 12. It definitely left an impact on me especially Alan Dobie's Prince. Also Natasha Rostova played by Morag Hood is a very interesting and free-spirited character. Ms. Hood has really brought natasha to life, so much so that sometimes you can't wait to watch what she's going to do next. The scenic backgrounds of Russia are beautiful and as always Anthony Hopkins dazzles in his rendition of Pierre. Anyone interesting in seeing a movie version of War & Peace must watch this and not the more recent versions (very dry and boring - would think it was shot in Texas). The scenes tend to linger in your memory..

I don't have much to say in addition to the adulations given by, especially, those who watched this amazing series at a young age. I was 23 when it first broadcast on public television, a co production of the BBC and Time-Life. I disagree with the verbose UK reviewer above, who felt the episodes boring until about halfway. I was intrigued with episodes 1 and 2, and utterly engrossed by 3, waiting impatiently for the following week to bring the next episode. My only problematic observation from the 1st episode was that it seemed a little stagy, as if I were watching a stage play. Small criticism. Watching it again 37-odd years later ( have finished the 2nd DVD as I write this) I was again engrossed, with the advantage of not having to wait a week for the next episode! The only proper and accurate adaptation to the great novel.

Considering this a television production, I was again impressed (and surprised) by the ambition and quality of the battle scenes. It was refreshing not see an exaggerated CGI army battling another CGI army. My favorite actors were Alan Dobie and a young Anthony Hopkins. Every time I see Hopkins in a movie, I immediately remember his outstanding performance as Pierre. The one scene I always remember is Alan Dobie ad Prince Andre, lying in the battlefield after being wounded while leading a futile charge at Austerlitz, lying on the ground, staring up at the sky and remarking about it, that all is vanity, illusion.

Finally, how can one forget Fiona Gaunt as Helene? Wow, those low-cut empire-style gowns. I kept fearing (if that is the word) that she wouldn't be able to "contain" herself. (Sorry for the moment of male levity).

My all-time favorite British TV production, even slightly ahead of the wonderful Upstairs, Downstairs.

P.S. Thanks to the viewer who pointed out that it was not shown on Masterpiece Theater. I always remembered that it was, and was regretting that Alistair Cooke's introductions and final comments were missing from the DVD. Now I know that they were not! But how I wish they were!

I remember seeing this when I was in high school and being mesmerized. Having watched it at home now twice, I still think this an amazing adaptation. Watching Anthony Hopkins stretch his legs in his first big role is a wonder and presages all the kudos he was to receive in ensuing decades. I also think Morag Hood was quite convincing as a 13-year-old girl through to a nearly-30 Natasha; in contrast to another viewer who was bothered by a 30-year-old woman playing the girl Natasha, I found her acting the part of a 13 year old to be convincing.

David Swift brings real complexity to Napoleon, and the family scenes of the Rostovs are a wonderful contrast to the dysfunctional Bolkonsky family. The acting is very good throughout (although Joanna David as Sonya does a bit too much weeping for my taste) and the peek into the Russia of the times is faithful to the book.

This production shows its age, especially the graininess of exterior shots compared to the interior studio film, but overall I think it a truly outstanding adaptation. I sure wish Alan Dobie was still working in film! Most of the secondary characters (Dolohov, Helene, and Katische) are quite good.

There are at least three major filmed versions of the epic, sprawling Tolstoy masterpiece, and each offers particular pleasures. The King Vidor version made for Hollywood is short; otherwise, it offers a miscast Henry Fonda and a wistful Audrey Hepburn, who while lovely indeed, is out of her depth in a deeply tragic story. The Russian version which clocks in at somewhere about eight hours has lavish spectacle going for it, huge amounts of staged battle sequences which boggle the mind--and done without the use of CGI;its drawback is an often confusing script and, for contemporary English and American audiences, an over-the-top, occasionally hysterical acting style. This version is fifteen hours long and I found it followed the book carefully, and is loaded with fine performances, particularly Anthony Hopkins as the confused Pierre, bumbling through life in search of some spiritual catharsis; there are numerous other roles that become memorable from actors not familiar to most of us, and only Napoleon comes up short in a lackluster, thudding performance. Because this version was for BBC and not the movies, it looks a little spare now and then, but once the rhythm was set, I found it compelling and hugely satisfactory.

I am delighted to say that this miniseries is an excellent adaptation of Leo Tolstoy's famous book and it is remarkably faithful to the story line. What I do not understand is why this film version has not been set onto DVD yet. If it were I would buy it tomorrow. Nearly every major British Actor and Actress from the 70s appears in this version and I notice different items in the episodes every time I view my VHS version. I highly recommend this for anyone who wishes to read the book beforehand or afterward. I also enjoy seeing Anthony Hopkins as a very young man portraying a character full of energy, failings and then how the character through Anthony Hopkins matures by the end of the series.