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7,2/10
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Füge eine Handlung in deiner Sprache hinzuSitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.
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This programme started to be hard to see in this particular TV market once the American imitation "Three's Company" (1977) started up. "Three's Company" was everything "Man About the House" was not. The British original was funny, sexy, maybe a bit salacious. And it had two cute girls, nice English ones. The grossly inferior "Three's Company" was unfunny, prurient rather than sexy, and basically brain-dead. And no cute English birds, obviously.
"Man About the House" had a proper star, Richard O'Sullivan, who'd just finished his stint as Bingham in "Doctor in the House", a *completely* different role, mind you. Rather than someone like O'Sullivan, "Three's Company" had John Ritter. Years later, it turned out that Ritter could act but that wasn't really apparent in the '70's when he gave the leading one-note performance.
Hack US magazine writers still trot out that tired old cliché about the British being prudish about sex when compared to sophisticated Americans. I've seen a couple of references of that kind in the past month. Well, that might very well have been true in the 1940's, but that was certainly not the case by the '60's, and it's not true today either. If one compares these two series from the 1970's, it's the British one that's mature, while the American copycat seems childish and leering.
I suspect anyone who had ever seen "Man About the House" was left grinding his teeth by "Three's Company" and its long and entirely undeserved run. Surely there's an all-Britcom channel somewhere where this coy ménage à trois can find a happy home again.
"Man About the House" had a proper star, Richard O'Sullivan, who'd just finished his stint as Bingham in "Doctor in the House", a *completely* different role, mind you. Rather than someone like O'Sullivan, "Three's Company" had John Ritter. Years later, it turned out that Ritter could act but that wasn't really apparent in the '70's when he gave the leading one-note performance.
Hack US magazine writers still trot out that tired old cliché about the British being prudish about sex when compared to sophisticated Americans. I've seen a couple of references of that kind in the past month. Well, that might very well have been true in the 1940's, but that was certainly not the case by the '60's, and it's not true today either. If one compares these two series from the 1970's, it's the British one that's mature, while the American copycat seems childish and leering.
I suspect anyone who had ever seen "Man About the House" was left grinding his teeth by "Three's Company" and its long and entirely undeserved run. Surely there's an all-Britcom channel somewhere where this coy ménage à trois can find a happy home again.
I absolutely love old British TV series, and especially in the sit-com department they beat all other countries. I remember this particular series quite well even though I haven't seen it in a long time, luckily it's now available on VHS/DVD so I'll be buying it soon. Nothing beats that atmospheric shot-on-videotape look most British TV shows had in the '70s, when filmed indoors. Richard Sullivan is great as the guy the two girls find in their bathroom, and the two actresses are also both excellent. Terrific stuff. The series had two spin-offs; "George & Mildred" (about the landlord and his wife) and "Robin's Nest" (Sullivan's character minus the girls). Those who think the American version "Three's Company" is better only need to look at the amount of episodes it had, and suddenly it's not so funny anymore. I think the fact that "Three's Company" was filled with more characters and ran for a whopping 172 episodes compared to the original's small cast and 39 episodes says it all. Overdoing it kills any show, and the Brits always knew quantity is not the same as quality.
One of THE comedies of the 1970's. Also has the best signature tune of any comedy show. The story is about three people sharing a flat living above their landlords George and Mildred. The comedy rests on the mix of the people sharing. A man and two women. Richard O' Sullivan is besotted with Paula Wilcox. Its played in a gentle and not a leering way which is why this show was such a success.
The scripts and the stars were always giving the best performances and Richard's frustrated love life was shown with a relaxed charm. The end titles contained visual jokes which went unnoticed in the early 1970's but concerned the flat sharers living arrangements.
The scripts and the stars were always giving the best performances and Richard's frustrated love life was shown with a relaxed charm. The end titles contained visual jokes which went unnoticed in the early 1970's but concerned the flat sharers living arrangements.
Now the series is 30 years old but it is still funny. I saw it when I was a child and I can still recall the laughters at home. It was the first British tv series thet topped the tv rankings in Spain. And even now, people remember it. Two different situations: upstairs the 3 flat mates, and downstairs the landlord and his wife. The scripts were terrific: both situations fixed perfectly. And what about the actors? all of them were absolutely brilliant, specially my dear Mrs Roper. Oh, yes. Americans made a "remake" that was OK when they copied word by word the original episodes. When they had to create new scripts it became awful and boring. By the way, I always recommend to see any show in its original version, but I must confess that Spanish dubbed version is as good as the original one.
I absolutely LOVED this show when it aired here, even though I was a little kid by then. It had the kind of charm and mood that keeps you laughing until it hurts, the cast was excellent and so was the timing. If compared to what the sitcom genre has degenerated to (And I don't think it's necessary to name any specific title, most of the sitcoms are awful except Seinfeld) it's a crying shame that shows like Mad About The House are no longer made. Whatever happened to witty writing and great cast?
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
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- WissenswertesWriters Brian Cooke and Johnnie Mortimer were inspired to create Man About The House after noticing increasing numbers of advertisements in the London press for flatmates of either gender - until the early 1970s it was usual for flatsharing households to be all male or all female.
- Crazy CreditsThe closing credits in later series show each credit caption against a still image featuring two 'female' objects and one corresponding 'male' object (eg drinks or item of clothing). One still image used features two cooking utensils as the 'female' items and a spanner as the 'male' item. This is ironic given that in the show Robin is a cookery student while Chrissy and Jo are self-confessed terrible cooks.
- VerbindungenFeatured in All Star Comedy Carnival (1973)
- SoundtracksUp to Date
(uncredited)
Composed by Johnny Hawksworth
Performed by The Hawksworth Big Band
[series theme tune]
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Man About the House
- Drehorte
- Alma Square, St John's Wood, London, England, Vereinigtes Königreich(exterior: George and Mildred's house where in the flat is rented.)
- Produktionsfirma
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By what name was Ein Mann im Haus (1973) officially released in India in English?
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