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7,2/10
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IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.
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10sts-26
While the British produced some hilarious and slick sitcoms in the 1990s - Ab Fab, Men Behaving Badly, One Foot in the Grave, etc. - the 70s were the real golden age.
In the 1970s there were whole new territories to explore, including the sexual revolution, feminism, and the slowly evolving awareness of a need for "sensitivity" that would, twenty years later, become Political Correctness. Attempts to grapple with the confusion of this thoroughly modern world were the subtle and not-so-subtle themes in everything from the skits of Monty Python's Flying Circus to sitcoms like Man About the House. (By the late 70s this "grappling" resulted in more meditative and bitter-sweet sitcoms such as the masterpiece Butterflies.)
Man About the House is a perfect example of the good Britcoms of the time - slightly genteel, cheeky, fresh, ingenuous, sometimes outrageous, with some well made observations on contemporary life. Compare it to a cynical 90s show such as Ab Fab, and it is hard to believe the two were created in the same country.
Man About the House is one of the great Britcoms of the 70s, right up there with Good Neighbors (The Good Life), and About the House's spin off George and Mildred. Its quality is attested to by the fact that - as with Good Neighbors - its creators, writers, and many of its cast have had continued success in British television.
In the 1970s there were whole new territories to explore, including the sexual revolution, feminism, and the slowly evolving awareness of a need for "sensitivity" that would, twenty years later, become Political Correctness. Attempts to grapple with the confusion of this thoroughly modern world were the subtle and not-so-subtle themes in everything from the skits of Monty Python's Flying Circus to sitcoms like Man About the House. (By the late 70s this "grappling" resulted in more meditative and bitter-sweet sitcoms such as the masterpiece Butterflies.)
Man About the House is a perfect example of the good Britcoms of the time - slightly genteel, cheeky, fresh, ingenuous, sometimes outrageous, with some well made observations on contemporary life. Compare it to a cynical 90s show such as Ab Fab, and it is hard to believe the two were created in the same country.
Man About the House is one of the great Britcoms of the 70s, right up there with Good Neighbors (The Good Life), and About the House's spin off George and Mildred. Its quality is attested to by the fact that - as with Good Neighbors - its creators, writers, and many of its cast have had continued success in British television.
I have such fond memories of watching this show. I would love to see it again. Yes, it was copied by Three's Company but the two shows diverged quite a bit after awhile. What I liked best about it was the sexual chemistry between Robin Tripp and Chrissy (the smart one). They were always bantering and teasing and arguing but you knew underneath there was something there. I was always waiting for the dumb blonde (Jo) to get out of the way so they could get more romantic. I wish I could remember how the series ended. I think they got together but maybe it was just wishful thinking on my part. I do remember the series Robin's Nest and it was kinda cute but there was no chemistry without Chrissy. In the American series, Chrissy was the dumb blonde, Janet the smart one but neither one had any real romantic relationship with John Ritter's character. I think people here have been too harsh about Ritter. He was all slapstick its true, but that was an art in itself! Different kind of humour. I prefer the British series as it was more subtle and clever, but I also enjoyed the American version. Although it really lasted at least two years too long!!
I absolutely love old British TV series, and especially in the sit-com department they beat all other countries. I remember this particular series quite well even though I haven't seen it in a long time, luckily it's now available on VHS/DVD so I'll be buying it soon. Nothing beats that atmospheric shot-on-videotape look most British TV shows had in the '70s, when filmed indoors. Richard Sullivan is great as the guy the two girls find in their bathroom, and the two actresses are also both excellent. Terrific stuff. The series had two spin-offs; "George & Mildred" (about the landlord and his wife) and "Robin's Nest" (Sullivan's character minus the girls). Those who think the American version "Three's Company" is better only need to look at the amount of episodes it had, and suddenly it's not so funny anymore. I think the fact that "Three's Company" was filled with more characters and ran for a whopping 172 episodes compared to the original's small cast and 39 episodes says it all. Overdoing it kills any show, and the Brits always knew quantity is not the same as quality.
Now the series is 30 years old but it is still funny. I saw it when I was a child and I can still recall the laughters at home. It was the first British tv series thet topped the tv rankings in Spain. And even now, people remember it. Two different situations: upstairs the 3 flat mates, and downstairs the landlord and his wife. The scripts were terrific: both situations fixed perfectly. And what about the actors? all of them were absolutely brilliant, specially my dear Mrs Roper. Oh, yes. Americans made a "remake" that was OK when they copied word by word the original episodes. When they had to create new scripts it became awful and boring. By the way, I always recommend to see any show in its original version, but I must confess that Spanish dubbed version is as good as the original one.
I absolutely LOVED this show when it aired here, even though I was a little kid by then. It had the kind of charm and mood that keeps you laughing until it hurts, the cast was excellent and so was the timing. If compared to what the sitcom genre has degenerated to (And I don't think it's necessary to name any specific title, most of the sitcoms are awful except Seinfeld) it's a crying shame that shows like Mad About The House are no longer made. Whatever happened to witty writing and great cast?
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
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- WissenswertesWriters Brian Cooke and Johnnie Mortimer were inspired to create Man About The House after noticing increasing numbers of advertisements in the London press for flatmates of either gender - until the early 1970s it was usual for flatsharing households to be all male or all female.
- Crazy CreditsThe closing credits in later series show each credit caption against a still image featuring two 'female' objects and one corresponding 'male' object (eg drinks or item of clothing). One still image used features two cooking utensils as the 'female' items and a spanner as the 'male' item. This is ironic given that in the show Robin is a cookery student while Chrissy and Jo are self-confessed terrible cooks.
- VerbindungenFeatured in All Star Comedy Carnival (1973)
- SoundtracksUp to Date
(uncredited)
Composed by Johnny Hawksworth
Performed by The Hawksworth Big Band
[series theme tune]
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- Erscheinungsdatum
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- Auch bekannt als
- Man About the House
- Drehorte
- Alma Square, St John's Wood, London, England, Vereinigtes Königreich(exterior: George and Mildred's house where in the flat is rented.)
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By what name was Ein Mann im Haus (1973) officially released in India in English?
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