Aus den geheimen Polizeiakten einer europäischen Hauptstadt
- 1972
- 1 Std. 27 Min.
Vier junge Leute werden Zeuge einer schwarzen Messe auf einem abgelegenen englischen Landgut und geraten in Angst und Schrecken, während sie versuchen, sich einen Reim auf das Erlebte zu mac... Alles lesenVier junge Leute werden Zeuge einer schwarzen Messe auf einem abgelegenen englischen Landgut und geraten in Angst und Schrecken, während sie versuchen, sich einen Reim auf das Erlebte zu machen.Vier junge Leute werden Zeuge einer schwarzen Messe auf einem abgelegenen englischen Landgut und geraten in Angst und Schrecken, während sie versuchen, sich einen Reim auf das Erlebte zu machen.
- Regie
- Drehbuch
- Hauptbesetzung
- Woman Playing Piano
- (as Ambra Mascarello)
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Directed by Riccardo Freda (Witch's Curse), the film stars Camille Keaton (I Spit on Your Grave), Tony Isbert (The Rift), Luigi Pistilli (The Good, the Bad and the Ugly), Luciana Paluzzi (Thunderball), and Máximo Valverde (Fresh Flesh).
This is an uneven but entertaining horror film. It has an engaging premise, beautiful leading ladies, a classic horror setup, and solid atmospheric settings. The horror makeup is wild but fun, featuring a memorable throat slash and some gruesome corpses. The last 15 minutes are especially strong, delivering a solid reveal and conclusion. My biggest complaint is that the background music doesn't always match the scenes, but it's a minor issue.
In conclusion, Tragic Ceremony is neither great nor essential, but it has enough to offer for the right audience. I'd rate it 5.5-6/10 and recommend it with the appropriate expectations.
btw stay away from the SHAROMA DVD, a useless murky pan& scan edition which kills of what could be a good visual experience.
This generally weird and largely unknown horror flick was briefly unearthed by Dark Sky Films, who released it on DVD in 2008, but it's still one of the lesser-known oddities of early seventies Italian horror. The film starts out rather orthodox with its young adult characters stumbling into a large mansion, but it doesn't follow the narrative trajectory one would expect. The film's centerpiece is undoubtedly the explosively gory black mass sequence, but rather than occurring at the climax, it instead happens about midway through; this gives the film's narrative arc a remarkably unusual shape that destabilizes the audience's expectations, be it for better or for worse.
While this central scene boasts some creepy imagery and surprising gore, the dreamlike second act of the film is what I found to be most unsettling. After the surreal black mass sequence, the audience follows the four characters in the aftermath of it, which plays out with heady overtones. The heightened black mass scene seems to have the effect of unsettling the audience as much as the flummoxed characters who are trying to piece together what they witnessed, and from there onward the film begins to unravel in the style of a supernatural slasher flick. Their retreat to the country house offers a few chilling scenes, but perhaps most memorable are the one-on-one scenes between Jane and Joe in the penultimate sequence in the woods. There is a quiet, unsettling tone that is rather masterfully achieved in the last half of the film, and this sequence in particular offers some chilling images and atmosphere.
Camille Keaton stars here as the female lead, just after she'd completed her debut work on the giallo "What Have You Done to Solange?" She has an ethereal but disquieting screen presence as always, and the performance is understated but effective. She is surrounded with three Italian/Spanish male actors, each of whom play off of both her and each other fairly well as disaffected hippies. The film has a clever twist at the end that is unfortunately marred by a slipshod imitation of the conclusion from "Psycho," which feels totally unnecessary and tacked on with little forethought.
The silly handling of the conclusion aside, I still found "Tragic Ceremony" to be a weirdly unsettling film. It is certainly not a masterpiece, but the bizarre narrative arc combined with the moody cinematography and Keaton's haunted performance really lend some vitality to the proceedings. The last half of the film plays out like a dream (or a nightmare), and there is an appreciable sense of foreboding that can't be shaken by the audience anymore than it can the characters on screen. 7/10.
Rather slow to start, and awfully talky at times, "Tragic Ceremony" is a standard tale in some ways (complete with the use of the "old dark house" and "stormy night" tropes), and delivers no big surprises, but it walks an interesting line between suspense and spectacle. The four main characters are set up as basically engaging people who are easy enough to watch, and the supporting cast is strong. (The great Paul Muller turns up at the very end as a doctor whose job is to provide a final bit of exposition.) Keaton, the memorable star of the infamous exploitation-revenge-thriller "I Spit on Your Grave", is a compelling, striking beauty from whom you can't take your eyes. The music (by the talented Stelvio Cipriani) is good, as well as the location shooting. But what really makes sitting through this somewhat obscure Italian genre flick worth it is the massacre that occurs at approximately the midway point. You can tell that the filmmakers were pleased with their "sword cutting into a guy's head" effect (the FX were by Carlo Rambaldi): we see it a total of five times before the film is over!
Director Riccardo Freda apparently resented the job of guiding this particular film, but the results on screen are still pretty effective. At least it doesn't play out in a *completely* predictable way; the films' second half makes it worth sitting through the first half.
Six out of 10.
Wusstest du schon
- WissenswertesRiccardo Freda always resented directing the movie.
- PatzerNo explanation why the dune buggy that breaks down at the Alexanders's and has given so much trouble is fixed and ready for a quick getaway from "The Tragic Ceremony".
- Zitate
News Reporter: According to the latest findings, it would seem like this gruesome massacre, strangely reminiscent of Sharon Tate's murder, could be linked to a small group of hippies in the villa.
- Alternative VersionenThe Spanish prints are shorter than the Italian version. In Spain, portions of the scene where Camille Keaton takes a bath are cut - in fact, all shots with nudity are edited out - and the whole "explanation" by Paul Muller at the very end of the movie is missing. Spanish prints include an end title where the Italian print have the title song on a black screen.
- SoundtracksLa Vita
Music written and performed by Stelvio Cipriani
Lyrics by Riccardo Freda
Sung by Ernesto Brancucci
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- Laufzeit1 Stunde 27 Minuten
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- 1.85 : 1