Il sorriso della iena

16-year-old boarding school student Nancy (Jenny Tamburi) arrives in town after her mother commits suicide. She is taken in by her stepfather Marco (Silvano Tranquilli), who has already moved in his mistress Gianna (Rosalba Neri). Things get a bit strange when Nancy begins to suspect her mother didn't commit suicide and puts the moves on both of her hosts. This is a nifty little thriller from Silvio (AMUCK!) Amadio with enough twists and turns to keep you interested. The main mystery isn't too hard to guess, but there is a nice extra twist at the end and, of course, another one for good measure. Tamburi and the gorgeous Neri spend a lot of their screen time nude and that certainly helps too. Quite possibly the best thing about the film is a theme that is so catchy with Amadio using it at every opportunity. You will definitely be humming it for days after watching this one.

Well the characters here do oblige - so no pun intended obviously (and once again). This was one of three movies I was able to watch from a box set from Arrow video, who really knows how to find gems, that I might not have been able to see - same goes for many other people I assume.

That all being said, the movie is quite contained, with a start that may feel missleading. The movie is not full of violence and blood as the start may suggest. It is filled with nudity more than violence - though nothing too ... well you probably have seen more in other movies. Don't forget this is the early 70s though.

There are enough twists and turns to make this interesting and maybe even warrant more than one viewing. Or were you able to decipher clues better than most?

SMILE BEFORE DEATH opens with a bloody "suicide", followed by the hyper-bubbly introductory song. This jarring juxtaposition, oddly, sets up the rest of the film perfectly. Don't worry, you'll hear the theme song again. A lot.

When Nancy (Jenny Tamburi) returns home, telling of her years at boarding school, her rich mother has passed away, and mum's friend, Gianna (Rosalba Neri), is more-than eager to help Nancy get acclimated to life on her mother's estate. Nancy stands to inherit everything.

This doesn't sit well with either Gianna or Nancy's wretched stepfather (Silvano Tranquilli). Let the devilish games begin.

This is a wicked little giallo about lust, obsession, skullduggery, and murder. There are some nice twists and backstabbings, both literal and metaphorical. If you like double-crosses and triple-crosses, then you'll probably love this! Ms. Neri's character is particularly cold and calculating, as well as being breathtaking, whether in or out of her clothing. In fact, there's a great deal of female nudity on display.

An all-around classic...

Smile Before Death, originally titled Il sorriso della iena, is an overlooked and underrated giallo that mixes elements of a psychological thriller with inspirations from the drama genre and a touch of softcore pornography that underlines how experimental, liberal and progressive filmmaking was in the early seventies while it has become significantly more conservative, prude and repetitive these days.

The film revolves around a boarding school student who decides to stay with her stepfather and her mother's best friend after her mother's tragical suicide. What starts as a lighthearted vacation in a lush mansion beside a magnificent lake takes a sinister turn when the three characters start plotting intrigues against one another. These tensions increase dramatically and lead to a breathtaking finale with several interesting twists and turns.

This movie convinces on several elements. First of all, the plot is quite clever and comes around with a few interesting twists in the closing stages that will keep viewers on the edges of their seats. Up next, the tension between the three distinctive lead characters is quite palpable and increases the movie's uneasy atmosphere. The acting performances are very credible, decent and expressive. Especially youngster Jenny Tamburi shows incredible talent and has her breakthrough performance in this movie. The locations have also been chosen with care and offer colourful, elegant and sophisticated elements on the pulse of their time. The fact that most of the movie takes place in the mansion adds a claustrophobic vibe as it makes the beautiful place feel like a golden cage.

This film however also has several flaws that keep it from being an excellent genre film or even a masterpiece. First of all, the soundtrack is repetitive, dull and at times nerve-firing. Up next, the main intrigue of the movie is quite by the numbers and easily predictable until the final fifteen minutes offer a dramatic turn of events. This final series of events might be entertaining but is also quite overwhelming as the screenwriters are pulling rabbits out of their hats.

At the end of the day, fans of the giallo genre and anyone who likes the vibes of the late sixties and early seventies should certainly appreciate this movie that deserves more attention, recognition and praise. Despite its nostalgic vibe, the film is overall rather entertaining. However, it lacks the depth to leave a lasting impression and stand the test of time as a genre classic.

The chirpy, Euro-Barbara Windsor squeaking soundtrack that introduces this film would perhaps fool you into think you're about to watch some "Whoopsy-Boing!" sex comedy, but you'd be wrong. Except for the sex bit.

A horrible rich lady who has an open marriage with her Roman noble husband (Silvano Tranquili) is found dead within a locked room, her throat cut. Everyone thinks it was suicide...well, the police think it was suicide, but no one else does, especially housekeeper Magda, who now tends to the needs of Silvano and his mistress, photographer and professional moody looking smoker Rosalba Neri.

A spanner is thrown into the works when the rich lady's daughter from a previous marriage turns up after quitting boarding school (or something like that). Her wide eyed innocence certainly catches the eyes of Rosalba, who quickly bonds with the girl by taking loads of pictures of her and conveying the idea that she may bat for both sides, as it were. Silvano's eyebrows are certainly raised when comes home to find his step-daughter bare-arsed in front of a mirror, but if this newcomer has a legit stake in the money left by the rich jerk lady, what are out scheming twosome going to do about it?

This is more of your old-school giallo set in a big house with rich people being duplicitous and trying to out-do each other, with the usual plot twists thrown in for good measure, and a whole heap of photographer sessions between the young girl and a drooling Rosalba Neri. Obviously the girl gets it on with both the lead actors but you don't get a slow motion lesbian sex scene like you did with Silvio Amadio's previous Amuck. That said, those looking for nudity won't be let down as the stepdaughter seemingly spends half the film naked.

I've got to admit that I found the soundtrack really irritating. "A-chi-chi-chi-di-di-dididida-chi...aaaaaaaah!" indeed.