IMDb-BEWERTUNG
5,6/10
4181
IHRE BEWERTUNG
Eine vernachlässigte, unglückliche Vorstadthausfrau wird in die Hexerei verwickelt, was unerwartete Folgen hat.Eine vernachlässigte, unglückliche Vorstadthausfrau wird in die Hexerei verwickelt, was unerwartete Folgen hat.Eine vernachlässigte, unglückliche Vorstadthausfrau wird in die Hexerei verwickelt, was unerwartete Folgen hat.
Raymond Laine
- Gregg
- (as Ray Laine)
Robert Trow
- Detective Mills
- (as Bob Trow)
Lynda Marnoni
- Patty
- (as Linda Creagan)
S. William Hinzman
- The Intruder
- (as Bill Hinzeman)
Empfohlene Bewertungen
To get the most out of 'Season Of The Witch' ignore the horror tag and put Romero's zombie movies out of your mind. This is more of a character study cum social document of an early 70s bored housewife's attempt to find meaning in her life. Faced with dull bourgeois conformity on one side, and a counter-culture that offers no real answers on the other, she eventually finds her own direction. Low budget, variable performances and all, I still found this to be a much more complex and accomplished movie than Romero's most recent effort 'Bruiser'. While it doesn't impress as much as his overlooked vampire gem 'Martin' (which shares certain similarities in approach and theme), it's not to be dismissed. It may not be entirely successful, but I highly recommend it.
This is one of my favorite films of all time. Joan, who seems to be suffering from a midlife crisis, breaks away from her world of therapy, bridge and cocktail parties and becomes involved in witchcraft. We never know if she REALLY has magical powers or not. Her nightmares and fantasies remind one of Roman Polanski's "Repulsion." In the end, Joan seems to finally have it all together. A definite must-see for any true Romero fan.
A thoughtful character study with supernatural tinges, misleading marketed as a straightforward horror film due to Romero's reputation, this film raises more questions than it can answer but is involving despite its leisurely pace. Certainly a more honest confrontation of suburban anomie than the likes of American Beauty, anyway, it boasts a well-modulated lead performance from Jan White, as well as arresting dream sequences and an overall well-sustained quiet tension throughout.
Good Gravy! This is an odd movie. It's kind of like the bored-housewives-turn-on schlock released by Something Weird Video, except it's done as a "serious" movie. Plus, it's advertised as a horror movie because it was directed by George A. Romero, he of "Dawn of the Dead" fame. I watched the Anchor Bay special edition of this flick- the name on the video box is "Season of the Witch", the actual movie has the title "Jack's Wife", and in the theatrical trailer included on the tape the movie is called "Hungry Wives". But ignoring all that, I enjoyed most of this movie. The actors are all good, and the movie is packed with great dream sequences. The proof that this movie is above average is that it can use the tired "waking up from one dream only to find that you're still dreaming" device skillfully.
The plot concerns a bored housewife whose husband ("Jack", I guess) occasionally smacks her around, telling her she needs to "kick some ass" (he says that a lot). She's got a super-cute red head daughter who introduces her to a trippy stoner who turns her on to a swingin' life style. This movie's strongest scenes are the ones concerning Jack's Wife's growing hatred of her dull life and friends.
Although Jack's Wife and her booze-guzzling friends go to see a woman who practices witchcraft, but that's not really a big part of the movie. The "Season of the Witch" title comes from the inclusion of a song, performed by Donovan, with that title. This song, played loudly over a throw-away scene, sounds as if it was recorded by one group sans Donovan, and then they played it over the radio and recorded Donovan singing out of rhythm with it. It's very, very bizarre.
But anyway, this was an obscure little gem that I really liked, and it gets bonus points for including a scene with Mad Libs.
The plot concerns a bored housewife whose husband ("Jack", I guess) occasionally smacks her around, telling her she needs to "kick some ass" (he says that a lot). She's got a super-cute red head daughter who introduces her to a trippy stoner who turns her on to a swingin' life style. This movie's strongest scenes are the ones concerning Jack's Wife's growing hatred of her dull life and friends.
Although Jack's Wife and her booze-guzzling friends go to see a woman who practices witchcraft, but that's not really a big part of the movie. The "Season of the Witch" title comes from the inclusion of a song, performed by Donovan, with that title. This song, played loudly over a throw-away scene, sounds as if it was recorded by one group sans Donovan, and then they played it over the radio and recorded Donovan singing out of rhythm with it. It's very, very bizarre.
But anyway, this was an obscure little gem that I really liked, and it gets bonus points for including a scene with Mad Libs.
Director George A. Romero is a smart guy. His movies usually have a lot more going on in them than what appears on the surface.
SEASON OF THE WITCH is about a bored, disillusioned "housewife" who dabbles in witchcraft. It's also a study of the cataclysmic changes underway in the late 1960's and early 70's. It was a time when the more puritanical structure of the 1950's was collapsing under the weight of personal and social experimentation / freedom.
Jan White's character is willing to accept new -actually, very old- ideas and a liberating lifestyle that will drive her emotionally-absent husband nuts. That is, if he even notices!
This movie explores the sexual revolution, female awakening, and several other topics of its era. Witchcraft has always been a perfect metaphor for female power, causing terror in those who would much rather keep it buried. Too late. The spell is cast...
SEASON OF THE WITCH is about a bored, disillusioned "housewife" who dabbles in witchcraft. It's also a study of the cataclysmic changes underway in the late 1960's and early 70's. It was a time when the more puritanical structure of the 1950's was collapsing under the weight of personal and social experimentation / freedom.
Jan White's character is willing to accept new -actually, very old- ideas and a liberating lifestyle that will drive her emotionally-absent husband nuts. That is, if he even notices!
This movie explores the sexual revolution, female awakening, and several other topics of its era. Witchcraft has always been a perfect metaphor for female power, causing terror in those who would much rather keep it buried. Too late. The spell is cast...
Wusstest du schon
- WissenswertesAccording to director George A. Romero, in the commentary track he did for The Crazies (1973) in 2002, this is the only one of his films he'd like to remake. He cited lack of money as a reason for unhappiness with this production as it turned out.
- PatzerThe name on the MasterCharge card Joan uses to buy her witchcraft supplies is "George A Romero".
- Zitate
Shirley: [reading from the Witchcraft primer] 'The religion offers, further, a retreat for emotional women, repressed women, masculine women and those suffering from personal disappointment or nervous maladjustment.' Christ, what other kind of women are there? No wonder this stuff's getting so damn popular.
- Alternative VersionenOriginally filmed and released in 1971 under the title "Hungry Wives" which ran at 130 minutes, the movie was re-edited for foreign distribution and re-released as "Jack's Wife" a year later, running at 104 minutes. In response to George A. Romero's successful release of "Creepshow" in 1982, "Jack's Wife" was released on home video as "Season of the Witch" with the running time trimmed further to 89 minutes. The current video version runs 104 minutes which is the original overseas version titled "Jack's Wife."
- VerbindungenFeatured in The Dead Will Walk (2004)
- SoundtracksSeason of the Witch
Written and Performed by Donovan
Top-Auswahl
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Details
Box Office
- Budget
- 90.000 $ (geschätzt)
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