Die berüchtigte Kriminelle und Untergrundgestalt Divine aus Baltimore geht gegen ein schmieriges Ehepaar vor, das einen leidenschaftlichen Versuch unternimmt, sie zu demütigen.Die berüchtigte Kriminelle und Untergrundgestalt Divine aus Baltimore geht gegen ein schmieriges Ehepaar vor, das einen leidenschaftlichen Versuch unternimmt, sie zu demütigen.Die berüchtigte Kriminelle und Untergrundgestalt Divine aus Baltimore geht gegen ein schmieriges Ehepaar vor, das einen leidenschaftlichen Versuch unternimmt, sie zu demütigen.
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Pat Lefaiver
- Etta
- (as Pat LeFaiver)
Julie Munschauer
- Party Guest
- (as Julie Munshauer)
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This is, without a doubt, the most disgusting, most vile thing I have ever seen. I thought I had a very strong stomach. Oh, dear Lord, I have never felt so violated in my entire life. By the film getting ONLY an NC-17 rating, John Waters got off so easily! The very last scene, with the dog, is the most vomit-inducing scene I have ever seen. I don't know if I like it or not. I just know that I would think long and hard about seeing this movie again.
Before watching this film, keep in mind that it is not for the faint of heart, it includes, but not limited to: Chicken brutality, Chicken uhhh intercourse, dog feces consumption, feces, vomit, cannibalism, and more. Hopefully that paints a picture.
The film, if you're into films, is very notorious. Before watching this movie a day ago it was always brought up that dog feces had something to do with this movie. They were not lying, nonono not one bit. What a way to buy my first Criterion film huh?
If you ask me, this film isn't too funny. The humor, for me, was mainly just gross-out-- which isn't all that funny, i was just sort of laughing at how absurd it was and how uncomfortable i was. For reference, this isn't my first rodeo with disturbing, nasty, and shocking films. I've seen the Japanese Guinea Pig movies alongside many others that pop into your head when i mention that. This film always seemed to be recommended to me , due to me enjoying the shock value.
There are so many things to say about this film and i'm not interested in spoiling it. My main problems are : Strange drawn out scenes, done only for shock--parts in the movie that just make no sense and don't need to be there-- and every scene Crackers is in. Crackers somehow happens to make every scene he's in (i'm exaggerating, i'm talking about two in particular) uncomfortable and needless.
Now what this film has going for it is John Water's visuals, dialogue, quotables, and bizarre plot. If you were to attempt at explaining this movie from start to finish to somebody, scene for scene, it would be quicker to just show them the damn movie. Its definitely a cult classic, not perfect, but not bad and i look forward to doing a rewatch in the future.
Although i don't love this movie as much as most, if you can handle it, id consider giving it a watch.
The film, if you're into films, is very notorious. Before watching this movie a day ago it was always brought up that dog feces had something to do with this movie. They were not lying, nonono not one bit. What a way to buy my first Criterion film huh?
If you ask me, this film isn't too funny. The humor, for me, was mainly just gross-out-- which isn't all that funny, i was just sort of laughing at how absurd it was and how uncomfortable i was. For reference, this isn't my first rodeo with disturbing, nasty, and shocking films. I've seen the Japanese Guinea Pig movies alongside many others that pop into your head when i mention that. This film always seemed to be recommended to me , due to me enjoying the shock value.
There are so many things to say about this film and i'm not interested in spoiling it. My main problems are : Strange drawn out scenes, done only for shock--parts in the movie that just make no sense and don't need to be there-- and every scene Crackers is in. Crackers somehow happens to make every scene he's in (i'm exaggerating, i'm talking about two in particular) uncomfortable and needless.
Now what this film has going for it is John Water's visuals, dialogue, quotables, and bizarre plot. If you were to attempt at explaining this movie from start to finish to somebody, scene for scene, it would be quicker to just show them the damn movie. Its definitely a cult classic, not perfect, but not bad and i look forward to doing a rewatch in the future.
Although i don't love this movie as much as most, if you can handle it, id consider giving it a watch.
I have seen worst films than "Pink Flamingos".But that doesn't mean I am letting this film off the hook.This film is sensless,revolting and is such a mess that I was asking myself where is the plot?Oh,yeah.I remember.The plot was about the battle on who is the filthiest person alive.That's the best that director John Waters can do.I am not a John Waters fan,but I did enjoy "Serial Mom" and I thought "Cry Baby was one of the stupidest films of 1990."Pink Flamingos",with its grotesque gags and its offensive sexual situations makes this film a film that unfortunately I am going to remember.I had no problem watching this film because I knew that were films that I have seen that were far worse than this.This film has become a cult classic according to fans of John Waters and is definitely one of the most time wasting films I have ever seen.After watching this film,I was asking myself,how low can filmmakers go to repulse an audience?"Pink Flamingos" is the worst film of 1972.
The Divine and Doggie bit at the end is a bit much for me; I have to turn away. But a lot of it's pretty hysterical -- and it obviously works since folks are complaining why anyone would make a movie like this.
The answer, of course, is: to annoy folks who would complain why anyone would make a movie like this.
Don't be fooled by those who would have you believe that there's some deep meaning in, or mark of genius on, this film. There isn't. There is, though, a kind of bizarre, kinetic and desperate energy to this nonsensical enterprise.
I didn't hate it. There, that's my review: I didn't hate it.
I tend to agree with Ebert in this regard: this film is an object. It simply "is," and no amount of explaining will settle your nerves after you've seen it, nor convince you to see it in the first place.
The answer, of course, is: to annoy folks who would complain why anyone would make a movie like this.
Don't be fooled by those who would have you believe that there's some deep meaning in, or mark of genius on, this film. There isn't. There is, though, a kind of bizarre, kinetic and desperate energy to this nonsensical enterprise.
I didn't hate it. There, that's my review: I didn't hate it.
I tend to agree with Ebert in this regard: this film is an object. It simply "is," and no amount of explaining will settle your nerves after you've seen it, nor convince you to see it in the first place.
On the surface "Pink Flamingos" could easily be dismissed as a nostalgic piece of shock cinema. With an unparalleled level of notoriety -- based almost entirely on the final scene, the film has become a curiosity of sorts and a right of passage for those testing their own boundaries of decency. Beneath this seedy exterior however, lies a brilliant and biting satire of society's obsession with fame and the lengths one will go to in order to achieve it. This theme is relevant even more so today than it ever was. Just consider the over abundance of reality TV shows, for example 'Fear Factor' a show boasting contestants eager and willing to outdo one another by performing a variety of dangerous stunts and eating unimaginable specimens how is this any different than the characters in 'Pink Flamingos' attempting to outdo one another in an effort to claim the dubious title of the filthiest people alive? Society is (and has always been) captivated with sensationalism; from the Roman era and the coliseum packed with bloodthirsty audiences, to modern day and the likes of the 'Jerry Springer Show' (of which Babs Johnson and the Marbles would make excellent guests!!). The purpose of "Pink Flamingos" is to not only put a hilariously depraved spin on the fascination with celebrity but to also provide a cautionary tone to the dissolution of society itself. The performances are all top-notch; especially the ever-dependable and over-the-top Mink Stole, as heartless Connie Marble; and scene stealing Edith Massey, as Edie 'The Egg Lady'. It's amazing that the film is over thirty-years old because the message is just as fresh today as it was back in 1972.
WUSSTEST DU SCHON:
- WissenswertesThe night after the eating-dog-faeces scene was filmed, Divine called a hospital emergency hotline pretending to be a mother whose son ate dog feces; she was told that the worst thing that could happen was that he might get white worms.
- PatzerAfter Connie and Raymond burn Divine's trailer and return to their house, when the door is open, Divine can be heard talking to John Waters.
- Zitate
Babs Johnson: Kill everyone now! Condone first degree murder! Advocate cannibalism! Eat shit! Filth is my politics! Filth is my life!
- Crazy CreditsFor Sadie, Katie, and Les- February 1972 (The Manson Family members Susan Atkins, Patricia Krenwinkel and Leslie Van Houten. February 1972 was the month when the California State Supreme Court abolished the death penalty in California (it was later reinstated), reducing the sentences of the convicted Manson Family members to life imprisonment.)
- Alternative VersionenThe first UK video release of Pink Flamingos in November 1981 (prior to BBFC video regulation requirements) was completely uncut. It was issued by Palace as part of a package of Waters films they had acquired from New Line. The package included Mondo Trasho (double billed with Sex Madness), Multiple Maniacs (double billed with Cocaine Fiends), Desperate Living and Female Trouble. The 1990 (and now requiring BBFC approval) video re-release was cut by 3m 4s, the 1997 issue lost 2m 42s, and the pre-edited 1999 print was cut by 2m 8s. It is worth noting that in 2008, the BBFC informed the distributor that the film could finally be passed uncut, but it has not been re-submitted for classification.
- VerbindungenEdited into Video Macumba (1991)
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