Kalter Hauch

They sure don't make them like this anymore: smart, realistic, tough and fascinating. Charles Bronson is in top form here, he plays a hit man with creative and untraceable way methods of killing, he is like a "death doctor" and when he "fix something, it never works again". But things aren't so good for him lately, he suffers from anxiety and collapses in one memorable scene. He then decides to take under his wing the young Steve Mackenna (Jan Michael Vincent in one of his better roles) and teach his the skills of the trade. Director Michael Winner put together a piece of classic cinema with everything seems to work perfectly. The cinematography is one of the most beautiful I have ever seen, especially the final scenes located in Italy. It's a shame that this film is almost unknown to the young generation and is way underrated here. The twisted ending certainly lifts up the already high level of the film. Highly recommended 10/10.

The early seventies was a great period for Bronson. Having already reached fifty and a string of classics under his belt as a support player in the sixties, the seventies was his decade. His ice cool tough guy image and immaculate physique made up for his rugged leading man looks and put him more in line ahead of the Redfords and the Newman's for gritty urban thrillers. In Basic terms Bronson could play a ruthless good guy, he had played his fair share of Indians and Mexican Bandits, but never was he better cast than when he portrayed Arthur Bishop, professional hitman for the Mob, The Mechanic.

With great locations, exciting outbursts of action and a surprise twist, this is seventies action entertainment at it's best and it was the period where Director Michael Winner's collaboration with Bronson proved to be his best work to date. They went on to make another great urban crime thriller THE STONE KILLER and then DEATH WISH, Bronson's most famous movie.

It's a shame that both Bronson and Winner's films and reputations went down hill in the eighties but perhaps age went against the seventies icon, as for Winner he returned to Britain and went back to making dire comedies.

But the seventies saw Bronson in many roles that would categorise him as typecast but perhaps he knew his limitations and knew he was never gonna be a romantic lead. Although his late wife, Jill Ireland may have disagreed, she appeared alongside him several times over the space of twenties years, check out a movie entitled FROM NOON TIL THREE, a romantic western that people didn't want to see.

Audiences want to see Bronson as tough, cool, calculated and deadly that's why THE MECHANIC is the perfect vehicle for the screen legend.

The forty-two year old hit-man Arthur Bishop (Charles Bronson) is frequently hired to kill without a trace and he carefully studies the profiles of his victims to find the perfect and clean way to execute them.

When he is hired to kill "Big" Harry McKenna (Keenan Wynn), who was a former friend of his father, Arthur meets his son Steve McKenna (Jan- Michael Vincent) asking money to Harry at home. Later in Harry's funeral, Steve asks for a ride to Arthur and they become very close. Arthur finds potential in the twenty-four year old Steve to become a professional killer and he invites the youngster to form a partnership with him. However his attitude displeases the Powers that Be and Arthur is sent to Naples to kill a mobster. Arthur finds a file about him in a drawer at Steve's house but he invites Steve to travel with him to Italy. Sooner they learn that someone wants them to see Naples and die.

"The Mechanic" is an engaging film by Michael Winner with another great performance of Charles Bronson in the role of a "mechanic", meaning a hired hit-man that kills his victims without leaving a trace. One of the best lines in this film is when he tells to Steve that murder is only killing without a license. Jan-Michael Vincent has one of his best performances in the role of a youngster that believe that he has learned how to lure an experienced man. My vote is seven.

Title (Brazil): "Assassino a Preço Fixo" ("Killer at a Fixed Price")

15. THE MECHANIC (action, 1972) Arthur Bishop (Charles Bronson) is the mechanic, a hit man hired by the Organization as an assassin. Bishop's contact to the Organization is Harry, a long time confidant of his late father. Bishop is meticulous in his work. He is without feelings or remorse, the consummate professional. Bishop's next target is Harry. He carries the job through without hesitation. Harry's son Steve (Jan-Michael Vincent) lives the life of a dilettante playboy. He suspects Bishop's involvement in his father's death, and tries to find out what his ties to the Organization truly are.

Critique: As far as spy and espionage films go 'The Mechanic' is one of the best. Not only for those Charles Bronson aficionados (like myself), but for lovers of well-made action films. Michael Winner's clever direction adds a sparkle to the genre. He sets up interesting insights into an assassin's mode of work.

A cut above Death Wish (1974- Bronson's best known film), in both content and script, Bronson's performance is the epitome of cool. He's perfect at playing a character that has been totally detached from the outside world, and a man trapped in a world he can only have created. In the same way that Steve McQueen used his laconic presence to great effect, Winner makes full use of Bronson's craggy features.

QUOTE: Bishop: "Murder is killing without a license. Everybody kills."

Another classic Bronson movie and not to be missed. This time Charles is Arthur Bishop, a merciless, unfeeling, uncaring and strictly by the book assassin who is the standard by which all other professional killers are measured. Meticulous to a fault and as calculatingly efficient as can be, Bishop systematically completes his missions and returns to his mansion each night. Soon after eliminating one of his old friends, he becomes attached to the dead man's young and impertinent son Steve (John Michael Vincent), which quickly progresses from friendship to business relationship. Bishop agrees to mentor Steve in the tricks of the trade as an "associate" and after working with him he is free to do as he pleases. However, Bishop quickly discovers that is apt pupil is more nefarious than he appears as Steve has already accepted a contract on Bishop's life. But what Arthur doesn't realize yet is "the organization" to which Bishop belongs now wants him eliminated and will stop at nothing to achieve this goal. Bishop has broken a rule in taking Steve under his wing without first getting approval of "The Man" and is therefore marked for death. This film is filled with action, intrigue, and of course suspense as you continue to wonder the whole time which "mechanic" is gonna get his car fixed first. The ending is quite unpredictable for a 70's Bronson movie but enjoyable to the last second. Also features a cameo by Bronson's late wife Jill Ireland. One of Charles Bronson's better accomplishments on the silver screen I sure was impressed.