Die Wirkung von Gammastrahlen auf Ringelblumen

I have only seen this film once, at the Tyneside Cinema, an early arts house independent cinema in the UK. I saw the film in the year of its release. I still treasure memories of Joanne Woodward's performance as the tragi-comic loudmouth of a mother, who is desperate to do things right, but also has little time for the opinions of others. I would dearly love to see it again, but on the few occasions that I have enquired, I have been greeted by bewildered expressions from folk who plainly think that I am having them on when I mention the title. Perhaps this is an apt result, given the way that the star of the film played such an alienated role that fans of the film should now find themselves being looked at in a somewhat dubious way! To those who have not seen it, grab this powerful performance with both hands. It truly is a gem, with a fine range of emotions, and a cast that works fully together. Thank you for giving me the chance to write this.

It's tempting to revist a "favorite" film from one's teenage years. It's fascinating and more than a little intimidating to see how much of it you do or don't relate to as an adult. This was the defining movie of the "in" crowd of which I was a member. We were so full of angst (and ourselves) that we were just insufferable. Having said that, I can now look back and say that although the story did not meet our life's expectations or our predict how our lives would turn out, it was very accurate about how we felt and was able to portray all those awful teenage emotions we were feeling. It's all about perceptions. I would suggest that any parent of a teenager, especially a girl, watch this and then read the novel. As an adult, you might think it melodramatic and extreme, but I promise you, I remember how it felt, and Paul Newman poignantly and heartbreakingly captures every single tear shed by these two sisters and their mother. An under-rated gem and a teenage must-see film.

The Effect of Gamma Rays on Man-in-the-Moon Marigolds (Wow! Long title...) is an interesting drama about an awful mother and her two teenage daughters. The mother, Beatrice (Joanne Woodward), is a widow who doesn't really work. She instead chain smokes, complains about everything, insults everyone, including her kids, and doesn't seem to know how to raise children. Her oldest daughter Ruth (Roberta Wallach) is a popular cheerleader, who occasionally has convulsions. Youngest daughter Matilda (Nell Potts, Woodward's real life daughter) is good at science, but is very shy and has no friends (despite being more attractive, in my opinion). They have an old woman as a border to earn some money. This movie is very sweet and deals realistically with family problems. Beatrice is obnoxious and self-centered and Ruth is the same. The only character one can sympathize with is shy Matilda. The film was directed by Paul Newman, husband of Woodward and father of Potts. It was based on a play by Paul Zindel, who wrote a book, "The Pigman", that I had to read for high school. I think the movie was once available on VHS, but it's probably out-of-print. I hope someday the Newman family will take some time off from making spaghetti sauce to collaborate with 20th Century Fox to give this movie the deluxe DVD treatment.

Effect of Gamma Rays on Man-in-the-Moon Marigolds, The (1972)

*** 1/2 (out of 4)

It's a shame the silly sounding title will probably make most people overlook this film because it's an incredibly strong character study that deserves more attention. Joanne Woodward plays Beatrice, a widow trying to race two girls (Nell Potts, Roberta Wallach) in a world she feels is falling apart due to stupid people. What Beatrice doesn't realize is that the majority of problems in her life are due to herself and she can't seem to realize the damage that she's doing to her daughters. I must admit that I was shocked to see that Woodward didn't even got an Oscar-nomination for her performance here, which will go down in my book as one of the biggest injustices of all-time. Many people has called this performance one of the actresses greatest and many, including her husband and director of this film Paul Newman, have called it the greatest of her career. I'd probably go even further than that and call it one of the greatest performances by an actress that you're ever going to see. The amount of rage, passion and at times evilness within this performance is something truly amazing to watch and it's just breathtaking sitting back and watching Woodward work. She said that this was one of her most difficult roles because of having to play someone so depressing, bitter and angry but she perfectly nails all of it. I think calling this character crazy would be an easy way out because there's just so much to her and so much development that goes on. Just take a look at a sequence where she's trying to gather money for a tea-shop invention that she's came up with. Just watch the way she grows more and more frantic as the money trail starts to go away. Another terrific sequence again shows the character in a different way. There's a scene where the mother learns that her oldest daughter had done a skit about her at school for laughs. Again, just watch the way Woodward brilliantly plays it. The supporting performances are also very good with Newman and Woodward's real-life daughter Nell doing a nice job with the role of the youngest sister. Roberta Wallach, Eli's daughter, is also extremely strong in her bit as the one who suffers the most humiliation from the mother. I also thought Newman's direction was superb and it's easy to tell in the film's that he directed that he believed the acting was the most important thing to any movie. He doesn't throw any real style into the film and instead he just turns the camera on and let's the actors bring the film to life. THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS is a very silly title but the film is a real gem with one of the greatest performances you're likely to see.

This film has the same wonderfully subtle direction as "The Heart Is A Lonely Hunter," "Diary Of A Mad Housewife" and "Goodbye Columbus." The lost 60s/70s style for dialogue films with immediately profound social messages is probably best exampled in "EGROMMM" -- Newman's daughter (Nell Potts) plays the stoic, life-dampened child who refuses to let her drunken slob of a mother destroy her brilliance.. at least for now. We're just slightly distant observers in this style of filmmaking. You won't get under anyone's skin or into anyone's head. But you may have grown up in similar circumstances, god forbid. An excellent film about the subtleties of abuse without coming across preachy in the slightest. Deeply moving.