Gentlemen der Erfolge

The Soviet prison system might not be high on many people's lists of good starting laces for humor, but this comedy winds up being often very funny nonetheless.

This basis is a classic fish-out-of-water premise, wherein a kindly kindergarten teacher happens to look uncannily like a a notorious criminal who has collaborated in stealing a priceless Macedonian gold helmet. The authorities' plan -- only just past the boundary of realism -- is to give him a wig and some false tattoos, and enlist him to help find the helmet. And this, of course, leads to all sorts of awkward situations, which are played for a deadpan absurdity that sets a great tone.

It's also interesting for its view (through a comedy lens) of the Soviet prison system and criminal life at this time, as well as its central Asian setting. Apparently, a good amount of actual contemporary underworld slang from the time was included (which our hero has to learn like a second language). Through the humor, criminals are nonetheless treated as human characters, who are wistful at having been divorced from a normal life and family, rather than completely villainous reprobates.

A very entertaining picture in all, with both likable cops and largely likable robbers as its characters. Recommended.

Story is the classical doubleganger comedy . This time a kindergarten helper is used by the police to get stolen and hid a golden helmet back from some criminals.

I have watched old Russian comedies before and liked some a lot and liked others less. This did just not work for me. I did not find anything in the movie really funny. But it seems like a lot like it. Maybe the movie is also more fun for Russian people, But I guess sometimes comedies are also very individual what people like.

The plot develops rapidly from the very beginning. An ordinary kindergarten teacher, a good-natured plump uncle who adores his pupils, finds himself in an unpleasant situation: he is exactly like a recidivist thief who recently stole Macedonian's golden helmet. Out of altruistic motives, the protagonist agrees to help the investigation in finding the criminal, pretending to be the villain. Further, I advise you to watch it yourself, because one review cannot convey even a little of the atmosphere of this film. Each scene makes the viewer experience a range of emotions and tune in a positive way.

Since it was a Soviet movie, I found the vhs-in at my grandfather's house. My Russian is not very good, but not quite my style.

Soldeirs of Fortune is often regarded as masterpiece of Soviet Filmmaking. However, most western viewers usually miss out on the main point that this movie tried to make. Soviet Union has big population of ex-prisoners who viewed themselves as heroes of societies of their time. During early years of Red revolution, people who were released from jails were one of the strongest segments of the "iron fist" that were essential to communism forces. The majority (that was target of communism ideology) were simple penniless people who were craving for chance to get a piece of socially acknowledged and legitimate (comparing to rich aristocratic lifestyle) equal way of life. Gentleman of Fortune presents a rich and historically important blend of mix of Soviet propaganda and effort of filmmakers to relate to prevailing audience. I was the among last generation that bears the values of shattered society.

Filmmaking has made a colossal leap in recent couple of decades, from simple relation to the audience, to trackers of trends in popular culture and views. I truly believe that it is important that future film experts would be able to fully comprehend the essence of legacy that was left to us by older generations.

Majority of western viewers will not be able to understand the humor and subtle context references that reflect nowadays dissolved soviet society. Soldiers of Fortune was primarily a comedy movie that was aimed to aggravate feelings of warmth and happiness in their customers. This movie tackles the problems of humanity and affection between individuals inside "evil" world of burglars and thieves. However, foreign viewers will be able to comprehend these references only of they have knowledge of culture and habits of filmmakers time. Therefore, as this particular movie is freely accessible in YouTube, I insist that if someone wants to fully interpret this movie, it is important to create special description of context in scenes. I would happily be able to provide these commentaries with possible collaboration of other soviet and post-soviet film experts to allow full experience to viewers of this masterpiece.