Brain of Blood

I can't say I'm a fan of these 60's Blood Island Flicks (although, I wish I liked them), but in the early 70's, a knock-off, or something similar was created by Al Adamson (Dracula vs. Frankenstein) and Sam Sherman. Brain Of Blood is considered the black sheep of the Philippine gore series, mainly because Eddie Romero didn't direct, and, well, it was filmed in California, so it's an unofficial addition to the series. But whatever. Close enough. For something so shclocky and inept, we're working with a pretty decent premise, here. About the ruler of a fictional Middle Eastern country (Kaleed), who has recently discovered he is dying of a terminal disease. Amir fears for the future well-being of his beloved country. Although, there may be hope in the crazy Dr. Trenton, who believes he can perform successful brain transplants. Amir and his peeps have pretty much nothing to lose. Once Amir's brain is removed, the doctor figures now would be a good time to look for a new home for the brain. With very little time to spare, the brain ends up in the nearest available person... That's right, Gor. Gor is some kind of assistant/village idiot/monster, with a fake-looking, messed up face that makes him look kinda like the Toxic Avenger. So, yeah, Amir is now stuck in the body of a monster, and Dr. Trenton doesn't care because he now has plans of taking over the world, and there's pretty much nothing he can do about it. Although, Amir is a hulking, yet ridiculous-looking monster now, so, maybe something can be done. Yeah, so, this is genuine 70's Drive-In trash in all its inept, stock-footage-using glory. Not really gory at all, and if I'm not mistaken, this got a PG rating, but if you have a thing for the more low-budget Horrors of the early 70's, this one is one of the essentials. Highly recommended. 8/10

A man who goes by the name of "Amir" (Reed Hadley) is a rich and powerful leader of a country called "Kalid" and he is dying of cancer. Wishing to prolong his life he turns to an insane surgeon named "Doctor Trenton" (Kent Taylor) who guarantees him that he can transplant his brain from his diseased body into a healthy one. Of course, to do that Dr. Trenton needs a live human specimen and since there are no volunteers, he sends a mentally challenged and seriously deformed henchman named "Gor" (John Bloom) out to procure one. Unfortunately, Gor fails in his assignment and so Dr. Trenton is compelled to use Gor as the recipient of Amir's brain. But things don't go as planned. Anyway, rather than disclose the entire story and risk spoiling this film for those who haven't seen it, I will just say that I don't recommend it to anybody but die-hard, Category-Z movie buffs. For starters, the special effects weren't very good and some of the scenes--like the initial surgical procedure or with the young lady named "Katherine" (Vicki Volante) wandering around in the dungeon--seemed to drag on forever. Likewise, I didn't especially care for the ending at all. Below average.

The ruler of the the nation of Khalid is dying, so he's secretly whisked off to the States so that Dr. Trenton can transplant his brain into a new body. The disorganized doctor starts the operation without actually having a body to move the brain to, so when his mentally challenged, extremely large, facially disfigured servant Gor screws up getting a body, the doctor puts the brain into Gor. Naturally, the patient is not happy waking up to find out that he's a giant with a badly scarred face. Mayhem ensues. Oh yeah ... the doctor's dwarf assistant keeps women chained up in the basement as blood donors (it seems that the good doctor is not worried about blood types), and one of them escapes.

If I had to pick a worst director of all time, I'd go with Al Adamson. People have made worse films than his, and at least a couple of his are mildly entertaining, but he has a long career of consistently not giving a crap about any of the films he made. That said, this one is one of his better films ... barely. While it has VERY long stretches of nothing happening, it has about 10-15 minutes of inspired nuttiness. It was made around the same time as "Dracula vs. Frankenstein", so both Dracula (Zandor Vorkov) and the Frankenstein monster (John Bloom) are in this one, along with Angelo Rossito and the ever-present Regina Carrol.

A bit of a disappointment, this one. It didn't have a lot of effects and wasn't really all that funny. Sure, the acting was bad, but bad acting alone is not enough. More effects, blood, cardboard sets, please!

If you like these old B-flicks, go see Baron del Terror (aka the Brainiac), it's much better.

Since two of Al Adamson's previous monstrosities, "Dracula vs. Frankenstein" and "Horror of the Blood Monsters," both from 1971, are two of the very worst films that I have ever suffered through, it was with a distinct feeling of what I can only call cinematic masochism that I sat down to watch his 1972 offering, "Brain of Blood." And guess what? The impossible has happened, and I've finally seen an Al Adamson movie that I actually liked! While no one could honestly call "Brain of Blood" a good, well-made picture, at least it has a story that we can follow, hangs together fairly decently, and is actually fun and entertaining to watch, unlike the torture dished out by those previous films. The story here concerns one Dr. Trenton (Kent Taylor, the star of 1968's "Brides of Blood"), who successfully transplants the brain of Amir, leader of the fictitious country of Khalid, into a younger, stronger body. There is one catch, however: The only body available belonged to Gor, Trenton's hulking, imbecilic, acid-scarred servant. And that's when the fun and games begin! As if a deformed monster weren't enough, the film throws in a gross-out surgical sequence, a high-speed car chase, a well-choreographed rooftop dukeout, assorted murders, explosions, corpses, an over-sized spider and on and on. Three members of "Dracula vs. Frankenstein" return here: the maniacal little person Angelo Rossitto, who here delights in torturing some female prisoners in the basement; the blonde gargoyle known as Regina Carrol; and Zandor Vorkov, the blue-faced Dracula himself. Gor, it must be said, looks absolutely ridiculous, his scarred-puss makeup job resembling nothing more than a rubber bathing cap with a side flap. Still, despite everything, the film works, and coming from Adamson as it does, must be deemed a minor miracle. Now: Should I try his 1978 opus, "Nurse Sherri"?